Well, it finally happened. I won the Ted Marshall Open. Mine was one of two perfect entries, but I took the crown thanks to my guess on the tiebreaker (the price of the higher-priced showcase on the January 2, 2014 The Price is Right). I'll take it.
What really sealed my win, though, was CBS sticking with Reckless, a summer legal drama that the network kept on the schedule despite its mediocre performance. Once it aired after August 31, the one entry that could have beaten me at that point went out of the running.
Hey, it only took 14 tries. And it's a good thing, too, as I have a feeling either The Mysteries of Laura or Stalker (or both) are going to torpedo my 15 annual entry.
Showing posts with label CBS. Show all posts
Showing posts with label CBS. Show all posts
Monday, December 29, 2014
Wednesday, May 14, 2014
2014 Upfronts: CBS
As we've gotten used to, a fairly stable fall offering for CBS, but with one major addition that should shake things up.
What's Cancelled?
The only show that got axed that wasn't clear a while ago was The Crazy Ones. Which is kind of too bad, thought it was OK from what I saw of it.
Starting this Fall
Monday- big news here is that The Big Bang Theory will (temporarily) kick off the night before moving back to Thursday at the end of October. At that point 2 Broke Girls returns. Mom moves to 8:30, and at 9 we have Scorpion, about a group of genius misfits who help solve crimes using their massive brains. But because they suck at real life the mom of a gifted boy helps them cope with feelings and other icky stuff. This is apparently "inspired by a true story," curious as to how far the true story deviates from the show.
The night ends with a relocated NCIS: Los Angeles.
Tuesday - NCIS leads into the new NCIS: New Orleans. I assume I can skip the plot description. The evening ends with Person of Interest, so a nice night of people getting shot at.
Wednesday - Survivor leads into Criminal Minds which leads into a new drama, Stalker, which follows a unit of the LAPD that investigates... stalkers. Just in case one hour a week of Law & Order: SVU wasn't enough for you.
Thursday - FOOTBALL. CBS now has a slate of Thursday night games, which will also air on the NFL Network. It's not quite the deal that NBC has where they can flex games into the night (not surprisingly, given that it's a different day and during the first eight weeks of the season), but given the apparently limitless appetite for the NFL this should give CBS a huge boost early in the fall.
Once football is over, The Big Bang Theory moves back to kick off the night, followed by The Millers, Two and a Half Men, The McCarthys, and Elementary. The McCarthys tells the story about a "loud and sports-crazed" Boston family where the one unathletic son is tabbed by his dad to be his assistant basketball coach. The son, who is gay, just wants to move away and find a partner, but feels compelled to take the job. News flash: not everyone who lives in Boston is Irish. Also, the son could just as easily stay in the city, find a guy, and get married while also being a basketball coach. Ugh.
Friday - the final big move is that The Amazing Race will move here from its long-held Sunday slot. I really don't like this, but do at least appreciate that my DVR won't cut it off due to football or NCAA basketball overruns. Hawaii 5-0 and Blue Bloods return.
Saturday - Crimetime Saturday and 48 Hours, which at least gives us a break from reruns and sports.
Sunday - 60 Minutes leads into the new show Madame Secretary, where Tea Leoni plays the new Secretary of State, who, in a shocking turn of events, has to balance her work and home life. This is followed by The Good Wife and CSI. At some point CSI will give way to CSI: Cyber, about a group that investigates crime that is planned/starts/somehow involves the Internet. Patricia Arquette is the only cast member I've seen mentioned, so I kind of hope this is just an hour of her sitting in front of her computer. Gripping!
And then at midseason
At some point Mike & Molly, The Mentalist, and Undercover Boss will all return. There are two new shows as well:
Battle Creek features mismatched cops, played by Josh Duhamel and Dean Winters, fighting crime in the titular Michigan city. Duhamel is apparently an FBI agent who takes on Winter as his partner, which makes me wonder how a city cop can just become an FBI agent, but I'm thinking too much about this.
The Odd Couple is the latest reboot of the quintessential TV show about mismatched guys. Matthew Perry stars as Oscar, which is funny as I think of him as a Felix.
Outlook
The rich get richer, as even if the new fall shows tank the presence of football will keep ratings up, and the return of so many known shows in the spring should keep CBS at or near the top.
What's Cancelled?
The only show that got axed that wasn't clear a while ago was The Crazy Ones. Which is kind of too bad, thought it was OK from what I saw of it.
Starting this Fall
Monday- big news here is that The Big Bang Theory will (temporarily) kick off the night before moving back to Thursday at the end of October. At that point 2 Broke Girls returns. Mom moves to 8:30, and at 9 we have Scorpion, about a group of genius misfits who help solve crimes using their massive brains. But because they suck at real life the mom of a gifted boy helps them cope with feelings and other icky stuff. This is apparently "inspired by a true story," curious as to how far the true story deviates from the show.
The night ends with a relocated NCIS: Los Angeles.
Tuesday - NCIS leads into the new NCIS: New Orleans. I assume I can skip the plot description. The evening ends with Person of Interest, so a nice night of people getting shot at.
Wednesday - Survivor leads into Criminal Minds which leads into a new drama, Stalker, which follows a unit of the LAPD that investigates... stalkers. Just in case one hour a week of Law & Order: SVU wasn't enough for you.
Thursday - FOOTBALL. CBS now has a slate of Thursday night games, which will also air on the NFL Network. It's not quite the deal that NBC has where they can flex games into the night (not surprisingly, given that it's a different day and during the first eight weeks of the season), but given the apparently limitless appetite for the NFL this should give CBS a huge boost early in the fall.
Once football is over, The Big Bang Theory moves back to kick off the night, followed by The Millers, Two and a Half Men, The McCarthys, and Elementary. The McCarthys tells the story about a "loud and sports-crazed" Boston family where the one unathletic son is tabbed by his dad to be his assistant basketball coach. The son, who is gay, just wants to move away and find a partner, but feels compelled to take the job. News flash: not everyone who lives in Boston is Irish. Also, the son could just as easily stay in the city, find a guy, and get married while also being a basketball coach. Ugh.
Friday - the final big move is that The Amazing Race will move here from its long-held Sunday slot. I really don't like this, but do at least appreciate that my DVR won't cut it off due to football or NCAA basketball overruns. Hawaii 5-0 and Blue Bloods return.
Saturday - Crimetime Saturday and 48 Hours, which at least gives us a break from reruns and sports.
Sunday - 60 Minutes leads into the new show Madame Secretary, where Tea Leoni plays the new Secretary of State, who, in a shocking turn of events, has to balance her work and home life. This is followed by The Good Wife and CSI. At some point CSI will give way to CSI: Cyber, about a group that investigates crime that is planned/starts/somehow involves the Internet. Patricia Arquette is the only cast member I've seen mentioned, so I kind of hope this is just an hour of her sitting in front of her computer. Gripping!
And then at midseason
At some point Mike & Molly, The Mentalist, and Undercover Boss will all return. There are two new shows as well:
Battle Creek features mismatched cops, played by Josh Duhamel and Dean Winters, fighting crime in the titular Michigan city. Duhamel is apparently an FBI agent who takes on Winter as his partner, which makes me wonder how a city cop can just become an FBI agent, but I'm thinking too much about this.
The Odd Couple is the latest reboot of the quintessential TV show about mismatched guys. Matthew Perry stars as Oscar, which is funny as I think of him as a Felix.
Outlook
The rich get richer, as even if the new fall shows tank the presence of football will keep ratings up, and the return of so many known shows in the spring should keep CBS at or near the top.
Monday, April 07, 2014
How I Killed Your Mother
I stopped watching How I Met Your Mother some time ago, and the apparently disappointing finale aired a couple of weeks ago, but I still wanted to discuss one of the more entertaining theories I saw in relation to it: that Ted Moseby killed the mother so he could wind up with Robin.
It seems unlikely - Ted doesn't exactly seem like the murdering type - but we know nothing about his life between his meeting the mother and his 2030. Years of being stuck with the "wrong" woman and seeing how the "right" woman was in a doomed marriage may have spurred him to action.
Also, we got very little information about the mother, which you could take as Ted trying to avoid uncomfortable questions about the mother's passing. He would obviously talk up Robin given his plan to win her back, but it conveniently gives the kids something else to think about.
Also, given the job prospects for architects, it may be that Ted needed to bump off the mother for insurance money. Not sure how much insurance a bass player carries, but every little bit helps.
Of course, this theory ignores one obvious fact: Ted would probably kill himself by accident if he tried to take out the mother. He'd spend all sorts of time being wishy washy about it and forget that he poisoned the food he just ate.
Still, I'd like to think this theory has legs, if only to make Ted more interesting in the aftermath of the show than he ever was during it.
It seems unlikely - Ted doesn't exactly seem like the murdering type - but we know nothing about his life between his meeting the mother and his 2030. Years of being stuck with the "wrong" woman and seeing how the "right" woman was in a doomed marriage may have spurred him to action.
Also, we got very little information about the mother, which you could take as Ted trying to avoid uncomfortable questions about the mother's passing. He would obviously talk up Robin given his plan to win her back, but it conveniently gives the kids something else to think about.
Also, given the job prospects for architects, it may be that Ted needed to bump off the mother for insurance money. Not sure how much insurance a bass player carries, but every little bit helps.
Of course, this theory ignores one obvious fact: Ted would probably kill himself by accident if he tried to take out the mother. He'd spend all sorts of time being wishy washy about it and forget that he poisoned the food he just ate.
Still, I'd like to think this theory has legs, if only to make Ted more interesting in the aftermath of the show than he ever was during it.
Tuesday, December 31, 2013
For Old Blogs That Be Forgot
I've been pretty neglectful of the blog of late, so in these last minutes of 2013 I figured I'd write about the new shows I've picked up for the year. Which is pretty easy, actually, as the only new show I'm watching is The Blacklist, which I've enjoyed for something that's been sort of silly in that overhyped international treachery sort of way that 24 employed so often. James Spader's been fun to watch, and there have been some interesting villains of the week (favorite so far: Robert Sean Leonard as a biotech genius turned mass murderer). I do like that they're taking their time with the standing plot lines (the basis of Reddington's interest in Liz Keen, the potential secret history of her husband, and the identity of the people who are watching the Keen house).
I did try watching Marvel's Agents of SHIELD but couldn't get into it. Not sure if it's because I'm approaching it as an outsider (having not read the comics or seen the movies) or because it's all a bit too ludicrous. Still, I didn't hate it, and hope it sticks if for no other reason to keep networks open to this sort of programming.
I have also seen a couple of episodes of The Crazy Ones and The Millers. I feel like I like the former more than the latter, but haven't quite gotten motivated to follow either.
We did also watched a couple of episodes of Genealogy Roadshow, a PBS series that takes the Antiques Roadshow approach to finding out if everyday people are related to someone famous, or someone involved in a major historical event. I found it a little glib, between the host (who adds nothing but a layer of unctuousness) and the genealogists who don't always explain their findings that well or in enough detail for my taste. This needs a serious retooling before I'd watch it again.
The last new show I'll mention isn't something I watch specifically for me. It's Peg + Cat, a PBS animated show from the Fred Rogers Company that follows a girl (Peg) and her cat as they have math and science-related adventures. It's a very different series than Daniel Tiger's Neighborhood, and offers some amusement for adults from the catchy songs to witty asides. This may actually be the best new show I've seen in 2013.
Oh, and I did watch the live version of The Sound of Music. Audra McDonald deserved better.
Anyway, happy New Year! Hopefully more posting in 2014.
I did try watching Marvel's Agents of SHIELD but couldn't get into it. Not sure if it's because I'm approaching it as an outsider (having not read the comics or seen the movies) or because it's all a bit too ludicrous. Still, I didn't hate it, and hope it sticks if for no other reason to keep networks open to this sort of programming.
I have also seen a couple of episodes of The Crazy Ones and The Millers. I feel like I like the former more than the latter, but haven't quite gotten motivated to follow either.
We did also watched a couple of episodes of Genealogy Roadshow, a PBS series that takes the Antiques Roadshow approach to finding out if everyday people are related to someone famous, or someone involved in a major historical event. I found it a little glib, between the host (who adds nothing but a layer of unctuousness) and the genealogists who don't always explain their findings that well or in enough detail for my taste. This needs a serious retooling before I'd watch it again.
The last new show I'll mention isn't something I watch specifically for me. It's Peg + Cat, a PBS animated show from the Fred Rogers Company that follows a girl (Peg) and her cat as they have math and science-related adventures. It's a very different series than Daniel Tiger's Neighborhood, and offers some amusement for adults from the catchy songs to witty asides. This may actually be the best new show I've seen in 2013.
Oh, and I did watch the live version of The Sound of Music. Audra McDonald deserved better.
Anyway, happy New Year! Hopefully more posting in 2014.
Tuesday, October 08, 2013
Bring Out Your Dead, 2013-14
Another year, another attempt to win the Ted Marshall Open TV Dead Pool. Here's my entry, in order of bonus points I get if the show is cancelled/does not air after the end of this season (you get 20 points if the show is cancelled plus whatever bonus points you assign to the show):
10: How I Met Your Mother. Probably the easiest pick in the bunch, as it's been no secret that this is the show's final season.
9: Nikita. Also an easy choice, as this show is also in its last season.
8: Dads. Chosen because I don't think I've read a single positive word about the show. The ratings tend to reflect this, though Fox's Tuesday night seems to be tanking across the board.
7: Sean Saves the World. Also got very little positive press, though its premiere outpaced Parks and Recreation, which makes me sad.
6: Lucky 7. ABC's lottery winner drama was the first show to get cancelled this season, which I think makes this the first time that a show was cancelled before I could write about my entry.
5: Betrayal. The third time is not the charm for ABC's single-word named prime time soaps, as the rating suggest that this show will meet its end well before Revenge or Scandal.
4: Super Fun Night. I went with this as the description sounded ridiculous, although it's not exactly a show meant to appeal to my demo. As it stands reviews have been mixed at best, and ratings for its debut were disappointing given it had Modern Family as a lead-in.
3: We Are Men. This show should be something I'd gravitate to, but I'm wary of sitcoms based around men being manly men, as they all tend to suck and get cancelled. This attempt may go the same way, as its debut landed it in 4th place for its timeslot.
2: Back in the Game. My entries usually get taken out by a sitcom renewal, and this may be the one that gets me this season. I thought the story seemed kind of light, but the show seems to be settling in behind The Middle.
1. Enlisted. A military-based Fox sitcom about brothers serving on the same base while most of their unit is serving abroad. I don't often take mid-season shows, but this one seems like something that would get stuck somewhere to fill time and then get cancelled. On the other hand, I should have trusted my instinct and gone with the Ironside reboot here, as that seems terrible.
In fact, Ironside was one of the three shows that were among the top 10 shows picked by entrants that I did not pick. The other two are Trophy Wife and The Goldebergs, both on ABC's doomed Tuesday. It was an odd night to begin with, trying to balance Marvel's The Agents of S.H.I.E.L.D. with these two sitcoms and Lucky 7. And now the whole night seems to be imploding. Maybe ABC should have held on to the Dancing with the Stars results show?
10: How I Met Your Mother. Probably the easiest pick in the bunch, as it's been no secret that this is the show's final season.
9: Nikita. Also an easy choice, as this show is also in its last season.
8: Dads. Chosen because I don't think I've read a single positive word about the show. The ratings tend to reflect this, though Fox's Tuesday night seems to be tanking across the board.
7: Sean Saves the World. Also got very little positive press, though its premiere outpaced Parks and Recreation, which makes me sad.
6: Lucky 7. ABC's lottery winner drama was the first show to get cancelled this season, which I think makes this the first time that a show was cancelled before I could write about my entry.
5: Betrayal. The third time is not the charm for ABC's single-word named prime time soaps, as the rating suggest that this show will meet its end well before Revenge or Scandal.
4: Super Fun Night. I went with this as the description sounded ridiculous, although it's not exactly a show meant to appeal to my demo. As it stands reviews have been mixed at best, and ratings for its debut were disappointing given it had Modern Family as a lead-in.
3: We Are Men. This show should be something I'd gravitate to, but I'm wary of sitcoms based around men being manly men, as they all tend to suck and get cancelled. This attempt may go the same way, as its debut landed it in 4th place for its timeslot.
2: Back in the Game. My entries usually get taken out by a sitcom renewal, and this may be the one that gets me this season. I thought the story seemed kind of light, but the show seems to be settling in behind The Middle.
1. Enlisted. A military-based Fox sitcom about brothers serving on the same base while most of their unit is serving abroad. I don't often take mid-season shows, but this one seems like something that would get stuck somewhere to fill time and then get cancelled. On the other hand, I should have trusted my instinct and gone with the Ironside reboot here, as that seems terrible.
In fact, Ironside was one of the three shows that were among the top 10 shows picked by entrants that I did not pick. The other two are Trophy Wife and The Goldebergs, both on ABC's doomed Tuesday. It was an odd night to begin with, trying to balance Marvel's The Agents of S.H.I.E.L.D. with these two sitcoms and Lucky 7. And now the whole night seems to be imploding. Maybe ABC should have held on to the Dancing with the Stars results show?
Monday, October 07, 2013
Catching Up
So with summer gone and the new TV season starting up, a quick look back on what I wasted my time with over the past few months:
Under the Dome - we're about halfway through this, and I'm not particularly impressed. Too exposition-heavy, odd moments of illogic (a meningitis outbreak that can be cured in hours using one dose of antibiotics, no one finds that strange?), and not particularly great acting (though the guy playing James "Junior" Rennie could probably make a career out of playing sociopaths). But it's interesting enough for a summer series, I suppose. It is picking up a bit now that the thing that's apparently causing the dome has been discovered.
Hell's Kitchen/MasterChef - I found the former more watchable this time around if only for the casting of perhaps the most incompetent group of one gender in the show's history (the men, who proved almost incapable of winning a team challenge). The latter is much more watchable this time around, not sure if it's the contestants or the (relative) streamlining of the tryouts. It's not the Walmart product placements or the Glee-themed episode, which pretty much proved that Jane Lynch will appear in anything (as if Celebrity Game Night didn't do that already).
Masterpiece - after working through Mr. Selfridge (kind of not worth it, unless 14 episodes of Jeremy Piven given license to overact is your kind of thing), we got what appears to be the last season of Inspector Lewis (boo) and the first season of Endeavor, a Morse prequel series that I've enjoyed quite a bit. Neither have particularly long runs (3 and 5 episodes respectively, I think), so easy to cover if you're so inclined.
The Killing - you may have noticed that I tailed off of the weekly coverage, thanks in part to a move and in part to the show not really having three characters who have an "up" episode every week. Turns out the show's been cancelled (for good this time), which isn't helping me finish the season. Don't think I'll miss the show per se, but I will miss Joel Kinnaman's performances as Stephen Holder. Here's to hoping he gets the higher profile role he deserves, but soon.
American Ninja Warrior - modeled after a Japanese show, it features a variety of folks (many of whom are either rock climbers or devotees of Parkour/freerunning) trying to conquer obstacle courses in the hopes of conquering the final one (which has never been done). It's not something we'd have tuned into, but the oldest boy found it one rainy weekend afternoon and it quickly became his program of choice. I fear future trips to the park will be ruined as he finds that none of them have a salmon ladder or warped wall. Also problematic is the change from G4 to Esquire Network, as the show went off air for a few weekends, but it appears to be back, for better or worse.
Under the Dome - we're about halfway through this, and I'm not particularly impressed. Too exposition-heavy, odd moments of illogic (a meningitis outbreak that can be cured in hours using one dose of antibiotics, no one finds that strange?), and not particularly great acting (though the guy playing James "Junior" Rennie could probably make a career out of playing sociopaths). But it's interesting enough for a summer series, I suppose. It is picking up a bit now that the thing that's apparently causing the dome has been discovered.
Hell's Kitchen/MasterChef - I found the former more watchable this time around if only for the casting of perhaps the most incompetent group of one gender in the show's history (the men, who proved almost incapable of winning a team challenge). The latter is much more watchable this time around, not sure if it's the contestants or the (relative) streamlining of the tryouts. It's not the Walmart product placements or the Glee-themed episode, which pretty much proved that Jane Lynch will appear in anything (as if Celebrity Game Night didn't do that already).
Masterpiece - after working through Mr. Selfridge (kind of not worth it, unless 14 episodes of Jeremy Piven given license to overact is your kind of thing), we got what appears to be the last season of Inspector Lewis (boo) and the first season of Endeavor, a Morse prequel series that I've enjoyed quite a bit. Neither have particularly long runs (3 and 5 episodes respectively, I think), so easy to cover if you're so inclined.
The Killing - you may have noticed that I tailed off of the weekly coverage, thanks in part to a move and in part to the show not really having three characters who have an "up" episode every week. Turns out the show's been cancelled (for good this time), which isn't helping me finish the season. Don't think I'll miss the show per se, but I will miss Joel Kinnaman's performances as Stephen Holder. Here's to hoping he gets the higher profile role he deserves, but soon.
American Ninja Warrior - modeled after a Japanese show, it features a variety of folks (many of whom are either rock climbers or devotees of Parkour/freerunning) trying to conquer obstacle courses in the hopes of conquering the final one (which has never been done). It's not something we'd have tuned into, but the oldest boy found it one rainy weekend afternoon and it quickly became his program of choice. I fear future trips to the park will be ruined as he finds that none of them have a salmon ladder or warped wall. Also problematic is the change from G4 to Esquire Network, as the show went off air for a few weekends, but it appears to be back, for better or worse.
Tuesday, June 04, 2013
Up Fronts, Rated
OK, I usually rank the up fronts right after they're done, but haven't felt compelled this year as no one blew me away with their excellence/crapulence. Still, might as well get it over with.
5. Fox. To be honest, I'm finding it hard to make distinct differences between everyone who isn't CBS. Fox has at least one show I'm interested in checking out (Brooklyn Nine Nine), but most of the new shows don't do much for me. They've also dedicated 1.5 nights a week to The X-Factor and American Idol, neither of which are doing the network any favors. More info on the return of 24 could have moved Fox out of the basement.
4. The CW. As with everything related to the netlet, this is kind of on the curve. I think their new shows (and programming in general) is aimed at the people they want, but that sort of focus doesn't really lead to growth.
3. ABC. They'd be lower if it wasn't for Marvel's Agents of S.H.I.E.L.D. And I'm not even a comic book fanboy. Also concerned that Monday might finally show signs of aging.
2. NBC. I'm a little surprised they're here, as I wasn't particularly overwhelmed with their new shows. Maybe I'm just sending them good vibes for renewing Community and Hannibal. And really, if I were to rewrite this a couple of hours from now I might have a completely different lineup here.
1. CBS. I'm not over the moon with their new shows, but the combination of known talent and strong returning shows puts them in the best position to succeed.
So there it is, for what it's worth.
5. Fox. To be honest, I'm finding it hard to make distinct differences between everyone who isn't CBS. Fox has at least one show I'm interested in checking out (Brooklyn Nine Nine), but most of the new shows don't do much for me. They've also dedicated 1.5 nights a week to The X-Factor and American Idol, neither of which are doing the network any favors. More info on the return of 24 could have moved Fox out of the basement.
4. The CW. As with everything related to the netlet, this is kind of on the curve. I think their new shows (and programming in general) is aimed at the people they want, but that sort of focus doesn't really lead to growth.
3. ABC. They'd be lower if it wasn't for Marvel's Agents of S.H.I.E.L.D. And I'm not even a comic book fanboy. Also concerned that Monday might finally show signs of aging.
2. NBC. I'm a little surprised they're here, as I wasn't particularly overwhelmed with their new shows. Maybe I'm just sending them good vibes for renewing Community and Hannibal. And really, if I were to rewrite this a couple of hours from now I might have a completely different lineup here.
1. CBS. I'm not over the moon with their new shows, but the combination of known talent and strong returning shows puts them in the best position to succeed.
So there it is, for what it's worth.
Wednesday, May 15, 2013
Upfronts: CBS
Another year, another CBS upfront where they get to show it's good to be number one.
Who Stays? Who Goes? As you'd expect from a network that's doing well, there aren't that many cuts that weren't already known. The most surprising is Vegas, whose late spring hiatus led to a drop in viewers from which it never recovered. The Eye also finally put Rules of Engagement out of our misery and retired CSI:NY one year too late.
What's Coming?
Monday - we get the largest collection of new shows on Monday, with How I Met Your Mother (in its last season) at 8 and Two Broke Girls at 9. In the 8:30 slot we get We Are Men, the latest attempt at a guy-centered sitcom, this time located at an apartment complex that caters to short-term renters (kind of a live-action version of Kirk Van Houten's life at the Bachelor Arms). Tony Shalhoub, Kal Penn and Chris O'Donnell are some of the tenants, not that a well-known cast has helped similar shows long since cancelled.
At 9:30 there's Mom, which stars Anna Faris as a recovering addict with two kids who winds up living with her recovering alcoholic mom, played by Allison Janney. This feels a lot like ABC's Back in the Game. I'm hoping Chuck Lorre's involvement will help elevate this.
At 10, we start the season with Hostages, starring Toni Collette as a surgeon whose family is taken hostage by a rogue FBI agent (Dylan McDermott) who wants Collette to assassinate the President when she operates on him. I expect the show will involve more of whatever conspiracy that's behind the kidnapping, otherwise they're going to have to push the surgery back a few seasons.
This will be replaced at midseason by Intelligence, which follows the exploits of a secret agent whose been implanted with a chip that allows him access to the Web, etc. I feel like this has been done before, or maybe it was an old April Fool's joke from Google. Anyway, can't say I'm interested.
Tuesday - NCIS leads to NCIS: LA and then to the relocated Person of Interest. Not sure it's wise to put so many highly-rated shows on one evening. On the other hand, there's not really a night that really needs the help from any of these shows (though they could have moved Person of Interest to Monday and let one of the new dramas go here to soak up the ratings).
Wednesday - unchanged with Survivor, Criminal Minds and CSI.
Thursday - Opens with The Big Bang Theory and closes with a relocated Two and a Half Men and Elementary. In the middle at 8:30 there's The Millers, starring Will Arnett as a recently divorced TV newsman whose dad (Beau Bridges) takes this news as a sign that he should divorce his wife of 43 years (played by Margo Martindale). Mom moves in with Arnett's character, Dad with his daughter and her family. Hijinks apparently ensue, not sure if the high-profile cast will tempt me to see if hijinks actually happen.
The other new sitcom is The Crazy Ones, which sees Robin Williams return to situation comedy as the boss of an ad agency whose success is due to his almost uncontrollable genius. Providing what control she can is his daughter, played by Sarah Michelle Gellar. As these things go she's the focused and organized one, and she, with the help of the agency's best and brightest (which includes James Wolk, Mad Men's Bob Benson) keep her dad in line. I actually like the chances for this one, as the timing is right with 30 Rock and The Office going away, the casting will draw early viewers, and it's the most original attempt at ripping off Mad Men to date.
Friday - Undercover Boss and Blue Bloods remain, with Hawaii 5-0 moving in between them.
Satuday - reruns and 48 Hours
Sunday - unchanged with 60 Minutes, The Amazing Race, The Good Wife and The Mentalist. I do wonder when CBS will finally give in and schedule the NFL overrun.
The lone new midseason show is Reckless, which is like Hart of Dixie, except for grownups. A lawyer from Chicago moves to Charleston and gets involved with the city attorney, a local guy, just as a scandal in the police department pits them against each other professionally (and may have More Sinister Implications, as you'd expect).
The Verdict?
CBS is going to stay on top, and will do so even if all of their new shows tank. Which they won't. I'm slightly more bullish on the new sitcoms here than at the other networks, though that may be from all the familiar names more than anything else. The dramas all fall in that Revenge/Scandal/Single Name Suggesting Serious Import mold that I'm not that interested in. But I assume at least one of them will be good enough - and get enough viewers thanks to its lead-in - to stick.
Who Stays? Who Goes? As you'd expect from a network that's doing well, there aren't that many cuts that weren't already known. The most surprising is Vegas, whose late spring hiatus led to a drop in viewers from which it never recovered. The Eye also finally put Rules of Engagement out of our misery and retired CSI:NY one year too late.
What's Coming?
Monday - we get the largest collection of new shows on Monday, with How I Met Your Mother (in its last season) at 8 and Two Broke Girls at 9. In the 8:30 slot we get We Are Men, the latest attempt at a guy-centered sitcom, this time located at an apartment complex that caters to short-term renters (kind of a live-action version of Kirk Van Houten's life at the Bachelor Arms). Tony Shalhoub, Kal Penn and Chris O'Donnell are some of the tenants, not that a well-known cast has helped similar shows long since cancelled.
At 9:30 there's Mom, which stars Anna Faris as a recovering addict with two kids who winds up living with her recovering alcoholic mom, played by Allison Janney. This feels a lot like ABC's Back in the Game. I'm hoping Chuck Lorre's involvement will help elevate this.
At 10, we start the season with Hostages, starring Toni Collette as a surgeon whose family is taken hostage by a rogue FBI agent (Dylan McDermott) who wants Collette to assassinate the President when she operates on him. I expect the show will involve more of whatever conspiracy that's behind the kidnapping, otherwise they're going to have to push the surgery back a few seasons.
This will be replaced at midseason by Intelligence, which follows the exploits of a secret agent whose been implanted with a chip that allows him access to the Web, etc. I feel like this has been done before, or maybe it was an old April Fool's joke from Google. Anyway, can't say I'm interested.
Tuesday - NCIS leads to NCIS: LA and then to the relocated Person of Interest. Not sure it's wise to put so many highly-rated shows on one evening. On the other hand, there's not really a night that really needs the help from any of these shows (though they could have moved Person of Interest to Monday and let one of the new dramas go here to soak up the ratings).
Wednesday - unchanged with Survivor, Criminal Minds and CSI.
Thursday - Opens with The Big Bang Theory and closes with a relocated Two and a Half Men and Elementary. In the middle at 8:30 there's The Millers, starring Will Arnett as a recently divorced TV newsman whose dad (Beau Bridges) takes this news as a sign that he should divorce his wife of 43 years (played by Margo Martindale). Mom moves in with Arnett's character, Dad with his daughter and her family. Hijinks apparently ensue, not sure if the high-profile cast will tempt me to see if hijinks actually happen.
The other new sitcom is The Crazy Ones, which sees Robin Williams return to situation comedy as the boss of an ad agency whose success is due to his almost uncontrollable genius. Providing what control she can is his daughter, played by Sarah Michelle Gellar. As these things go she's the focused and organized one, and she, with the help of the agency's best and brightest (which includes James Wolk, Mad Men's Bob Benson) keep her dad in line. I actually like the chances for this one, as the timing is right with 30 Rock and The Office going away, the casting will draw early viewers, and it's the most original attempt at ripping off Mad Men to date.
Friday - Undercover Boss and Blue Bloods remain, with Hawaii 5-0 moving in between them.
Satuday - reruns and 48 Hours
Sunday - unchanged with 60 Minutes, The Amazing Race, The Good Wife and The Mentalist. I do wonder when CBS will finally give in and schedule the NFL overrun.
The lone new midseason show is Reckless, which is like Hart of Dixie, except for grownups. A lawyer from Chicago moves to Charleston and gets involved with the city attorney, a local guy, just as a scandal in the police department pits them against each other professionally (and may have More Sinister Implications, as you'd expect).
The Verdict?
CBS is going to stay on top, and will do so even if all of their new shows tank. Which they won't. I'm slightly more bullish on the new sitcoms here than at the other networks, though that may be from all the familiar names more than anything else. The dramas all fall in that Revenge/Scandal/Single Name Suggesting Serious Import mold that I'm not that interested in. But I assume at least one of them will be good enough - and get enough viewers thanks to its lead-in - to stick.
Wednesday, May 16, 2012
Upfronts: CBS
You know when you're in a good position? When your fall schedule has as many time changes as new shows. It's good to be the king.
What's back? What's not? While most of the shows CBS cut were known, we now know for certain that CSI: Miami and Unforgettable are done.The former had been rumored for some time, the latter a case of sliding ratings as the year progressed. A Gifted Man was cut as well, which I think was pretty much expected as well. Rules of Engagement is apparently still in limbo.
What's new? Not a great deal, only four new shows on the fall schedule.
Monday leads with How I Met Your Mother, which is followed by one of the new shows, Partners. Based on the lives of its creators, it has best friends - a no-nonsense architect and his more outgoing co-worker who is gay - whose relationship is tested when the straight one gets engaged. Not the most original territory, but based on the time slot I'm guessing CBS has a lot of confidence in it.
Two Broke Girls moves to 9, where it is followed by Mike & Molly, with Hawaii 5-0 wrapping the night.
Tuesday gives us the NCIS and NCIS: Los Angeles double whammy, and wraps with the new drama Vegas, which tries to catch on to the Mad Men vibe by being based on the true story of Ralph Lamb, a rancher and sheriff in 1960s Las Vegas who has to use all of his experience to corral the growing crime and sleaze, most notably in taking on a mobster who just relocated from Chicago, played by Michael Chiklis. Pan Am and The Playboy Club are cautionary tales, but I'd like to think that those lessons are now learned and this turns out to be a good show.
Wednesday is all returning shows, Survivor, Criminal Minds, and the original CSI.
Thursday leads with The Big Bang Theory, which is followed by the relocated Two and a Half Men. Person of Interest follows, and at 10 pm we have the new show Elementary, which is apparently ripping off Masterpiece Mystery by giving us a modern day setting for Sherlock Holmes. He's also moved to New York (thanks to a drug-fueled falling out in London), and his Dr. Watson is an addiction specialist (now without license) played by Lucy Liu. This could be great, but it could also crash and burn.
Friday leads with CSI: NY, which is followed by new show Made in Jersey, about a lawyer from a working class background who uses her street smarts to succeed where her colleagues can only rely on their Ivy League pedigrees. Meh. The night ends with Blue Bloods.
Saturday continues the them from Friday with two hours of Crimetime Saturday and an hour of 48 Hours Mystery.
Sunday brings back the usual lineup of 60 Minutes, The Amazing Race, and The Good Wife. At 10 we have The Mentalist, creating yet another solid night of programming.
Elsewhere at midseason you have a drama called Golden Boy about the youngest commissioner in NYPD history and how he got to the top post. On the comedy side there's Friend Me, where friends from Indiana move to LA and take different paths to making friends (one in person, on online). One posts a notice for new friends at a coffee house, with the expected results. There's also a reality show, The Job, where contestants try to get hired by major companies, kind of a hybrid of The Apprentice and Shark Tank.
Summing up, CBS benefits from being out in front. They don't have to roll out as many new shows, and they can move around existing ones to build strength. That being said, they're also taking some risks with the new shows (Elementary and Vegas, for example), which will set them up for years if they're done right.
What's back? What's not? While most of the shows CBS cut were known, we now know for certain that CSI: Miami and Unforgettable are done.The former had been rumored for some time, the latter a case of sliding ratings as the year progressed. A Gifted Man was cut as well, which I think was pretty much expected as well. Rules of Engagement is apparently still in limbo.
What's new? Not a great deal, only four new shows on the fall schedule.
Monday leads with How I Met Your Mother, which is followed by one of the new shows, Partners. Based on the lives of its creators, it has best friends - a no-nonsense architect and his more outgoing co-worker who is gay - whose relationship is tested when the straight one gets engaged. Not the most original territory, but based on the time slot I'm guessing CBS has a lot of confidence in it.
Two Broke Girls moves to 9, where it is followed by Mike & Molly, with Hawaii 5-0 wrapping the night.
Tuesday gives us the NCIS and NCIS: Los Angeles double whammy, and wraps with the new drama Vegas, which tries to catch on to the Mad Men vibe by being based on the true story of Ralph Lamb, a rancher and sheriff in 1960s Las Vegas who has to use all of his experience to corral the growing crime and sleaze, most notably in taking on a mobster who just relocated from Chicago, played by Michael Chiklis. Pan Am and The Playboy Club are cautionary tales, but I'd like to think that those lessons are now learned and this turns out to be a good show.
Wednesday is all returning shows, Survivor, Criminal Minds, and the original CSI.
Thursday leads with The Big Bang Theory, which is followed by the relocated Two and a Half Men. Person of Interest follows, and at 10 pm we have the new show Elementary, which is apparently ripping off Masterpiece Mystery by giving us a modern day setting for Sherlock Holmes. He's also moved to New York (thanks to a drug-fueled falling out in London), and his Dr. Watson is an addiction specialist (now without license) played by Lucy Liu. This could be great, but it could also crash and burn.
Friday leads with CSI: NY, which is followed by new show Made in Jersey, about a lawyer from a working class background who uses her street smarts to succeed where her colleagues can only rely on their Ivy League pedigrees. Meh. The night ends with Blue Bloods.
Saturday continues the them from Friday with two hours of Crimetime Saturday and an hour of 48 Hours Mystery.
Sunday brings back the usual lineup of 60 Minutes, The Amazing Race, and The Good Wife. At 10 we have The Mentalist, creating yet another solid night of programming.
Elsewhere at midseason you have a drama called Golden Boy about the youngest commissioner in NYPD history and how he got to the top post. On the comedy side there's Friend Me, where friends from Indiana move to LA and take different paths to making friends (one in person, on online). One posts a notice for new friends at a coffee house, with the expected results. There's also a reality show, The Job, where contestants try to get hired by major companies, kind of a hybrid of The Apprentice and Shark Tank.
Summing up, CBS benefits from being out in front. They don't have to roll out as many new shows, and they can move around existing ones to build strength. That being said, they're also taking some risks with the new shows (Elementary and Vegas, for example), which will set them up for years if they're done right.
Wednesday, May 18, 2011
Upfronts: CBS
As has been the case the last couple of years, CBS is dealing from a position of strength, and isn't afraid to try things to make themselves stronger.
Returning Shows - no major surprises for cancellations, unless you consider keeping all three CSI shows a surprise.
The surprises come with a couple of show moves. CSI leaves its long-time Thursday time slot and moves to Wednesday, echoing the move Survivor made last year. It's a smart move, as it takes on the equally venerable Law & Order: SVU and new drama Revenge, which seems like a fight it can win.
The bigger move, I think, is The Good Wife shifting over to Sunday at 9, a clear challenge to Desperate Housewives, which may not be up to the fight. Neither will compete with football - assuming it returns - but this move puts CBS in the better position as the alternative choice to football and as to the prime network to watch in the spring.
Finally, Rules of Engagement will kick of Saturday nights, which is kind of astounding given the dearth of original scripted programming on Saturdays (it will, in fact, be the only scripted show with original programming on Saturdays). This does not bode well for them.
New Shows -
Monday - 2 Broke Girls is the new filler between How I Met Your Mother and the now Kutcherfied Two and a Half Men. It follows two young women who work at a Brooklyn diner as a means to fund their planned cupcake shop. Sounds innocuous enough, and I'm glad it's not another relationship comedy. Points for casting Garrett Morris as the diner's cashier, too.
Tuesday - While I was hoping for NCIS: Omaha to complete the trifecta, the two existing shows get Unforgettable as their 10 pm partner. It stars Poppy Montgomery as a former cop with hyperthymesia - she literally remembers everything that has happened in her life. Except for the details around her sister's still-unsolved murder, which seems like a bad place to be fuzzy. Not sure if this will be better than the usual homicide cop drama, but I do pray that they cast Marilu Henner as Montgomery's mom.
Wednesday - no new shows
Thursday - How to Be A Gentleman get the post-Big Bang Theory slot. It's about a newspaper etiquette columnist who, when pressed by his editor to make his column more relevant, hires a recent reacquaintance to be his coach in all things current (there's a "gentle man/manly man" quip in the press release that makes me wonder how this didn't wind up on ABC). I'd probably watch this more the supporting cast, which includes Dave Foley as the editor and Mary Lynn Rajskub as the main character's sister.
The coveted 9 pm slot goes to Person of Interest, which is intriguing. Jim Caviezel plays a CIA agent (presumed dead) who is hired by a computer billionaire (Michael Emerson) to stop crimes before they happen, pairing the CIA agent's covert skills with the billionaire's pattern recognition software that can identify someone about to commit a crime. So I guess this is kind of like Minority Report: The Series?
Recent Oscar nominee Taraji P. Henson rounds out the cast a NYPD detective who crosses paths with the crime fighters. Throw in production credits for JJ Abrams, Bryan Burk and Memento story writer Jonathan Nolan, and you'd think that this show has the pedigree to be the breakout show of the season. Let's just hope it doesn't go all Six Degrees on us.
Friday - A Gifted Man now starts the night. A surgeon, the "gifted man" of the title, is jolted out of his high-powered (and highly lucrative) lifestyle when he starts seeing the apparent ghost of his dead ex-wife. She gets him to start helping out the free clinic where she worked, with the expected results. Jennifer Ehle plays the ghost, while Julie Benz shows up as the surgeon's sister. A little to Touched by a Doctor for my taste.
Saturday and Sunday - no new shows
Not Yet Scheduled - The 2-2 follows a half-dozen NYPD rookies as they learn on the job. Leelee Sobieski and Adam Goldberg are the most notable names in this show that counts Robert De Niro as an executive producer.
Returning Shows - no major surprises for cancellations, unless you consider keeping all three CSI shows a surprise.
The surprises come with a couple of show moves. CSI leaves its long-time Thursday time slot and moves to Wednesday, echoing the move Survivor made last year. It's a smart move, as it takes on the equally venerable Law & Order: SVU and new drama Revenge, which seems like a fight it can win.
The bigger move, I think, is The Good Wife shifting over to Sunday at 9, a clear challenge to Desperate Housewives, which may not be up to the fight. Neither will compete with football - assuming it returns - but this move puts CBS in the better position as the alternative choice to football and as to the prime network to watch in the spring.
Finally, Rules of Engagement will kick of Saturday nights, which is kind of astounding given the dearth of original scripted programming on Saturdays (it will, in fact, be the only scripted show with original programming on Saturdays). This does not bode well for them.
New Shows -
Monday - 2 Broke Girls is the new filler between How I Met Your Mother and the now Kutcherfied Two and a Half Men. It follows two young women who work at a Brooklyn diner as a means to fund their planned cupcake shop. Sounds innocuous enough, and I'm glad it's not another relationship comedy. Points for casting Garrett Morris as the diner's cashier, too.
Tuesday - While I was hoping for NCIS: Omaha to complete the trifecta, the two existing shows get Unforgettable as their 10 pm partner. It stars Poppy Montgomery as a former cop with hyperthymesia - she literally remembers everything that has happened in her life. Except for the details around her sister's still-unsolved murder, which seems like a bad place to be fuzzy. Not sure if this will be better than the usual homicide cop drama, but I do pray that they cast Marilu Henner as Montgomery's mom.
Wednesday - no new shows
Thursday - How to Be A Gentleman get the post-Big Bang Theory slot. It's about a newspaper etiquette columnist who, when pressed by his editor to make his column more relevant, hires a recent reacquaintance to be his coach in all things current (there's a "gentle man/manly man" quip in the press release that makes me wonder how this didn't wind up on ABC). I'd probably watch this more the supporting cast, which includes Dave Foley as the editor and Mary Lynn Rajskub as the main character's sister.
The coveted 9 pm slot goes to Person of Interest, which is intriguing. Jim Caviezel plays a CIA agent (presumed dead) who is hired by a computer billionaire (Michael Emerson) to stop crimes before they happen, pairing the CIA agent's covert skills with the billionaire's pattern recognition software that can identify someone about to commit a crime. So I guess this is kind of like Minority Report: The Series?
Recent Oscar nominee Taraji P. Henson rounds out the cast a NYPD detective who crosses paths with the crime fighters. Throw in production credits for JJ Abrams, Bryan Burk and Memento story writer Jonathan Nolan, and you'd think that this show has the pedigree to be the breakout show of the season. Let's just hope it doesn't go all Six Degrees on us.
Friday - A Gifted Man now starts the night. A surgeon, the "gifted man" of the title, is jolted out of his high-powered (and highly lucrative) lifestyle when he starts seeing the apparent ghost of his dead ex-wife. She gets him to start helping out the free clinic where she worked, with the expected results. Jennifer Ehle plays the ghost, while Julie Benz shows up as the surgeon's sister. A little to Touched by a Doctor for my taste.
Saturday and Sunday - no new shows
Not Yet Scheduled - The 2-2 follows a half-dozen NYPD rookies as they learn on the job. Leelee Sobieski and Adam Goldberg are the most notable names in this show that counts Robert De Niro as an executive producer.
Wednesday, May 11, 2011
On the Bubble: CBS
The Eye has a lot of shows still twisting in the wind, many of them familiar faces. Who makes the cut?
Saved: 48 Hours Mystery, 60 Minutes, Blue Bloods, Criminal Minds, Criminal Minds: Suspect Behavior, CSI, CSI: Miami, CSI: New York, The Good Wife, Hawaii 5-0, The Mentalist, Mike & Molly, NCIS: Los Angeles, Rules of Engagement
I think I'm most likely to miss here with one of the CSI spin-offs. There was talk of New York getting cut, but it's seen a bump thanks to the (Friday adjusted) success of Blue Bloods, so I'm now thinking that Miami is the more likely casualty if one does indeed get cut.
Gone: Bleep My Dad Says, Chaos, The Defenders, I Get That a Lot, Mad Love
Bleep My Dad Says is an interesting case, given how it went from significant buzz at this point last year to getting hustled off the schedule as soon as possible. Apparently you can't write a TV show 140 characters at a time.
I suppose there's a chance that The Defenders comes back, though the drop-off in viewers as the season went on, combined with the lack of performance on Fridays, make it a very slim chance. But that may be all a show set in Vegas needs.
Saved: 48 Hours Mystery, 60 Minutes, Blue Bloods, Criminal Minds, Criminal Minds: Suspect Behavior, CSI, CSI: Miami, CSI: New York, The Good Wife, Hawaii 5-0, The Mentalist, Mike & Molly, NCIS: Los Angeles, Rules of Engagement
I think I'm most likely to miss here with one of the CSI spin-offs. There was talk of New York getting cut, but it's seen a bump thanks to the (Friday adjusted) success of Blue Bloods, so I'm now thinking that Miami is the more likely casualty if one does indeed get cut.
Gone: Bleep My Dad Says, Chaos, The Defenders, I Get That a Lot, Mad Love
Bleep My Dad Says is an interesting case, given how it went from significant buzz at this point last year to getting hustled off the schedule as soon as possible. Apparently you can't write a TV show 140 characters at a time.
I suppose there's a chance that The Defenders comes back, though the drop-off in viewers as the season went on, combined with the lack of performance on Fridays, make it a very slim chance. But that may be all a show set in Vegas needs.
Wednesday, November 03, 2010
Aloha
One less show to watch, for now - I've given up on Hawaii 5-0.
I was fairly accepting of the deficiencies in story for the first couple of episodes, wanting to give the show some time to find its feet. What finally cut it for me was the episode involving the shooting death of a surfing company exec. The shooting took place from an area where there were no roads. How to get there? Cut to a scene of McGarrett and Chin blazing through the jungle on dirt bikes. Then cut back to the office for a couple minutes, then back to the jungle. Why? Just to have the action sequence, it appears.
In the balance this isn't the most egregious sin a show could commit, but it underscored the growing feeling I had that there was nothing compelling to bring me back every week. The over-arching story of police corruption that innvolved McGarrett's dad and his Tool Box of Clues, which seemed poised to give some added weight to the show, had pretty much ground to a halt as well. The last we saw of this story was McGarrett's ne'er-do-well sister putting the evidence on her phone. If she could get her hands on this information, I have a hard time believing that one of the cops involved in the plot hasn't managed to steal the box and throw it in the ocean by now.
I will happily chug along with Detroit 1-8-7, which at least tries to be compelling.
I was fairly accepting of the deficiencies in story for the first couple of episodes, wanting to give the show some time to find its feet. What finally cut it for me was the episode involving the shooting death of a surfing company exec. The shooting took place from an area where there were no roads. How to get there? Cut to a scene of McGarrett and Chin blazing through the jungle on dirt bikes. Then cut back to the office for a couple minutes, then back to the jungle. Why? Just to have the action sequence, it appears.
In the balance this isn't the most egregious sin a show could commit, but it underscored the growing feeling I had that there was nothing compelling to bring me back every week. The over-arching story of police corruption that innvolved McGarrett's dad and his Tool Box of Clues, which seemed poised to give some added weight to the show, had pretty much ground to a halt as well. The last we saw of this story was McGarrett's ne'er-do-well sister putting the evidence on her phone. If she could get her hands on this information, I have a hard time believing that one of the cops involved in the plot hasn't managed to steal the box and throw it in the ocean by now.
I will happily chug along with Detroit 1-8-7, which at least tries to be compelling.
Wednesday, October 13, 2010
New on TV: Hawaii 5-0 and Detroit 1-8-7
So these are the two new hour-long shows I've started watching, though neither is exactly new.
Hawaii 5-0 is an update of the original rather than a continuation. The basic premise is the same: Steve McGarrett leads a special unit of the Hawaiian state police, though this time the group's charge is a bit more nebulous, allowing them to venture into cases that touch upon national security and terrorism. I see how this allows the show more freedom with plots, but it also opens the door for this to become a 24-lite, and who wants that?
One notable difference between the original and the remake is that the newer show delves much more deeply into characters and their back-stories. McGarrett is a Naval intelligence office who agreed to head up 5-0 to catch the man who killed his father (and inherited an apparent investigation into police corruption). Danny Williams is a divorced dad who moved to Hawaii to be near his daughter. Chin Ho left the Honolulu PD under suspicion of stealing money from crime scenes, and his cousin, Kono, is a brand new officer (and, in this case, a woman).
I do like that there's more personal involvement with the characters, and that we get to see them grow as a unit. I'm less happy with the way the show handled bringing over some of the conventions of the old series (less so with the explanation of the nickname Dan-o, more so over how the team got the 5-0 name, which is kind of ridiculous). I'm most happy that the original theme survived, even if in cut-down form.
And if I'm going to nitpick, I'd like to complain that (a) there's not enough location shooting with the principal characters; most of what we see of Hawaii is B-roll, and (b) the effects used to simulate driving when McGarrett and Danny talk in the car are awful.
There's nothing special to point out about the acting. Scott Caan stands out as much as anyone does for his portrayal of Danny. I expect Daniel Dae Kim is missing the Lost writers about now, and Grace Park is surprisingly life-like. Alex O'Loughlin is inoffensively generic as McGarrett, running at about 75 percent of Jack Lord.
The new Hawaii 5-0 isn't perfect, but it's enough of a change from the cookie cutter procedurals to make it watchable, and with the location in the title we're less likely to get a spinoff like Hawaii 5-0: Phoenix.
Detroit 1-8-7 is a new show, but I liked it better when it was set in Baltimore and called Homicide: Life on the Street. It's hard not to compare when you have two shows set among the murder police of a decaying American city, and at best you can say that Detroit 1-8-7 doesn't force Jon Seda on an unwitting public.
Michael Imperioli plays Louis Fitch, a New York transplant who is kind of quirky and is having issues breaking in a new partner (hello Frank Pembleton). His partner, Damon Washington, is newly transferred into homicide, and at the end of their first case he's shot when the suspect gets a gun out of a police officer's holster (hello, Junior Bunk). The other pairs include a veteran closing in on retirement (part Bolander, part Giardello as he's an African-American who speaks Italian) and, in what might be a first, a partner of Indian descent, and a young female detective whose a Detroit native (part Lewis, part a much more competent Ballard) who is partnered with a new transfer from narcotics. There's some involvement with their commanding lieutenant and an assistant DA (Giardello and Danvers, respectively).
There's nothing about Detroit 1-8-7(except maybe the music) that's up to Homicide's level, but that's a pretty high bar to clear. It's at least as good as its contemporaries, and scores points for not being set in New York or Los Angeles. It's not pulling in Hawaii 5-0's ratings, but I think Detroit 1-8-7 is the better show. Stupid name notwithstanding.
Hawaii 5-0 is an update of the original rather than a continuation. The basic premise is the same: Steve McGarrett leads a special unit of the Hawaiian state police, though this time the group's charge is a bit more nebulous, allowing them to venture into cases that touch upon national security and terrorism. I see how this allows the show more freedom with plots, but it also opens the door for this to become a 24-lite, and who wants that?
One notable difference between the original and the remake is that the newer show delves much more deeply into characters and their back-stories. McGarrett is a Naval intelligence office who agreed to head up 5-0 to catch the man who killed his father (and inherited an apparent investigation into police corruption). Danny Williams is a divorced dad who moved to Hawaii to be near his daughter. Chin Ho left the Honolulu PD under suspicion of stealing money from crime scenes, and his cousin, Kono, is a brand new officer (and, in this case, a woman).
I do like that there's more personal involvement with the characters, and that we get to see them grow as a unit. I'm less happy with the way the show handled bringing over some of the conventions of the old series (less so with the explanation of the nickname Dan-o, more so over how the team got the 5-0 name, which is kind of ridiculous). I'm most happy that the original theme survived, even if in cut-down form.
And if I'm going to nitpick, I'd like to complain that (a) there's not enough location shooting with the principal characters; most of what we see of Hawaii is B-roll, and (b) the effects used to simulate driving when McGarrett and Danny talk in the car are awful.
There's nothing special to point out about the acting. Scott Caan stands out as much as anyone does for his portrayal of Danny. I expect Daniel Dae Kim is missing the Lost writers about now, and Grace Park is surprisingly life-like. Alex O'Loughlin is inoffensively generic as McGarrett, running at about 75 percent of Jack Lord.
The new Hawaii 5-0 isn't perfect, but it's enough of a change from the cookie cutter procedurals to make it watchable, and with the location in the title we're less likely to get a spinoff like Hawaii 5-0: Phoenix.
Detroit 1-8-7 is a new show, but I liked it better when it was set in Baltimore and called Homicide: Life on the Street. It's hard not to compare when you have two shows set among the murder police of a decaying American city, and at best you can say that Detroit 1-8-7 doesn't force Jon Seda on an unwitting public.
Michael Imperioli plays Louis Fitch, a New York transplant who is kind of quirky and is having issues breaking in a new partner (hello Frank Pembleton). His partner, Damon Washington, is newly transferred into homicide, and at the end of their first case he's shot when the suspect gets a gun out of a police officer's holster (hello, Junior Bunk). The other pairs include a veteran closing in on retirement (part Bolander, part Giardello as he's an African-American who speaks Italian) and, in what might be a first, a partner of Indian descent, and a young female detective whose a Detroit native (part Lewis, part a much more competent Ballard) who is partnered with a new transfer from narcotics. There's some involvement with their commanding lieutenant and an assistant DA (Giardello and Danvers, respectively).
There's nothing about Detroit 1-8-7(except maybe the music) that's up to Homicide's level, but that's a pretty high bar to clear. It's at least as good as its contemporaries, and scores points for not being set in New York or Los Angeles. It's not pulling in Hawaii 5-0's ratings, but I think Detroit 1-8-7 is the better show. Stupid name notwithstanding.
Tuesday, September 28, 2010
New on TV: Blue Bloods
OK, I didn't watch the whole pilot episode, so take this for what it's worth. For what little I saw, this appears to be a servicable cop/family drama. I only saw scenes with Tom Selleck and Danny Walbergh, and while I liked them both there was too much stereotypical hot headed street cop in Wahlberg's character for my taste (would it surprise you that one of the scenes I saw involved Wahlberg's character getting information from a kidnapping suspect by repeatedly pushing the suspect's head into toilet water?).
The show did well, winning its time slot, and given the low to moderate expectations for Friday shows I expect it'll stick around. That's more than one can say for Outlaw, the NBC show about a Supreme Court justice turned lawyer for the little guy. It tanked, to the point where it couldn't best The Jay Leno Show's numbers from this time last season. That should be grounds for automatic cancellation.
The show did well, winning its time slot, and given the low to moderate expectations for Friday shows I expect it'll stick around. That's more than one can say for Outlaw, the NBC show about a Supreme Court justice turned lawyer for the little guy. It tanked, to the point where it couldn't best The Jay Leno Show's numbers from this time last season. That should be grounds for automatic cancellation.
Friday, September 24, 2010
New on TV: Hawaii 5-0 and Undercovers
It's premature to judge a series based on its pilot. As it's the episode made specifically to sell the series, you can have a ton of exposition that sets up the episodes to follow, or a lot of flash to get viewers hooked. This week, I've seen one pilot for each of these.
Hawaii 5-0 is the expositional one, as the hour delved into the creation of the 5-0 team and set up the back stories for each of the characters while trying to solve the murder of Navy officer Steve McGarrett's father. I didn't expect quite so much background from a series revival, but I think it was done because(a) current viewers under 40 have likely never seen an episode of the original, and (b) to differentiate the new version from the old for those of us who have seen it.
Getting past all of the set-up, the pilot did have a fair amount of action and more violence than expected, which I suppose gives the show a push towards the spectacle area. This, as well as the broad charge the governor of Hawaii (played by Jean Smart) gives McGarrett, makes me fear that this will be less a cop show and more a tropical riff on 24. Even so, I'm still going to give it a chance, and based on the ratings (the pilot won its time slot, and will likely be the most-watched new show of the first week), I'm not alone. Maybe we're all just happy they didn't mess with the theme song all that much.
Undercovers falls more squarely in the latter category. A married pair of retired spies is goaded back into service by a CIA handler (Gerald McRainey) to find a former colleague who has gone missing. In the course of the hour, the newly reinstated spies travel to three countries, con their way into a bank to see ATM camera footage, crash a wedding to steal information off of a cell phone, skydive, get involved in a rooftop fight and handle crises related to a wedding reception (the pair entered catering after leaving the Company). It's slickly done, has attractive leads with good chemistry, and promises a dashing mix of spy work and domestic semi-tranquility.
And yet I do not plan to watch it again. I just never quite engaged with the show. It was too light to take seriously, and just a bit too serious to completely lose any expectation of reality. When someone who devotedly watched Lost through all of the time travel, glowing island hearts and polar bears starts to think that a show is implausible, you may have a problem.
I'll also admit to feeling like I'm going to get burned again. The pilot to Studio 60 on the Sunset Strip was also energetic, featured attractive leads with good chemistry, and moved at a pace that made an hour seem like it was five minutes. And then the whole thing caved in on itself and got cancelled. One bitten twice shy, I suppose. I'll happily wait for whatever JJ Abrahms has cooked up for Michael Emerson and Terry O'Quinn.
Hawaii 5-0 is the expositional one, as the hour delved into the creation of the 5-0 team and set up the back stories for each of the characters while trying to solve the murder of Navy officer Steve McGarrett's father. I didn't expect quite so much background from a series revival, but I think it was done because(a) current viewers under 40 have likely never seen an episode of the original, and (b) to differentiate the new version from the old for those of us who have seen it.
Getting past all of the set-up, the pilot did have a fair amount of action and more violence than expected, which I suppose gives the show a push towards the spectacle area. This, as well as the broad charge the governor of Hawaii (played by Jean Smart) gives McGarrett, makes me fear that this will be less a cop show and more a tropical riff on 24. Even so, I'm still going to give it a chance, and based on the ratings (the pilot won its time slot, and will likely be the most-watched new show of the first week), I'm not alone. Maybe we're all just happy they didn't mess with the theme song all that much.
Undercovers falls more squarely in the latter category. A married pair of retired spies is goaded back into service by a CIA handler (Gerald McRainey) to find a former colleague who has gone missing. In the course of the hour, the newly reinstated spies travel to three countries, con their way into a bank to see ATM camera footage, crash a wedding to steal information off of a cell phone, skydive, get involved in a rooftop fight and handle crises related to a wedding reception (the pair entered catering after leaving the Company). It's slickly done, has attractive leads with good chemistry, and promises a dashing mix of spy work and domestic semi-tranquility.
And yet I do not plan to watch it again. I just never quite engaged with the show. It was too light to take seriously, and just a bit too serious to completely lose any expectation of reality. When someone who devotedly watched Lost through all of the time travel, glowing island hearts and polar bears starts to think that a show is implausible, you may have a problem.
I'll also admit to feeling like I'm going to get burned again. The pilot to Studio 60 on the Sunset Strip was also energetic, featured attractive leads with good chemistry, and moved at a pace that made an hour seem like it was five minutes. And then the whole thing caved in on itself and got cancelled. One bitten twice shy, I suppose. I'll happily wait for whatever JJ Abrahms has cooked up for Michael Emerson and Terry O'Quinn.
Thursday, May 20, 2010
Upfronts: CBS
You're the most-watched network on TV. What do you do for the upcoming season? Retool and look to maintain your status in the new decade.
What's gone - A lot, but nothing huge. The most notable cancellations mark the dismantling of CBS's Friday nights, which they've owned the last couple of seasons. Both Ghost Whisperer and Numb3rs are gone, as are sitcoms The New Adventures of Old Christine and Gary Unmarried, among others. The most notable drama cancellation outside of Friday was Cold Case, though that was fairly well expected.
Day by Day
Monday: The Big Bang Theory moves out, and Rules of Engagement moves in. Replacing Accidentally on Purpose is Mike and Molly, the latest creation from Chuck Lorre. It focuses on a couple that meets at an Overeaters Anonymous meeting and are now trying to build a relationship while shedding pounds. If nothing else it's refreshing that we'll have some fat people on TV, even if they're only Hollywood fat.
The day ends with the revival of Hawaii 5-0, about which I'm of two minds. I love the original (I could watch '70s cop shows all day), but am concerned with the new version, which sounds like they've moved 24 to the islands. That and they've made Kono a woman, though I'm OK with that given the casting of Grace Park in the role. Speaking of casting, Daniel Dae Kim gets to stay in Hawaii, moving from Lost to play Chin Ho Kelly. I also approve of that, but for very different reasons.
Tuesday: Stays the same with NCIS, NCIS: Los Angeles and The Good Wife. No need to mess with success.
Wednesday: The night kicks off with Survivor, which moves from Thursday in the network's biggest change for an existing show. It will pair with Criminal Minds and a new show, The Defenders, which is sadly not a revival of the great 1960s courtroom drama that starred E. G. Marshall and Robert Reed. Instead, it stars Jim Belushi and Jerry O'Connell as Las Vegas defense attorneys. Honestly, your eyes kind of glazed over right after "O'Connell," didn't they?
Thursday: The Big Bang Theory lands here to kick off the night, which is now tailored to take on NBC's comedy bloc and ABC's dramas. It's paired with $#*! My Dad Says, which I am fairly certain is the first TV show ever based on a Twitter feed. In it, William Shatner plays the dad whose inappropriate comments become Internet fodder for his son Henry. They also target the other son, played by Will Sasso, and his wife, played by Nicole Sullivan. I don't know about this one - the Twitter thing seems like a gimmick to dress up a family sitcom - and there's always the fear that Shatner will be, well, himself. That could be a great thing, except when it's a horrible thing.
The night is rounded out by CSI, the original, and The Mentalist.
Friday: Medium moves up an hour to kick things off, and is then followed by CSI: New York, which makes me think that it'll disappear at some point so they can trot out NCIS: Random Coastal City. The night closes with the new drama Blue Bloods, which tells the story of the Reagan family, who have served the NYPD for generations, from the patriarch (and former chief) to the current chief (Tom Selleck) and his sons (Donnie Wahlberg and Will Estes). Bridget Moynihan plays the only Reagan woman, who as a girl apparently can't be a cop, so she's an attorney for the DA's office (and a single mom, hello art portraying life). There's likely some promise here, as the cast is good and Friday's not a bad night for a show that might be a little by the numbers.
Saturday: Two hours of Crimetime Saturday followed by 48 Hours Mystery. I suppose we should be thankful that they're running new programming at all.
Sunday: Mostly unchanged, as 60 Minutes, The Amazing Race and Undercover Boss all return to regular times, joined at 10 by CSI: Miami. Sunday at 10 seems later for a police procedural; it certainly didn't do Cold Case any favors.
So there you have it. Not sure if all the movement will bear fruit, but it's good to see CBS isn't being complacent. Just temporarily insane when it green lighted The Defenders.
What's gone - A lot, but nothing huge. The most notable cancellations mark the dismantling of CBS's Friday nights, which they've owned the last couple of seasons. Both Ghost Whisperer and Numb3rs are gone, as are sitcoms The New Adventures of Old Christine and Gary Unmarried, among others. The most notable drama cancellation outside of Friday was Cold Case, though that was fairly well expected.
Day by Day
Monday: The Big Bang Theory moves out, and Rules of Engagement moves in. Replacing Accidentally on Purpose is Mike and Molly, the latest creation from Chuck Lorre. It focuses on a couple that meets at an Overeaters Anonymous meeting and are now trying to build a relationship while shedding pounds. If nothing else it's refreshing that we'll have some fat people on TV, even if they're only Hollywood fat.
The day ends with the revival of Hawaii 5-0, about which I'm of two minds. I love the original (I could watch '70s cop shows all day), but am concerned with the new version, which sounds like they've moved 24 to the islands. That and they've made Kono a woman, though I'm OK with that given the casting of Grace Park in the role. Speaking of casting, Daniel Dae Kim gets to stay in Hawaii, moving from Lost to play Chin Ho Kelly. I also approve of that, but for very different reasons.
Tuesday: Stays the same with NCIS, NCIS: Los Angeles and The Good Wife. No need to mess with success.
Wednesday: The night kicks off with Survivor, which moves from Thursday in the network's biggest change for an existing show. It will pair with Criminal Minds and a new show, The Defenders, which is sadly not a revival of the great 1960s courtroom drama that starred E. G. Marshall and Robert Reed. Instead, it stars Jim Belushi and Jerry O'Connell as Las Vegas defense attorneys. Honestly, your eyes kind of glazed over right after "O'Connell," didn't they?
Thursday: The Big Bang Theory lands here to kick off the night, which is now tailored to take on NBC's comedy bloc and ABC's dramas. It's paired with $#*! My Dad Says, which I am fairly certain is the first TV show ever based on a Twitter feed. In it, William Shatner plays the dad whose inappropriate comments become Internet fodder for his son Henry. They also target the other son, played by Will Sasso, and his wife, played by Nicole Sullivan. I don't know about this one - the Twitter thing seems like a gimmick to dress up a family sitcom - and there's always the fear that Shatner will be, well, himself. That could be a great thing, except when it's a horrible thing.
The night is rounded out by CSI, the original, and The Mentalist.
Friday: Medium moves up an hour to kick things off, and is then followed by CSI: New York, which makes me think that it'll disappear at some point so they can trot out NCIS: Random Coastal City. The night closes with the new drama Blue Bloods, which tells the story of the Reagan family, who have served the NYPD for generations, from the patriarch (and former chief) to the current chief (Tom Selleck) and his sons (Donnie Wahlberg and Will Estes). Bridget Moynihan plays the only Reagan woman, who as a girl apparently can't be a cop, so she's an attorney for the DA's office (and a single mom, hello art portraying life). There's likely some promise here, as the cast is good and Friday's not a bad night for a show that might be a little by the numbers.
Saturday: Two hours of Crimetime Saturday followed by 48 Hours Mystery. I suppose we should be thankful that they're running new programming at all.
Sunday: Mostly unchanged, as 60 Minutes, The Amazing Race and Undercover Boss all return to regular times, joined at 10 by CSI: Miami. Sunday at 10 seems later for a police procedural; it certainly didn't do Cold Case any favors.
So there you have it. Not sure if all the movement will bear fruit, but it's good to see CBS isn't being complacent. Just temporarily insane when it green lighted The Defenders.
Tuesday, June 09, 2009
2009-10 Season; Friday
There are a couple of notable changes on this second-least watched night of TV.
ABC - They probably have the biggest one, as Ugly Betty moves over from Thursday to anchor a night stuck between Supernanny and 20/20. There's two schools of thought on the move. The first is that Betty is being banished to Friday due to ratings that have been sagging over time and are now more appropriate to Friday nights. The other, as espoused by ABC Entertainment president Steve McPherson, is that they can use Thursday and the Grey's Anatomy/Private Practice pairing to help Flash Forward debut strong and build an audience.
I tend to fall in the former camp. Betty has seen its ratings diminish, and a declining show is least likely to survive on ultra-competitive Thursday nights. If it manages to bring its current fan base to Friday, the show would be a qualified hit. I don't know if Betty will boost the evening as a whole - I don't expect the intersection of Betty and 20/20 viewerships to be that great - but it has to be an improvement over Wife Swap, doesn't it?
CBS - Will continue to dominate Fridays thanks to The Ghost Whisperer and Numbers, which are now flanking Medium, picked up from NBC's scrap pile. Medium is kind of in a similar position to Ugly Betty in regards to bringing fans over (with the added difficulty of a new network to boot), but where it's going to a well-established night of programming it'll have more of a cushion, I'd think. It should also be less risky than bringing in a new show.
Fox - Opens the night with Brothers, a sitcom about a former NFL player who moves home to help his brother, whose restaurant is struggling, but then may wind up home for good if his mom has her way. What makes this interesting is that the show starts actual former NFL player Michael Strahan, who has plenty of charisma but hasn't acted much outside of Subway commercials. The cast includes Darryl "Chill" Mitchell, CCH Pounder and Carl Weathers, which should help to even things out if Strahan is a little uneven.
Brothers is paired with Til Death, which was off the air for most of this past season. It'll return in the summer on Sundays before moving to Fridays in the fall.
Perhaps the biggest surprise from Fox was the return of Dollhouse, Joss Whedon's drama about sexy secret agents who have their memories erased after each job. There wasn't much hope for the show when it premiered, but apparently Fox still feels bad about axing Firefly and is making amends here. If nothing else, it's the perfect capper to a strange night of TV.
NBC - If you were wondering if anyone actually tries to win the 49 and over demographic, this night may be your proof. It opens with Law & Order, now in its 20th season of ripping stories from the headlines. It's followed by Southland, the LA cop drama that was a surprise pick-up. It ends with Leno. If any night is AARP-approved, it's this one.
The CW - Limps into Friday with Smallville - it's still on! - and reruns of America's Next Top Model. For this they cancelled Everybody Hates Chris. It's official: The CW is the suckiest bunch of sucks to ever suck.
ABC - They probably have the biggest one, as Ugly Betty moves over from Thursday to anchor a night stuck between Supernanny and 20/20. There's two schools of thought on the move. The first is that Betty is being banished to Friday due to ratings that have been sagging over time and are now more appropriate to Friday nights. The other, as espoused by ABC Entertainment president Steve McPherson, is that they can use Thursday and the Grey's Anatomy/Private Practice pairing to help Flash Forward debut strong and build an audience.
I tend to fall in the former camp. Betty has seen its ratings diminish, and a declining show is least likely to survive on ultra-competitive Thursday nights. If it manages to bring its current fan base to Friday, the show would be a qualified hit. I don't know if Betty will boost the evening as a whole - I don't expect the intersection of Betty and 20/20 viewerships to be that great - but it has to be an improvement over Wife Swap, doesn't it?
CBS - Will continue to dominate Fridays thanks to The Ghost Whisperer and Numbers, which are now flanking Medium, picked up from NBC's scrap pile. Medium is kind of in a similar position to Ugly Betty in regards to bringing fans over (with the added difficulty of a new network to boot), but where it's going to a well-established night of programming it'll have more of a cushion, I'd think. It should also be less risky than bringing in a new show.
Fox - Opens the night with Brothers, a sitcom about a former NFL player who moves home to help his brother, whose restaurant is struggling, but then may wind up home for good if his mom has her way. What makes this interesting is that the show starts actual former NFL player Michael Strahan, who has plenty of charisma but hasn't acted much outside of Subway commercials. The cast includes Darryl "Chill" Mitchell, CCH Pounder and Carl Weathers, which should help to even things out if Strahan is a little uneven.
Brothers is paired with Til Death, which was off the air for most of this past season. It'll return in the summer on Sundays before moving to Fridays in the fall.
Perhaps the biggest surprise from Fox was the return of Dollhouse, Joss Whedon's drama about sexy secret agents who have their memories erased after each job. There wasn't much hope for the show when it premiered, but apparently Fox still feels bad about axing Firefly and is making amends here. If nothing else, it's the perfect capper to a strange night of TV.
NBC - If you were wondering if anyone actually tries to win the 49 and over demographic, this night may be your proof. It opens with Law & Order, now in its 20th season of ripping stories from the headlines. It's followed by Southland, the LA cop drama that was a surprise pick-up. It ends with Leno. If any night is AARP-approved, it's this one.
The CW - Limps into Friday with Smallville - it's still on! - and reruns of America's Next Top Model. For this they cancelled Everybody Hates Chris. It's official: The CW is the suckiest bunch of sucks to ever suck.
Thursday, May 28, 2009
2009-10 Season: Thursday
Easily the night with the best programming across the board.
ABC - They've decided to break up their female-friendly night of programming by moving Ugly Betty and replacing it with Flash Forward. This high-concept drama takes place in the aftermath of every person in the world blacking out for two minutes and 17 seconds, during which time they get a glimpse of their future.
Does this sound like something that would go with relationship dramas? Not particularly, which makes me worry for this intriguing show. Shorts ads for it did run during Lost this past season, and it seems like those two shows would air together. And perhaps they will - assuming Flash Forward survives.
CBS - Returns with Survivor and CSI, and moves The Mentalist over to create a very strong night, likely their strongest of the week.
Fox - Pairs Bones with Fringe, which doesn't seem like an obvious paring but doesn't sound disastrous. There's also an interesting comparison to ABC, given that these shows have female leads but don't center around their loves lives. It'll be interesting to see if Bones - which is popular but not exactly a ratings-grabber - can boost Fringe, which fared OK in its inaugural season.
The CW - Opens the evening with The Vampire Diaries, which seeks to make hay off the Twilight craze, which seems like smart move but I don't know if the die-hards are going to cotton to a rip-off. It's paired with Supernatural, which makes sense. This could wind up being a decent night for the former Frog.
ABC - They've decided to break up their female-friendly night of programming by moving Ugly Betty and replacing it with Flash Forward. This high-concept drama takes place in the aftermath of every person in the world blacking out for two minutes and 17 seconds, during which time they get a glimpse of their future.
Does this sound like something that would go with relationship dramas? Not particularly, which makes me worry for this intriguing show. Shorts ads for it did run during Lost this past season, and it seems like those two shows would air together. And perhaps they will - assuming Flash Forward survives.
CBS - Returns with Survivor and CSI, and moves The Mentalist over to create a very strong night, likely their strongest of the week.
Fox - Pairs Bones with Fringe, which doesn't seem like an obvious paring but doesn't sound disastrous. There's also an interesting comparison to ABC, given that these shows have female leads but don't center around their loves lives. It'll be interesting to see if Bones - which is popular but not exactly a ratings-grabber - can boost Fringe, which fared OK in its inaugural season.
The CW - Opens the evening with The Vampire Diaries, which seeks to make hay off the Twilight craze, which seems like smart move but I don't know if the die-hards are going to cotton to a rip-off. It's paired with Supernatural, which makes sense. This could wind up being a decent night for the former Frog.
Wednesday, May 27, 2009
2009-10 Season: Wednesday
Remember when I said Tuesday was the night you could skip out and not miss anything on TV? Well, Wednesday isn't much better.
ABC - Throws an entire night of new shows at us, five of their total of eight new shows for the season. Four are sitcoms:
ABC - Throws an entire night of new shows at us, five of their total of eight new shows for the season. Four are sitcoms:
- Hank, starring Kelsey Grammer as an ex-tycoon looking to make his way back to the top;
- The Middle, a Roseann ripoff starring Patricia Heaton;
- The Modern Family, a documentary-style show about the different styles of families out there and how they operate and interact, starring Ed O'Neill;
- and Cougar Town, starring Courtney Cox as a newly-divorced mom getting back into dating.
ABC apparently showed the entire pilot of The Modern Family during its upfront, and at least one critic (Aaron Barnhart of TV Barn and the Kansas City Star) reported that it was pretty well-recieved. That's a good thing, as based on ABC's press releases they all sound like they were generated by the Sitcom9000.
The network ends the night with Eastwick, a drama based on the movie The Witches of Eastwick. Sadly, this is not the only show on Wednesday based on a 20+ year old movie.
Really, a pretty thin night for ABC, but it's probably enough to keep them in third place until they cancel some stuff and bring back Lost.
CBS - Will battle for first place for the night, starting with The New Adventures of Old Christine and Gary Unmarried, moving to Criminal Minds at 9 and finishing with CSI: New York. Solid night all the way around.
Fox - Opens with results shows (So You Think You Can Dance or American Idol) followed by one of two new shows. The first is Glee, the high-school dramedy that aired its pilot earlier this month to good reviews. The oddity is the other show, Human Target, which stars Mark Valley as a man whose job is to get close to potential targets of violence so he can become the target in order to save lives. I don't quite understand how this fits in with a night otherwise dedicated to singing and dancing.
NBC - Starts the night with the other show based on an ancient movie, Parenthood. This is the second go-round in trying to make this into a TV series, and I don't know why it will do any better now. It will move aside in the spring for Mercy, a medical show that's Grey's Anatomy from a nurse's perspective. Had NBC been thinking they'd have combined this with Trauma so they only had one Grey's ripoff on the schedule. That or they'd have scheduled them for the same night and time so that one runs into the other. Viewers may not even notice that they are different shows.
Law & Order: Criminal Intent follows at 9 and Leno wraps things at 10.
The CW - Gives us the next cycle of America's Next Top Model, and follows the unscripted show about model with a scripted one, The Beautiful Life. I wouldn't expect much from it, except that the cast has something for everyone - Elle Macpherson, The OC's Mischa Barton and High School Musical's Corbin Bleu are all in the ensemble. So this may actually work, or at least work as well as anything on The CW does.
Tuesday, May 26, 2009
2009-10 Season: Tuesday
After looking at the tentative schedule, if you were looking for a night to do errands or otherwise not be in front of your TV, this might be the night.
ABC - Wraps the results show for Dancing With the Stars around two new shows. The early one, Shark Tank, is an Americanized version of BBC America's Dragon's Den, as entrepraneurs present their ideas to a panel of five self-made millionaires in the hopes that they'll provide seed capital. Sounds find in concept, and hopefully the producers here will remember how NBC failed to turn Last Restaurant Standing into a success with Chopping Block.
On the other end is The Forgotten, which sees a group of amateur sleuths work to put names to unidentified murder victims, with the hope that an ID will help lead to an arrest. Reiko Ayelsworth, best known for playing Michelle Dessler on 24, is part of the cast. This may be enough of a twist on the police procedural to work, and having Jerry Bruckheimer involved should help, too.
In the spring, the first two hours will change to a show to be named later (I'm hoping it's the V remake, which sounds atrocious on principle) and a sitcom block of Scrubs and Better Off Ted. Both are somewhat surprising additions to the schedule. Scrubs got a proper send-off, and will now apparently toil on without Zach Braff. The surprise for me with Better Off Ted returning is that ABC managed to keep the right midseason sitcom, as they could have brought back In the Motherhood.
To my eyes, ABC has the best line-up for the night, which is depressing as I really don't feel compelled to watch any of these shows.
CBS - Looks to replicate the success of spinning off CSI into different locations by giving us NCIS: Los Angeles in the 9 pm slot, airing after the original NCIS. I don't know if that's such a great thing, though I suppose it's a way to build an audience with current NCIS viewers who may potentially follow the show to another night later in the season. The new show stars Chris O'Donnell and LL Cool J, though once I hear the name "Chris O'Donnell" I start to look for the remote. I'd be surprised if this brings in enough viewers to make the cancellation of The Unit look like a smart move, though I may be underestimating the loyalty of the average NCIS viewer.
The 10 pm spot is filled by The Good Wife, the latest show to cast Juliana Marguiles as a lawyer. In this show, though, her character returns to practice more than decade after leaving to be a full-time mom, forced to pick things up again after a public sex and corruption scandal lands her husband in jail. The cast looks solid, as it includes Chris Noth, Josh Charles and Christine Baranski. If it's done well, this would be the best pick for the 10 pm slot for the night.
Fox - Will bank on reality for the night, with So You Think You Can Dance? in the fall and American Idol in the spring. I can't imagine they'll go a full two hours for Dance each week, especially with an hour-long results show the next night. Then again, Fox does like to milk hours with reality performance programming, so I'm sure they'll find a way to fill the time.
In the spring, AI will share the night with Past Life, about a pair of "detectives" who determine if your current problems are being caused by who you were in a past life. Um, no.
NBC - Dedicates pretty much their entire non-Leno programming in the evening to The Biggest Loser. In the spring, they'll cut the show to 90 minutes and add 100 Questions, the sitcom about the woman who has a wacky romantic anecdone for each of the 100 questions on a dating service survey. I guess it fits with the expected Loser demographic, but I can't help but have visions of quick-cancelled shows like The Ex-List and Emily's Reasons Why Not floating in my head. They'd have been better off snagging Samantha Who? off of ABC's discard pile.
The night ends with Leno at 10. Get used to that.
The CW - Brings back 90210 and adds to it a new version of Melrose Place. Laura Leighton and Thomas Calabro return from the original, and Ashlee Simpson appears as one of the young, new tenants. If only the network did three hours of programming a night, we'd be guaranteed a revival of Models, Inc. next season. Oh, to dream...
ABC - Wraps the results show for Dancing With the Stars around two new shows. The early one, Shark Tank, is an Americanized version of BBC America's Dragon's Den, as entrepraneurs present their ideas to a panel of five self-made millionaires in the hopes that they'll provide seed capital. Sounds find in concept, and hopefully the producers here will remember how NBC failed to turn Last Restaurant Standing into a success with Chopping Block.
On the other end is The Forgotten, which sees a group of amateur sleuths work to put names to unidentified murder victims, with the hope that an ID will help lead to an arrest. Reiko Ayelsworth, best known for playing Michelle Dessler on 24, is part of the cast. This may be enough of a twist on the police procedural to work, and having Jerry Bruckheimer involved should help, too.
In the spring, the first two hours will change to a show to be named later (I'm hoping it's the V remake, which sounds atrocious on principle) and a sitcom block of Scrubs and Better Off Ted. Both are somewhat surprising additions to the schedule. Scrubs got a proper send-off, and will now apparently toil on without Zach Braff. The surprise for me with Better Off Ted returning is that ABC managed to keep the right midseason sitcom, as they could have brought back In the Motherhood.
To my eyes, ABC has the best line-up for the night, which is depressing as I really don't feel compelled to watch any of these shows.
CBS - Looks to replicate the success of spinning off CSI into different locations by giving us NCIS: Los Angeles in the 9 pm slot, airing after the original NCIS. I don't know if that's such a great thing, though I suppose it's a way to build an audience with current NCIS viewers who may potentially follow the show to another night later in the season. The new show stars Chris O'Donnell and LL Cool J, though once I hear the name "Chris O'Donnell" I start to look for the remote. I'd be surprised if this brings in enough viewers to make the cancellation of The Unit look like a smart move, though I may be underestimating the loyalty of the average NCIS viewer.
The 10 pm spot is filled by The Good Wife, the latest show to cast Juliana Marguiles as a lawyer. In this show, though, her character returns to practice more than decade after leaving to be a full-time mom, forced to pick things up again after a public sex and corruption scandal lands her husband in jail. The cast looks solid, as it includes Chris Noth, Josh Charles and Christine Baranski. If it's done well, this would be the best pick for the 10 pm slot for the night.
Fox - Will bank on reality for the night, with So You Think You Can Dance? in the fall and American Idol in the spring. I can't imagine they'll go a full two hours for Dance each week, especially with an hour-long results show the next night. Then again, Fox does like to milk hours with reality performance programming, so I'm sure they'll find a way to fill the time.
In the spring, AI will share the night with Past Life, about a pair of "detectives" who determine if your current problems are being caused by who you were in a past life. Um, no.
NBC - Dedicates pretty much their entire non-Leno programming in the evening to The Biggest Loser. In the spring, they'll cut the show to 90 minutes and add 100 Questions, the sitcom about the woman who has a wacky romantic anecdone for each of the 100 questions on a dating service survey. I guess it fits with the expected Loser demographic, but I can't help but have visions of quick-cancelled shows like The Ex-List and Emily's Reasons Why Not floating in my head. They'd have been better off snagging Samantha Who? off of ABC's discard pile.
The night ends with Leno at 10. Get used to that.
The CW - Brings back 90210 and adds to it a new version of Melrose Place. Laura Leighton and Thomas Calabro return from the original, and Ashlee Simpson appears as one of the young, new tenants. If only the network did three hours of programming a night, we'd be guaranteed a revival of Models, Inc. next season. Oh, to dream...
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