As much as I've maligned NBC for their Olympic coverage, I think we may have a new low-point for national sports coverage with TBS and their baseball playoff broadcasts.
My reasoning for this is threefold:
1. Announcers who make shit up. I'm looking mostly at Chip Caray here, as he's tried to foist upon the public the idea that the Red Sox's Dustin Pedroia is nicknamed the Little Pony and that Tampa Bay pitcher James Shields is known as Big Game James. I've not heard talk of the Little Pony at all, and it seems like Shields' nickname isn't familiar to Rays fans, either (based on comments over at Joe Posnanski's blog at least).
(BTW, you should read Posnanski's blog.)
Both nicknames could be clubhouse deals, or players having a bit of fun with the media, but I tend to think it's related to TBS not knowing much about baseball, outside of the Braves.
2. Announcers who don't know much about baseball. Back to Caray, who apparently thought that intentionally walking Jason Bay in last night's game was unconventional. The walk loaded the bases, creating a force out at any base, and gave the Rays a lefty batter to face a left pitcher. That's pretty much what you're supposed to do.
I'm assuming Caray's view came from Drew's stats against the pitcher, but even so you'd still walk Bay in this situation. Unless Drew was 97 for 100 with 89 HRs against the guy.
Seeing how this shaping up, maybe TBS just needs to get rid of Caray?
3. Frank TV. Enough has been said about the relentless promotion of this festering pile of television, but it's enough on its own to pray for the league to reconsider its contract. There has to be some sort of clause that lets MLB void the contract for crimes against humanity.
Friday, October 17, 2008
Tuesday, October 07, 2008
Bring Out Your Dead
Do Not Disturb has rung in the new TV season by becoming its first casualty. For those of you who missed it (or as I like to call them, everyone), it was a sitcom set in a hotel that starred Jerry O'Connell. I don't think I need to go into much more detail to get at why it was canceled, do I?
But this does bring up the subject of this year's Ted Marshall Open, the TV dead pool that used to be named for some Z-grade hack actress whose name I apparently can't mention in this context unless I want to get sued. Do Not Disturb was on my list, so I've got 9 shows to go. My entry:
ER - The venerable medical drama gets its send-off, finally. I'm only tuning in if they figure out a way to bring back Mark Green.
Valentine - This CW series crosses Cupid and Melrose Place by putting mythological beings into the real world (well, Los Angeles), where they live in the same building and do whatever it is that Earth-bound gods do.
This sounded pretty craptacular when I first heard about it, and given how it (and all of the CW's new Sunday lineup) tanked upon premiering last night, I'm looking forward to getting reruns of America's Next Top Model back by Thanksgiving.
Do Not Disturb - see above
Harper's Island - I took a chance on this CBS mid-season show about a destination wedding that happens on an island that may or may not still be the hunting ground of a serial killer. I try not to choose mid-season shows in case they never get aired, but this sounded just dopey enough to give a try. Unfortunately for me, the one review I've read of its teaser suggests it's going to be very good.
Crusoe - I've never liked it when NBC has adapted history or literary works for miniseries, so you can imagine my level of dread for turning one into a series. And while it came too late to factor into my decision, I'm heartened by this piece of research noting that Friday night shows have the worst renewal rate of any night. NBC is just 1 for 14 since 1999, so even better for me.
The Ex-List - As much as I enjoyed Elizabeth Reaser's run as Rebecca/Ava on Grey's Anatomy, I'm a little dismayed that she parlayed it into My Name is Earl done over as a romantic dramedy. In this care, Reaser's character goes to a medium and is told that the love of her life is someone she already rejected. So she now has to go through her exes to find out which reject she needs to take back. As quirky as that might sound, I'm not sure that the average person watching CBS on Friday nights is going to take to this.
Lipstick Jungle - For those who want the Sex and the City vibe without, you know, the sex.
Life on Mars - Now here I may have pressed a bit. I went with this show based on a gut feeling that ABC won't be able to adapt the show for American audiences. That and I didn't care for the one promo I saw this summer. Pretty flimsy, really. I am holding out hope that the crowd won't stick around for it, but there's not much competition on Thursday nights. Unless Eleventh Hour turns out to be a bigger hit than I expected (and really, that show would probably be a better choice here).
The Philanthropist - another mid-season, but it's hard to think that a show about a renegade billionaire fighting for social justice will stick. I suppose it has a shot airing against yet another series of The Bachelor, but I'm betting that people will opt to either watch CSI: Miami or go to bed.
According to Jim - adapting a principle from standard dead pools, once you put a show on the list, keep it there until it dies. I wouldn't do this with any show, but at this point the demise of Jim is getting to be a little personal. Probably too much so.
It turns out that six of these shows are among the top ten chose by pool entrants (Mars, Disturb, Ex List, Valentine, Crusoe, ER). So what four did I pass on that others took?
Gary Unmarried - How I passed on a show with Jay Mohr and Paula Marshall is beyond me. These should be free points. But it's in a good time slot (only Bones offers significant competition) and is protected (so to speak) by veteran shows The New Adventures of Old Christine and Criminal Minds. And if last week's numbers are to be believed, the show built on Christine's lead. So maybe I dodged a bullet here?
Knight Rider - thought it may pull in enough nostalgia/kitsch viewers to linger. From what I've read it's not very good, but we'll see if NBC has enough faith in it to keep it going or move it when something else tanks.
Kath and Kim - I was pretty conflicted about this one, as it looks positively awful from the 300 hours of promotion it got during the Olympics. But I feared that this would be one of those cases where I don't get the humor of the show while some broad segment of the population that I'm not in does get it. So I gave it a pass.
The Mentalist - this latest attempt to foist Simon Baker on the viewing public is yet another show where the protagonist has unique problem-solving abilities that may or may not excuse some set of character flaws. It's as if Jonathan Edward starred on House but with less abrasiveness and drug abuse (the show is on CBS, after all). I'd given this consideration, and then panicked a bit when the show premiered strongly, thinking I'd chosen it. But I didn't, and thus avoided the first show to get renewed this season. Good for me.
But this does bring up the subject of this year's Ted Marshall Open, the TV dead pool that used to be named for some Z-grade hack actress whose name I apparently can't mention in this context unless I want to get sued. Do Not Disturb was on my list, so I've got 9 shows to go. My entry:
ER - The venerable medical drama gets its send-off, finally. I'm only tuning in if they figure out a way to bring back Mark Green.
Valentine - This CW series crosses Cupid and Melrose Place by putting mythological beings into the real world (well, Los Angeles), where they live in the same building and do whatever it is that Earth-bound gods do.
This sounded pretty craptacular when I first heard about it, and given how it (and all of the CW's new Sunday lineup) tanked upon premiering last night, I'm looking forward to getting reruns of America's Next Top Model back by Thanksgiving.
Do Not Disturb - see above
Harper's Island - I took a chance on this CBS mid-season show about a destination wedding that happens on an island that may or may not still be the hunting ground of a serial killer. I try not to choose mid-season shows in case they never get aired, but this sounded just dopey enough to give a try. Unfortunately for me, the one review I've read of its teaser suggests it's going to be very good.
Crusoe - I've never liked it when NBC has adapted history or literary works for miniseries, so you can imagine my level of dread for turning one into a series. And while it came too late to factor into my decision, I'm heartened by this piece of research noting that Friday night shows have the worst renewal rate of any night. NBC is just 1 for 14 since 1999, so even better for me.
The Ex-List - As much as I enjoyed Elizabeth Reaser's run as Rebecca/Ava on Grey's Anatomy, I'm a little dismayed that she parlayed it into My Name is Earl done over as a romantic dramedy. In this care, Reaser's character goes to a medium and is told that the love of her life is someone she already rejected. So she now has to go through her exes to find out which reject she needs to take back. As quirky as that might sound, I'm not sure that the average person watching CBS on Friday nights is going to take to this.
Lipstick Jungle - For those who want the Sex and the City vibe without, you know, the sex.
Life on Mars - Now here I may have pressed a bit. I went with this show based on a gut feeling that ABC won't be able to adapt the show for American audiences. That and I didn't care for the one promo I saw this summer. Pretty flimsy, really. I am holding out hope that the crowd won't stick around for it, but there's not much competition on Thursday nights. Unless Eleventh Hour turns out to be a bigger hit than I expected (and really, that show would probably be a better choice here).
The Philanthropist - another mid-season, but it's hard to think that a show about a renegade billionaire fighting for social justice will stick. I suppose it has a shot airing against yet another series of The Bachelor, but I'm betting that people will opt to either watch CSI: Miami or go to bed.
According to Jim - adapting a principle from standard dead pools, once you put a show on the list, keep it there until it dies. I wouldn't do this with any show, but at this point the demise of Jim is getting to be a little personal. Probably too much so.
It turns out that six of these shows are among the top ten chose by pool entrants (Mars, Disturb, Ex List, Valentine, Crusoe, ER). So what four did I pass on that others took?
Gary Unmarried - How I passed on a show with Jay Mohr and Paula Marshall is beyond me. These should be free points. But it's in a good time slot (only Bones offers significant competition) and is protected (so to speak) by veteran shows The New Adventures of Old Christine and Criminal Minds. And if last week's numbers are to be believed, the show built on Christine's lead. So maybe I dodged a bullet here?
Knight Rider - thought it may pull in enough nostalgia/kitsch viewers to linger. From what I've read it's not very good, but we'll see if NBC has enough faith in it to keep it going or move it when something else tanks.
Kath and Kim - I was pretty conflicted about this one, as it looks positively awful from the 300 hours of promotion it got during the Olympics. But I feared that this would be one of those cases where I don't get the humor of the show while some broad segment of the population that I'm not in does get it. So I gave it a pass.
The Mentalist - this latest attempt to foist Simon Baker on the viewing public is yet another show where the protagonist has unique problem-solving abilities that may or may not excuse some set of character flaws. It's as if Jonathan Edward starred on House but with less abrasiveness and drug abuse (the show is on CBS, after all). I'd given this consideration, and then panicked a bit when the show premiered strongly, thinking I'd chosen it. But I didn't, and thus avoided the first show to get renewed this season. Good for me.
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