There's a trio of new shows I've been watching this summer, and while they have little in common, all appeal to the inner (or outer) nerd, one each on public, network and cable TV.
Taking them in that order, we'll start with PBS' Time Team America, a kind of History Detectives spin-off where a team of archaeologists visit sites and give the researchers regularly at the site three days of extra help, often using tools not readily available to the regular team.
The typical story arc of an episode is as follows:
Day 1: arrive at site, dig some trenches, use the geophysical instruments to survey.
Day 2: use the survey results to dig more trenches. Find random bits of pottery no bigger than your thumbnail. Survey some more, as a decent chunk of yesterday's data is inconclusive.
Day 3: Dig a bit more, and hopefully find something other than pottery. Maybe a post hole.
As this suggests, the biggest problem with the show is the lack of actual finds. While that's probably true of how archaeology works, it does not make for particularly riveting television. The host, who is also the team's artist (do archaeology teams regularly employ artists?), tries to pull things together and add background by interviewing various people with a connection to the site. He's also not the most dynamic person; at times it's like the show is being hosted by a somewhat annoying TA.
I'm also not a fan of the team's logo - which appears in the credits and on their vehicles - or the use of Coldplay's "Speed of Sound" as theme music. That'd have been a great choice if the show debuted in 2005.
Moving to network, we have Defying Gravity, a multinationally-produced series that ABC picked up for a summer run. Set in the 2050s (with flashbacks from approximately 5 years before the show's present), we follow the eight person crew of the Antares as they set out on a six-year mission to visit seven planets. The only problem is that there's something calling the shots on the mission that is not part of the International Space Organization. To this point it's only referred to as Beta, and it's monkeyed with the make-up of the crew and has taken one other member back to an ill-fated mission to Mars.
Add into the 2001: A Space Oddysey mix some notable romatic entanglements, including a married couple split up by Beta's shenanigans and a flight engineer (played by Ron Livingston) who had a one-night stand with another crew member (before she became an astronaut) but who is having regular booty calls with a different crew member. The show was apparently pitched as Grey's Anatomy in space, but I don't think we're quite at the point where the show is Grey's Astronomy. It's still too much involved with the oddities, from an Indian crew member who went on an unscheduled EVA with his statue of Ganesha after getting bumped to the aforementioned female member of the one night stand hearing baby cries (care to guess how the one night stand ended?). Odder still, none of the other crew seem suspicious that she keeps on asking them if they've heard something when no one else has.
It's not a great show, but it's good enough for the summer.
Finally, we have SyFy's Warehouse 13, which follows two Secret Service agents as they go about the country to claim objects of unusual power, which then gets stored in the title location, which is somewhere in South Dakota. The agents have a Scully and Mulder sort of relationship, only not as entertaining. They also seem a little slow, as in at least a couple of cases I managed to sort out what they needed to do before they did. Considering I only watched three or four episodes before removing it from my recording list, that's not so good.
I did like Saul Rubinek as the warehouse administrator and CCH Pounder as the program's shadowy leader, Mrs. Frederick (she should be on every episode). There's also a bit of a steampunky vibe to the show, from computers using manual typewriter keyboards to personal communicators in tin cases called Farnsworths, but there weren't enough of those elements to keep me watching.
Oh, and in a related noted, the rebranding of the Sci-Fi Channel to SyFy doesn't do anything for me. I suppose it loosens things up so they can show crap like the ECW and Ghost Hunters, but I fear that this is the start of a slide that sees the network go from something that covers a niche pretty well to one that, in an attempt to find a broader audience, loses identity.
