I hate it when two networks present on the same day, especially if one of them is not The CW. You could dispense with them in about an hour over lunch at Zabar's. Seriously, journalists, suck it up and fly our Friday night. Anyway:
What's back? What's not? No huge surprises, among the returning are New Girl, Touch, and The X-Factor are back for new shows. Mobbed is back, which I guess is a surprise as I know anything about it. Most of the cancellations were known in advance, and include House, Alcatraz, Allan Gregory, Breaking In, The Finder, Terra Nova and I Hate My Teenaged Daughter.
What's new? Mostly drama, and some relocated returning shows.
Monday opens with Bones, which leads into new show The Mob Doctor, which is pretty much what it sounds like. A doctor (Jordan Spiro of My Boys) plays a doctor who has to balance her practice with honoring a family debt to a South Side Chicago outfit. That gets replaced at midseason with The Following, which stars Kevin Bacon as an ex-FBI agent brought out of retirement to track a serial killer. The show is also created by Kevin Williamson, for what that's worth. Neither concept is particularly interesting, but if handled correctly both could be done quite well. Bacon's presence will certainly help.
Tuesday will pose a problem for NBC and its plan to focus on the 9 o'clock hour. The opening hour will be reasonably strong with Raising Hope (which then has to hope that mismatched sibling sitcom Ben and Kate will hold on to enough of its lead in). At 9 we get New Girl to start things, and following that is The Mindy Project, created by and starring Mindy Kaling. She plays an OB/GYN who is trying to have it all, and failing in hopefully comedic ways. I have more faith in Kaling to pull of this Bridget Jones-style sitcom than I would with most people. It also seems like a good pairing with New Girl, both in terms of having a strong lead-in and with what I'm think the tone would be like. Maybe NBC will find that these are too female centered and have their shows flourish with guys. Not counting on it.
Wednesday will have The X-Factor (with new judges Demi Lovato and Britney Spears) in the fall and American Idol in the spring. Makes sense, and avoids any direct competition with The Voice.
Thursday will start with results shows for whichever singing program is airing on Wednesday, followed by Glee. Not sure how I feel about the move. The execs at Fox apparently wanted a four show comedy block and preferred to have it on Tuesday. That part of things I understand. Pushing Glee into what might be the most competitive hour of prime time TV I don't. Ratings flagged this season, and the current season's been pretty uneven. The folks at Fox see a chance for creative renewal based on current characters graduating and new ones joining New Directors. I just hope that (a) the show doesn't start to split time between McKinley and the grads, and (b) we aren't forced to spend even more time with people who appeared on The Glee Project.
Friday has Touch leading into the final season of Fringe. While moving to Friday is generally seen as the kiss of death, Fox sees this as an opportunity for Touch to morph into Fringe's model of success through DVR viewing (something like 70 percent of Fringe viewers time shift). From a personal standpoint, I think it's a good idea, as we DVR almost nothing on Fridays, so there's one fewer conflict to deal with.
Hell's Kitchen picks up for Fringe once it's done. Sensible, I suppose, as some of the contestants appear to be from Neptune.
Saturday offers us something called Fox Sports Saturday, which I'm guessing will feature bear bating and foxy boxing.
Sunday returns all of the animation block from last year.
Elsewhere at midseason we have The Goodwill Games, a sitcom about three siblings who reconnect after their dad dies, only to learn that their inheritance will only pay out if they stick to rules set by their dad before he died. Sounds like a laugh fest.
To sum up, I think Fox is in pretty good shape. There are strong shows mixed with the new, and each night has a theme, be it comedy, music, or "OMG, it's Kevin Bacon!"
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