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New Year, Old TV

2011-12-30T23:50:00.001-05:00

I'm not much of a New Year's celebrant, and from a TV perspective it offers up two of my least favorite offerings - Dick Clark's Rockin' New Year's Eve and the Tournament of Roses parade. The former offers too much hype and the painful appearance of Dick Clark, whose post-stroke speech is often incomprehensible. I hope that every year will bring a sign of improvement, but have been disappointed. The parade, meanwhile, bores me. I don't like watching parades on TV generally, and am annoyed that this particular parade is covered by something like 20 networks at the same time.

The one New Year's TV tradition I absolutely love is the Twilight Zone marathon on SyFy. It's a great alternative to the aforementioned crap and when bowl games get out of hand. As a service to you, dear readers, here's a schedule of when some of the more notable episodes will run (all times Eastern):

Saturday

"In Praise of Pip" (9:30 am) - I tend to enjoy all of the Klugman episodes, and find this one about a bookie who learns that his son has been wounded in combat especially poignant. It's taken on greater meaning now that I have sons of my own.

"The Rip Van Winkle Caper" (12:30 pm) - one of my favorite "gotcha" episodes, though more for the way the gang at the center of this heist disintegrates, proving there truly is no honor among thieves.

"The After Hours" (4:30 pm) - I find this episode creepy, less for the ultimate reveal than for the department store, with its missing floors and such. I kind of fear having the same thing happen to me.

"A Game of Pool" (5:30 pm) - to me this is the first classic episode of the marathon, as Jack Klugman's pool shark faces off against the greatest hustler of them all (Jonathan Winters) - even though the hustler is dead.

"Stopover in a Quiet Town" (7 pm) - I have to admit I like this episode because I like the comeuppance served to the main characters, a disagreeable couple who wake up after a bender unsure where they actually are.

"A Penny for Your Thoughts" (8 pm) - Dick York plays a bank clerk who can hear people's thoughts. I like the comedic tone of the episode, and it's one of my favorite ones where an unexpected circumstance allows a meek character to succeed.

"Nick of Time" (10 pm) - a newlywed couple finds themselves at the mercy of a penny-operated fortune-telling machine when their car breaks down. The episode features William Shatner as the husband.

"Kick The Can" (11 pm) - I admit I like this story of a nursing home resident who tries to get his fellow elderly to play like children more for its later reference on The Simpsons than for the actual episode. But it's still a good one.

Sunday

"The Midnight Sun" (12 am) - an enjoyable episode, both for the way people cope with the slowly inevitable date Earth now has with the sun, and for the way the episode resolves as a quasi-gotcha.

"People Are Alike All Over" (12:30 am) - enjoyed for the idea that aliens, rather than being giant insectoids with a taste for human flesh, are jerks just like the rest of us.

"Two" (2 am) - Elizabeth Montgomery and Charles Bronson star as what might be the last combatants in a war that's killed everyone else. The leads do a nice job of acting this out without the help of lengthy dialog.

"The Lonely" (4 am) - a man sentenced to a long stretch alone on an asteroid is sent a robot companion to help pass the time. A bit predictable in the outcome, but a nice example on how no man can be an island.

"The Arrival" (5:30 am) - a plane arrives at an airport without passengers, and each of the three men investigating the incident see something different. If I'm remembering this episode correctly, the ending is given kind of out of the blue.

"The Last Rites of Jeff Myrtlebank" (7:30 am) - a young man comes back to life at his own funeral, and has to convince the town that he's not the devil. You can imagine how that turns out.

"The 7th is Made Up of Phantoms" (11:30 am) - three National Guardsmen get more than they bargained for during their weekend drill when they happen upon Custer's Last Stand. Probably my favorite time travel episode.

"It's a Good Life" (2 pm) - classic episode about a town that lives to please a small boy (Billy Mumy), who can use his mind to make life unpleasant - or non-existent - if you displease him.

"The Invaders" (4:30 pm) - dialog-free story about a woman fighting off alien invaders.

"Living Doll" (7:30 pm) - Telly Savalas plays a man who has his life threatened by one of his daughter's dolls. We have a number of toys here that speak in a similar voice and with similar phrases to the doll, so I've taken to making up creepy statements like "it's murder time" when the toys come out.

"The Obsolete Man" (8 pm) - the lesser known of Burgess Meredith's bookcentric episodes, in this one he plays a librarian who is to be put to death because society no longer needs books. I do like this one for the impassioned defense of knowledge at the end.

"Time Enough at Last" (9 pm) - the other episode, where Meredith plays a bank teller who only wants time to read - and gets it when a nuclear strike happens while he's in the vault. May have the best-known gotcha ending of the entire series.

"A Stop at Willoughby" (9:30 pm) - an ad exec finds himself wanting to get off at this idyllic town, but always just misses the stop. He finally makes it off at the end of the episode, with a neat gotcha as to the nature of Willoughby at the end.

"The Monsters are Due on Maple Street" (10 pm) - a neighborhood loses power, and the fear that it's due to an alien invasion leads residents to turn on each other, thinking that each is an advance scout for the invasion.

"To Serve Man" (10:30 pm) - the other entrant in the best-known gotcha ending, although there's a tacked on bit at the end that kind of ruins the surprise. Nicely done overall, though.

"Will the Real Martian Please Stand Up" (11 pm) - alien invasion played more for humor, as an alien is tracked to a local diner. The ending is a double gotcha, which I really enjoyed the first time I saw it.

"Nightmare at 20,000 Feet" - another classic, featuring William Shatner as an airplane passenger who keeps seeing a gremlin outside the plane, trying to cause a crash. He's the only person who sees it.

Monday

"Nightmare as a Child" (2 am) - a teacher is freaked out by a girl who knows too much about the teacher's past. I've probably under-represented the supernatural episodes, but this is one I remember liking.

"What's in the Box" (2:30 am) - a nagging couple finds their marital trouble is now being reported on the TV. I really think this would be a great basis for a movie version of The Lockhorns.

Enjoy this weekend's trip into an alternate dimension!

New on TV: Pan Am

2011-11-03T23:53:00.000-04:00

It's 1963. The jet age has dawned, and we're going around the world with the crew of a Pan Am Clipper. That crew is made up of a captain searching for his gone-missing stewardess girlfriend, his co-pilot who appears to be Pan Am's version of Pete Campbell, and four stewardesses. Two are sisters, one the black sheep of the family, the other the golden child who bolted from her own wedding and wound up on the cover of Life magazine after joining Pan Am. One is a burgeoning feminist/free thinker, as we're shown by her living in the Village and having some guy at her apartment using Marx as an excuse to not answer the phone. The fourth is a Frenchwoman who was apparently sleeping with a married man, which she learned when he brought his family on a flight.

Oh, and did I mention that the black sheep has been recruited by the CIA at the suggestion of the stew who went missing?

Ridiculous espionage subplots aside, there is a certain charm to this show. The sisters have a troubled relationship, but they're secure enough with each other to be honest and have each other's backs when their manipulative mom shows up on a flight. The captain, as much as he's trying to project the alpha male characteristics expected of someone in his position in 1963, is clearly hurting, and his dedication to find his girlfriend is a welcome vulnerability.

The other characters, well, I'm not so sure where they're going. They may be a little to tightly defined as horndog/bohemian/French, and it'd be nice to see them get some range.

As for the show's ability to capture Mad Men's vibe, well, no. They try very hard, certainly with the costumes and music, but try too hard by inserting incidental dialog that sounds like a forced attempt to remind us that it's 1963. The writers do not have Mad Men's ability to come up with dialog that sounds like it would be spoken by people in the 1960s but not sounding like they're trying to prove that it's the 1960s.

Still, this is a pleasant enough show, and the airline setting does allow for a broad range of locales and potential plots. I don't know how much of a chance we'll have to explore the world with this crew, though, as the show's ratings are dismal, thanks in no small part to the anemic numbers put up by Desperate Housewives, whose last season is, almost unbelievably, stupider than any of the previous seasons. I also don't see a good time for them to move the show to without possibly making the show weaker, ratings-wise.

So while this experiment in ripping off basic cable is going better than The Playboy Club, I wouldn't actually call it a success. It's likeable enough, but it doesn't keep me from hoping that March 2012 would just get here already.

New on TV: Terra Nova

2011-11-03T23:20:00.001-04:00

It's 2149, and Earth is screwed. Population growth, pollution, whatever, it's clear that the planet is not going to be able to sustain life - at least human life - for much longer. At some point in the relatively recent past, a hole in space-time was discovered that allows people to be sent back 85 million years on to a parallel Earth. The idea, apparently, is that this new Earth will serve as a lifeboat for at least a segment of humanity.

That's where the Shannon family comes in. They've been selected for the 11th pilgrimage (mom is a doctor), but there's wrinkle; dad is in prison thanks to his assault on a police officer who discovered that the family had an illegal third child. Mom is apparently more resourceful than first thought, as she engineers a lame escape for her husband and lays down enough bribes to get him through the portal - with their third child.

Terra Nova is run in a quasi-military camp style, led the no-nonsense commander who founded the colony as the very first pilgrim. But there's trouble in the past, as a group of people from the sixth pilgrimage - know as Sixers - split off from Terra Nova and are actively trying to thwart it. They live in the jungle, steal supplies and energy as needed, etc. They also have a belief - not stated explicitly but suggested via comments as subtle as a jackhammer - that this new Earth is actually the old Earth, and the Terra Nova settlement is a ploy made by various people back in 2149 to gain or maintain power.

The Shannons, for their part, get mixed up in this pretty quickly when the dad saves the life of the commander, leading him to a favored spot on the commander's security team. The dad has also been a captive of the Sixers, and is beginning to suspect there's more here than meets the eye. There is also a variety of family drama - a son who resents his dad for being away, a daughter who's already caught the eye of a solider, and none of it is all that interesting.

In fact, this write up is, I think, at least as interesting as the show, a condition I ascribe to the lack of dinosaurs. Oh, there's at least one dino per episode - and there was one episode where a flock of flying dinos attack the Terra Novans, as they've built their settlement on the dino's nesting ground - but the real draw for watching this show isn't to see what bits they've ripped off from Lost or how problematically on the nose it was for them to cast the Marine commander from Avatar as the Terra Nova commander. I want to see dinosaurs, lots of them, preferably fighting each other. That would be at least as interesting as the whole thing with the Sixers (which I think they've tipped too early) and much more interesting than the family dynamics stuff.

Bottom line, I'm a little disappointed with the show, and the ratings suggest that I'm not alone. My thinking: more dinos, more ratings. Make it happen, Fox.

Making it Better - The Walking Dead

2011-10-20T23:52:00.000-04:00

While it attracted a huge audience, the start of the second season of The Walking Dead did remind me of some of the things I didn't particularly like about the first season. Unfortunately, they're mostly about the acting. Still, in the interest of improving things, here are my five suggestions for making the show even more zombieriffic.

1. Actually use the word 'zombie.' While I understand (to some extent) the use of the term "walker," I have hard time believing that no one has used that term to describe what, culturally, we've known as zombies. I can only assume that the world depicted on the show never considered zombies as a concept, or did and called them walkers from the start. Anyway, the occasional dropping of the z-word would be a nice touch, if just to remind us that the show putatively takes place in our present.

2. Less chat, more splat. AMC is developing a bit of a rep for shows that are slow-moving and very talky (I think the last episode of Rubicon is just wrapping up now). That's an unfortunate tendency when you have a show whose hook is zombies and the killing of zombies. It seems like most interactions with the undead happen off camera or from the zombie point of view. We get to hear the kill, but not to see it, which is a shame. If we've learned anything from recent zombie movies, it's that we want to see the Zs dispatched in a gruesome fashion. The direction this show is taking makes the Foley artists happy, I'm sure, but zombies are more of a visual thing, and the show should open things up.

3. Use the chaos to your advantage, cast-wise. Look, this show doesn't have the strongest cast, and on top of that a number of characters are downright annoying. With a show like this, it should be easy to correct such things; annoying cast member gets eaten, less annoying cast member is found along the road or something. I think most fans have at least one character they'd gladly sacrifice in the hopes of improving overall quality. And while we're on the subject...

4. Bring back Merle Dixon. If you're going to have stereotypical characters, you might as well have ones that are maximally stereotypical and, if possible, crazy. Merle Dixon hits on all cylinders, and probably moreso now that he's down to one hand. Michael Rooker made Merle a mesmerizing figure, and it's a shame we got so little of him. I'm hoping he does return soon as the king of the zombies or something.

I would also appreciate a reunion with Morgan Jones, if only so we could have...

5. An end to the walkie-talkie monologues. I don't need to hear Rick fill the first minute of the show with exposition and half-baked suggestions (for example, telling Morgan to stay off the roads when Rick and company are just about to get on the road). I also blame these for the torpor that the pace of the show is stuck in. Start with some action and keep the pace up.

Still, all of this takes a back seat to what may be the real problem with the show: turmoil amongst the staff. Between the plan to fire all the writers and use freelancers and the parting of the ways with two executives (including Frank Darabont), the mess in this part of the show must have an impact on the actual product. Get your house in order, folks. We want to see some good old fashioned zombie killin'.

Nostalgia Isn't What it Used to Be

2011-10-17T14:24:00.002-04:00

So now that the expected cancellation of Charlie's Angels is official, can the networks agree to a five year moratorium on trotting out new versions of old shows? There are some successes (Hawaii 5-0) and qualified successes (Nikita, 90210) in these revivals, but then you have these: Knight Rider, Night Stalker, Bionic Woman, Cupid, V, and Melrose Place (and if you want go back a little farther, throw in Dragnet, Star Search, Hunter, The Twilight Zone, and Family Affair). It may be too early to say where Prime Suspect is going, but based on ratings it's more likely to join the latter group.

The danger in this, of course, is that we get more offshoots of existing shows. I'd hate to prevent the return of The Five Mrs. Buchanans if what we get instead is NCIS: Presque Isle. Actually, I'd like to see how CBS would pull that off, though the jokes about Presque Isle not being on the water would probably wear thin after the second episode.

The Beauty of DVR Viewing

2011-10-10T23:36:00.000-04:00

The number of shows we record on our DVR generally has us catching up with regular season shows over the summer and watching summer programming during the first half of the new season, with occasional sampling of new shows to see if we're going to keep watching them. This puts me behind the eight ball in discussing developments on existing shows (like how much Glee apparently sucks this year, save Dot Marie Jones), but it has given us a great new approach to some of the summer shows, most notably Hell's Kitchen and Master Chef.

.The approach is simple: watch one episode of each show each night until it's over. I know this sort of condensed season viewing isn't new for folks (especially those of you who stream seasons or watch DVDs), but it's been very helpful for these two shows specifically, as:

1. You can blow through episodes quickly, as you can skip over the ads and excessive recapping (really, I don't need 30 seconds to remind me of what happened two to four minutes ago). Not too unlike regular DVR viewing, but some added value for these shows.

2. You get to know the contestants very quickly. This is less of a problem on Hell's Kitchen, whose contestants tend towards oversized personalities. But it's really helpful for Master Chef, whose contestant pool starts large and, even with a quick cutdown, remains large enough to allow you to lose people in the first few weeks. You see these people every night, though, and it's easier to keep track of folks.

(An aside for Master Chef: please stop the in-program ads for your knives and cookware. Graham Elliot deserves better, I think.)

I will say that this has helped Master Chef seem more compelling this season, though some more interesting competitors have helped, too. They're certainly easier to take than the braying jackasses who tend make up most of Hell's Kitchen.

Down the Rabbit Hole

2011-10-04T13:51:00.000-04:00

Between the negative reviews and the falling numbers over its first three episodes, it should be no surprise that NBC's The Playboy Club was the first new show to get cancelled. Really, the writing was on the wall when Aaron Barnhart tabbed it American Dreams with boobs.

The more surprising info in that EW article is that Whitney got picked up for a full season. While it's not bleeding viewers, last week episode underperformed the previous year's episode of Outsourced. Then again, Outsourced got a full season, so it could just be that NBC will take the hit to have some stability. That must make Maria Bello happy, though reruns of Prime Suspect will show up in The Playboy Club's former spot for the next few weeks, which may help.

The show that's being mentioned as the long-term replacement is the newsmagazine Rock Center with Brian Williams. Based on the name I'm assuming the show is about football, or musicians, or football-playing musicians.

New on TV: New Girl

2011-09-29T13:21:00.000-04:00

If you read enough reviews of new TV shows, you start to see broad narratives develop as to why a show will succeed or fail. This isn't surprising, as mass media loves nothing more than adopting an already-developed narrative over something original. In the case of New Girl, though, the narrative is dead on.

The amount to which you love or hate this show will correlate exactly with how much you love or hate Zooey Deschanel.

But first, the set-up: a bohemian/free spirited/whatever adjective best describes Zooey Deschanel woman named Jess catches her boyfriend cheating on her, leading her to move out and find new lodgings with three (or four) men, who aren't that good with women to begin with, never mind the strange, weepy mess they've just taken on. The guys help Jess get back on her feet while she helps them... make rent, I suppose. Jess also has a model best friend (literally), whose main purpose here seems to be as translator between Jess and the guys.

So, Zooey. She plays Jess in the sort of charmingly quirky (or, as I've seen the role described, "adorkable") that doesn't exist in real life, but works on TV as a refreshing break from how women are usually portrayed in sitcoms. And it's a good thing that it's a sitcom, as I think it'd be hard to take Jess for more than 30 minutes in a sitting. Suffice it to say I'm on the fence about Zooey's adorkability, at least in this case.

The roommates are the sort of clueless men who, left to their own devices, would be on an ABC sitcom that gets cancelled before Thanksgiving. There's Schmidt, one of those "bro" guys who seems to put half of his take home pay into a "Douchebag Jar" and who, not surprisingly, has a highly inflated sense of self. Then there's Nick, a bartender who can't get over his last break up but at least acts rationally otherwise, making him the most likely roommate to fall in love with Jess whenever ratings demand that happen. Winston, a former pro basketball player (in Latvia), rounds out the group as the guy who is trying to figure out just what the hell happened while he was gone.

(There is also another character, Coach, who may or may not be a roommate, thought he was but he's apparently only in a couple of episodes. He owns a gym that also appears to be the location of the apartment.)

I know it'd be hard to have this show without the guy roommates - that being the whole point of the show, the guys and Jess trying to sort each other out - but they drag down the show. I'm especially not fond of Schmidt, who I think they're trying to make into some iconic supporting character, and trying too hard.

Overall it's not a bad show, but I'm not feeling compelled to watch regularly, which I guess tracks with the whole narrative I started with.

New on TV: The X Factor

2011-09-22T13:54:00.000-04:00

If you've consumed mass media for more than three minutes over the last year, you've seen or heard something about Simon Cowell's new singing competition show, The X Factor. And if you've consumed mass media for more than three minutes over the last decade or so, you've probably seen a show that's very similar to The X Factor.

As much as the show would like to stake a claim to originality or uniqueness, it's pretty much American Idol meets America's Got Talent meets The Voice meets (insert show here). Auditions happen, some good and some bad (thankfully, this show isn't drawing out the bad like AI does). Judges say things, and some contestants are passed through to the next stage of the competition, all in the hopes of winning the $5 million grand prize (now actually in cash rather than a potential for making that much).

That being said, there are some differences between this show and Cowell's old show. Contestants can be any age 12 and up, and can include groups. Those making it past the audition are put into four groups (men, women, groups and "older performers") for mentoring and development prior to competing. In fact, this sounds a lot more like The Voice than anything else.

The auditions also take place in front of a live audience (like The Voice, again, which makes me wonder who is ripping off who here), comprised of 4300 of the loudest, most easily entertained people the producers could find. Seriously, this audience will clap and holler for pretty much anything (outside of the guy who dropped his pants during his audition, he got booed). I do think the audience makes a difference - it can build or erode confidence depending on the performance, certainly - but I wish it was a little less manic.

The judging panel is comprised of Cowell, Paula Abdul, Nicole Scherzinger (replacing Cheryl Cole and her Geordie accent) and L.A. Reid. They do pretty much what judging panels do on these shows, and are thankfully more willing to be honest than the AI folks. I especially like L.A. Reid, who manages to be no-nonsense without being a jerk. The producers did try to drum up some sort of conflict with him and Cowell based on their disagreements over contestants, to no avail. At this point at least, there's no ill will there.

People who are into the whole Simon-Paula dynamic, or into the glitter and unicorn-filled world that exists in Paula's head, will be disappointed. In the early going, at least, they played nice and Paula was as coherent as the next person.

There's a heavy redemption angle to the show, as the ratio of successful contestant to compelling/emotional backstory was pretty much one to one. I will say that hearing about the importance of the audition or how someone's whole life is about this moment resonates more when its from a single mom in her 40s than some 19 year old whose "struggle" only exists in their head. I have nothing against redemption, just hoping this doesn't turn into Dr. Phil: The Musical or something.

Whether or not the show is worth watching hinges on your expectations. If you're expecting a singing competition that's new and fresh and full of Fox attitude, well, sorry, you're going to be disappointed. If you just like singing competitions and are sick of the parade of meh that's been coming out of AI the last few years, you may find something to like here.

The Fifth Dentist

2011-09-22T09:01:00.001-04:00

If you're my age you probably remember the ads for Trident gum that noted that four out of five dentists would recommend Trident for their patients who chew gum. And if you were like me, this ad left one question: what did the fifth dentist recommend? (Turns out it was not to chew gum at all.)

The ad never impacted my gum chewing habits, but it did give me an early lesson in the importance of language. A lesson that was piqued again this morning when I heard an ad on the radio for NBC's Thursday night sitcoms. The announcer wanted us to tune in to Community, Parks and Recreation, The Office and "the critically acclaimed Whitney."

That caught me aback, as the critical reaction to Whitney has been tepid at best (as noted here and here and here (scroll through), and here and here, for starters). So it makes me wonder: who, in this case, is the fifth dentist who is recommending Whitney?

The other idea that popped into my head is that NBC is trying to convince us that Whitney is critically acclaimed so it will fit with the other sitcoms, all of which actually are critically acclaimed (more or less, I'm hoping James Spader will bring some luster back to The Office). I'm thinking the people who actually watch the other shows will notice the difference (and those of us who watch the shows on DVR or On Demand will not really notice Whitney at all).

Bring Out Your Dead 2011

2011-09-07T13:07:00.000-04:00

Another year, another entry in the Ted Marshall Open TV death pool. As in years past, you choose ten shows that you think aren't going to be around for the next TV season, and you get 20 points for each show that goes away, with bonus points based on how you rank them (10 points for the show you most expect to get the axe, 9 points for the second-most, etc.). So who did I go with this year?

10 points - Desperate Housewives, it was announced last month that this will be the final season for the residents of Wisteria Lane, probably for the best as it's likely going to spend this year getting its clock cleaned by The Good Wife over on CBS. Truthfully, ABC should have cut their losses and cut this show when they did the time jump a couple of seasons ago.

9 points - One Tree Hill, also announced last month that this would be the venerable CW show's final season. I have no real comment on that, having never watched a second of the show.

8 points - Chuck, OK fans, NBC has already announced that the show is going away after this season, so please don't send me hate mail. You can send cans of chickpeas or inflatable giraffes or whatever signature item Chuck may have to NBC in an attempt to change their minds, but I think this time it's for real.

7 points - Rules of Engagement, now in the territory of shows I think will get cancelled, I went with this one as it is the only first-run scripted program scheduled for Saturday night. Make whatever jokes you want about a Friday night death slot, but at least each network is trying to program the night. Being stuck in the Saturday night gulag with Cops, college football and reruns suggests that CBS isn't particularly concerned with how this show fares.

6 points - How to Be a Gentleman, an effete magazine columnist links up with a manly man to learn how to be more masculine in this show that will air in the post-Big Bang Theory timeslot. The casting gives some indication as to how the show landed such a nice slot - it includes Kevin Dillon, Dave Foley, and Mary Lynn Rajskub - but it is one of the least well-reviewed new shows, and will be competing with The X Factor, Parks & Rec and Charlie's Angels. Not a good combination.

5 points - Man-Up, which is one of the many shows ABC has tried to foist on us over the last few years about men being men, not the least of which is its lead in, the Tim Allen-led Last Man Standing. Odd that these two manly men shows will lead into Dancing With the Stars and Body of Proof, both of which you think would skew female. I suppose a lack of manly competition at the 8 pm hour may give these shows some life?

I had considered going with Last Man Standing as well, as there is almost nothing nice being written about it, but after getting burned by Jim Belushi for years while incorrectly guessing the demise of According to Jim I get a little gun shy going after older male sitcom stars in relationship comedies.

4 points - Free Agents - speaking of poorly-reviewed shows, most of the real vitriol I've seen regarding new series has been for this latest adaption of a British comedy. At least until today, when Matt Gilbert of the Boston Globe kinda sorta said it was OK. It makes me wonder if most of the spleen vented at the show was over the ongoing inability of Americans to properly convert British shows. Regardless, it's apparently a stinkeroo that will not be saved by cast members like Hank Azaria and Anthony Head.

3 points - Whitney, one of NBC's two shows related to Chelsea Handler (the other, Are You There, Vodka?, bows in midseason, and while I was sorely tempted to choose it I've been swearing off midseason shows as the ones I pick tend to get renewed), starring comedian, Comedy Central roast regular and frequent Chelsea Lately guest Whitney Cummings. I've never seen her perform and don't watch Chelsea Lately or the Comedy Central roasts, but I know that both are edgier than your usual network fare, which makes it sad that she's been saddled with what might be the least edgy sitcom concept - the continuing saga of an unmarried couple living together. Reviews have been much more positive for Two Broke Girls, the CBS show she co-created and co-produces. Expect guest appearances starting sometime in January.

2 points - Unforgettable, the CBS show about a homicide detective who remembers everything from every day of her life - except, inconveniently, the details around the murder of her sister. Pretty much every review I've read of the show notes the irony of a show with this title being so, well, forgettable. Poppy Montgomery apparently adds nothing memorable outside of her first name, with this apparently being another in the long line of interchangable police procedurals.

1 point - Happy Endings, one of the 47 relationship comedies to premiere last season and apparently the only one that got renewed. Not sure why I went for this and not, say H8r, the CW's reality show where disliked celebs try to convince their biggest detractors that they aren't so bad. In retrospect I really should have gone with H8r, especially as Happy Endings will get to live in the shadow of Modern Family. Not that that helped Cougar Town all that much. Looking at the time slot, I could have also gone with I Hate My Teenage Daughter, which has racked up some of the most caustic reviews I've seen this season. So maybe a goof here.

And, as usual, there is an entry in the contest consisting of the top 10 shows picked by all participants. The ones I managed not to pick:

All My Children and One Life to Live, both of which I kind of assumed were already off the air, even though they were on the entry form. Pissed that I left so many easy points on the board.

The Playboy Club, NBC's attempt remora off of Mad Men. It's been getting fairly tepid reviews, and I'd toyed with the idea of including it, but in the end figured there were shows out there more likely to get cancelled.

Suburgatory, which I'm really surprised to see here based on the variety of positive reviews it's picked up. I suppose there's some resistance to the trope of the suburbs being hell compared to the city - it's not the most original premise - but from what I've read the show does manage to rise above its beginnings and fare well. Time slot may be a factor here, too - it's up against The X Factor and Survivor - so maybe ABC will do me a solid and swap it with Happy Endings?

At Least it Wasn't Raining

2011-07-17T01:19:00.003-04:00

OK, I've finally seen the last episode of The Killing, and there are three things that bother me about the finale:

1. There is no way Belko Royce would get that close to Darren Richmond. The police and the press got their show by arresting Richmond at his rally, it seems highly unlikely they'd make him do the perp walk as well. Unless Mayor Adams is hoping for a Jack Ruby moment, in which case, thank you Belko.

2. How long will it take Richmond's defense to figure out the toll photo is a fake? If the cameras haven't been working for weeks, it's not going to be hard to discredit the photo. Unless the conspiracy against Richmond is very thorough, there's not going to be a way to remove all of the documented history of the cameras being out and produce "real" camera footage to back up the photo.

3. There is still no real physical evidence tying Richmond to Rosie as far as I can tell, making this Casey Anthony redux. Which I suppose will be OK if the purpose of Richmond's arrest is just to thwart his campaign.

Still, it was a very solid series and I'm looking forward to the second season. Kudos for the Emmy nods, especially Michelle Forbes, whose depiction of the shattered Mitch Larsen was quietly impressive.

Don't McDream It's Over

2011-06-03T16:28:00.002-04:00

I've been meaning to say something about Patrick Dempsey's departure from Grey's Anatomy, I find it more interesting that they may wind up cashiering all of the original characters.

You can argue whether or not the show would survive without Dempsey (though I think losing Ellen Pompeo, whose character the show is named for, is a bigger problem). But losing just a significant chunk of original characters makes me think of those last, lame years of prime time soaps like Dallas and, even more chilling, the entirely unnecessary last season of Scrubs.

This is a case where a large-scale cast change should either trigger a new series (such as how The Practice begat Boston Legal) or a wrapping up of the show entirely. Shonda Rhimes shows no remorse when killing off characters, and I hope she'll be similarly decisive when it comes time to determine the fate of the entire show.

Nice Going, America

2011-05-20T10:44:00.002-04:00

Finally fulfilling the destiny set by past seasons of mediocre finalists, American Idol has finally produced its least interesting final pair in show history (replacing Taylor Hicks and Katherine McPhee in my book, YMMV).

Really, what is there to say about Scotty McCreery or Lauren Alaina that is even remotely interesting? Both are teenagers from the South who sing country music. Other than that, the only things I can tell you about the pair is that Scotty plays baseball and Lauren's mom has a hideous hairdo.

Can they sing? Sure. Are their performances interesting? No. The only real comments made about Scotty's performance is his preference for holding the microphone to the side of his face, while Lauren mostly seems challenged in finding the right outfit. If you told me right now I'd win a million dollars if I could name any one of the three songs each of them did this week, I'd lose. I only remember Lauren did "I Hope You Dance" because it was so obvious that I was surprised she'd not done it previously.

As much as this irritates me, recent history suggests we won't hear from the winner (or even the runner-up) much after the finale, so we've got that going for us.

Upfronts: The CW

2011-05-19T12:55:00.003-04:00

And last but, well, least, The CW.

Returning Shows - No real surprises, other than Nikita getting renewed and moved to Friday. Other stuff has shifted by an hour but stayed on the same day. One Tree Hill returns in the spring for what seems to be its 28th season.

New Shows:

Monday - Gossip Girl moves up an hour and will be followed by Hart of Dixie, named to bring in all those tween pun enthusiasts. Rachel Bilson stars as a new doctor whose plans to become a surgeon fall through, so she takes a job with a doctor in Alabama. She gets down there only to learn that the guy who hired her died, but he left half his practice to her in his will. The other half goes to the town's other doctor, who doesn't like the competition. Turns out his daughter doesn't care for competition, either, as the young doctor finds an ally in the daughter's fiance.

Not sure if this is more Doc Hollywood or Sweet Home Alabama. Either way, this isn't the worst show the network is trotting out next season.

Tuesday - Sarah Michelle Gellar returns (well, sort of, as she was on The WB and UPN but not the merged network) in Ringer. Here she plays Bridget, a woman who is the sole witness to a professional hit. Fearing for her life, she runs and reconnects with her estranged twin sister, and when the sister mysteriously disappears, Bridget adopts her sister's persona - only to learn that her life is no bed of roses, either.

I suppose this could work, though I can't help but think of Lone Star with its one person/two lives set-up. Though I guess that's a nice low bar to clear as a measure of success.

Wednesday - Going back to the last comment I made about Hart of Dixie, this night features what looks like the clear loser of the new shows, H8R, and it's not just because its name is in textspeak. The premise of the show is that celebrities will meet some of their greatest detractors and work to turn them into fans (or at least have them stop being haters). I'm assuming the celebrities will be CW-type personalities that you've likely not heard of if you're over 23.

Mario Lopez hosts, probably wishing he could go back to Pet Star.

Thursday - Secret Circle brings us witches to follow vampires, which I guess makes a certain amount of sense. A girl loses her mother in a fire and is taken in by her grandmother. The girl learns that her new town (where her mom grew up) is actually inhabited by witches, and her return will allow them to form a new circle. As she discovers her powers, she learns that there are other forces at play in town, and that her mother's death may not have been accidental. Regardless of this mumbo jumbo, I suspect that as long as the teen boys on the show are sullen and shirtless, the show will do OK.

No new shows on Friday, and of course no programming at all on the weekend.

Two new shows for mid-season. The first is Re-Modeled, The CW's millionth attempt to launch another fashion-themed show to go with ANTM. Some fashion guy is working to pull smaller modeling agencies together so that they don't get screwed (by whom I don't know, the larger agencies?), and in the process the models themselves get greater control of their careers and health (through a mechanism not yet explained). Whatever.

The other show, The Frame, is some sort of Big Brother rip-off where pairs of contestants are put into some sort of restricted living space (the "frame") and only interact with other pairs remotely. The description says the contestants have "dynamic personalities," which to my mind sounds like they'll all be braying jackasses.

Upfronts: CBS

2011-05-18T12:24:00.003-04:00

As has been the case the last couple of years, CBS is dealing from a position of strength, and isn't afraid to try things to make themselves stronger.

Returning Shows - no major surprises for cancellations, unless you consider keeping all three CSI shows a surprise.

The surprises come with a couple of show moves. CSI leaves its long-time Thursday time slot and moves to Wednesday, echoing the move Survivor made last year. It's a smart move, as it takes on the equally venerable Law & Order: SVU and new drama Revenge, which seems like a fight it can win.

The bigger move, I think, is The Good Wife shifting over to Sunday at 9, a clear challenge to Desperate Housewives, which may not be up to the fight. Neither will compete with football - assuming it returns - but this move puts CBS in the better position as the alternative choice to football and as to the prime network to watch in the spring.

Finally, Rules of Engagement will kick of Saturday nights, which is kind of astounding given the dearth of original scripted programming on Saturdays (it will, in fact, be the only scripted show with original programming on Saturdays). This does not bode well for them.

New Shows -

Monday - 2 Broke Girls is the new filler between How I Met Your Mother and the now Kutcherfied Two and a Half Men. It follows two young women who work at a Brooklyn diner as a means to fund their planned cupcake shop. Sounds innocuous enough, and I'm glad it's not another relationship comedy. Points for casting Garrett Morris as the diner's cashier, too.

Tuesday - While I was hoping for NCIS: Omaha to complete the trifecta, the two existing shows get Unforgettable as their 10 pm partner. It stars Poppy Montgomery as a former cop with hyperthymesia - she literally remembers everything that has happened in her life. Except for the details around her sister's still-unsolved murder, which seems like a bad place to be fuzzy. Not sure if this will be better than the usual homicide cop drama, but I do pray that they cast Marilu Henner as Montgomery's mom.

Wednesday - no new shows

Thursday - How to Be A Gentleman get the post-Big Bang Theory slot. It's about a newspaper etiquette columnist who, when pressed by his editor to make his column more relevant, hires a recent reacquaintance to be his coach in all things current (there's a "gentle man/manly man" quip in the press release that makes me wonder how this didn't wind up on ABC). I'd probably watch this more the supporting cast, which includes Dave Foley as the editor and Mary Lynn Rajskub as the main character's sister.

The coveted 9 pm slot goes to Person of Interest, which is intriguing. Jim Caviezel plays a CIA agent (presumed dead) who is hired by a computer billionaire (Michael Emerson) to stop crimes before they happen, pairing the CIA agent's covert skills with the billionaire's pattern recognition software that can identify someone about to commit a crime. So I guess this is kind of like Minority Report: The Series?

Recent Oscar nominee Taraji P. Henson rounds out the cast a NYPD detective who crosses paths with the crime fighters. Throw in production credits for JJ Abrams, Bryan Burk and Memento story writer Jonathan Nolan, and you'd think that this show has the pedigree to be the breakout show of the season. Let's just hope it doesn't go all Six Degrees on us.

Friday - A Gifted Man now starts the night. A surgeon, the "gifted man" of the title, is jolted out of his high-powered (and highly lucrative) lifestyle when he starts seeing the apparent ghost of his dead ex-wife. She gets him to start helping out the free clinic where she worked, with the expected results. Jennifer Ehle plays the ghost, while Julie Benz shows up as the surgeon's sister. A little to Touched by a Doctor for my taste.

Saturday and Sunday - no new shows

Not Yet Scheduled - The 2-2 follows a half-dozen NYPD rookies as they learn on the job. Leelee Sobieski and Adam Goldberg are the most notable names in this show that counts Robert De Niro as an executive producer.

Upfronts: ABC

2011-05-17T12:42:00.004-04:00

Here's what the Alphabet has in store for next season:

Retuning Shows: No major surprises, though Happy Endings getting renewed may be a small one. Then again, ABC usually finds one mid-season bubble show to bring back (think October Road, Better Off Ted, Notes from the Underbelly, or Eli Stone). On the down side, none of these got a second renewal. Save your money, Happy Endings cast and crew!

Schedule-wise, Cougar Town loses its Wednesday spot and moves to Tuesdays after Dancing With the Stars ends. Probably not what they wanted. Body of Proof also lands on Tuesdays, hoping to build on DWTS so it can survive without it later.

I'm fairly surprised that Extreme Makeover: Home Edition was moved from Sunday to Friday, as the Sunday group of shows seemed like a good family/female alternative to football on NBC. It also seems like an odd fit with Shark Tank, which follows.

New Shows:

Monday - No new shows.

Tuesday - the night opens with Last Man Standing, about a manly man (Tim Allen) who is the boss at work but is under the thumb of the gynocracy at home thanks to his wife (Nancy Travis) and three daughters. Then the wife goes back to work, gets promoted, and dad has to take on more parenting duties. To me, this sounds like they're just reshooting episodes of According to Jim or some crap like that. Pass.

The show that follows, Man Up, seems equally regurgitated. Three sensitive modern men apparently try to figure out how to be manly men like their dads, while at the same time try to keep the women folk happy. I am not sure how this is different than former ABC shows The Secret Lives of Men or Big Shots. Oh wait, it's not!

At midseason we'll also get Apartment 23, about a woman who moves to New York to work for a company whose boss gets busted for embezzelment shortly thereafter. She then gets a job at a coffee shop and moves in with another employee after they bond over scamming each other. And James van der Beek plays himself. As odd as this sounds, it still seems to be the best new show they'll have on Tuesdays.

Wednesday - Moving into the Wednesday block of sitcoms is Suburgatory, which sees a dad and his teenaged daughter move out of the city and move into a suburban neighborhood that is apparently straight out of The Stepford Wives. While I do like that the single parent in this case is a dad, I'm less crazy about returning to the suburban jungle trope.

That theme is expanded upon in the night's drama, Revenge. The lead character is a young woman newly moved into a town in the Hamptons... or newly moved in again, as the locals don't realize that, as a child, she lived in town until her family was destroyed. The woman blames certain residents for this, and so she's moved back to get, well, you know.

If you ever wanted to know how the Paul Young story line from Desperate Housewives would have worked out if Paul was a young woman, here you go.

Thursday - the night opens with the return of Charlie's Angels. 30 years after the show ended its first run on ABC and eight years after the last movie. This time around the Angels aren't overmatched police cadets, but rather women who have fallen afoul with the law (or military) but who have certain talents that are recognized by Charlie Townsend, who brings them together to solve crimes. The other change is that the new show is set in Miami, for what that's worth.

I suppose there is enough nostalgia factor for this to reach people, between the generations who watched the show and the more recent generations who saw the movies. Minka Kelly is probably the biggest name involved, which may also help bring in the youngsters. If it manages the lighter tone suggested in the press release this may be a good lead in for the returning shows.

Friday and Saturday - no new shows.

Sunday - gets two new shows. The new lead in for Desperate Housewives is Once Upon a Time, in which a young bail bondswoman is reunited with the son she gave up for adoption. He tells her that he believes she is the lost daughter of Snow White and Prince Charming, and that the town he lives in is full of fairy tale characters who were sent into modern times, unaware of their past, by the evil queen. Got that?

As much as I want to dismiss this, the cast features some notable names: Ginnifer Goodwin, Jennifer Morrison, and Robert Carlyle. I suppose it also qualifies as being more family/female friendly. Interested to see how this goes, even if I don't plan on watching it.

Finally, if you're going to riff on Mad Men, you might as well do it in that show's time slot. That seems to be the thinking with Pan Am, a drama featuring pilots and stewardesses at the dawn of the jet age. I have similar concerns here as I do with The Playboy Club, that the show will be more about the '60s and less about the story.

On the plus side, with Mad Men not coming back until next March, Pan Am may fill a need for those of us jonesing for Don Draper and his cronies.

Not Yet Scheduled - on the drama side we have Good Christian Belles, which sounds like a TV version of Hope Floats - Texas woman who had it all loses it, and moves home to people who expected her to be the same person she was when she left. I really wish the show was using the name of the book it was based on - Good Christian Bitches. There's also Missing, starring Ashley Judd as a mom who goes to Europe to find her missing son, using the contacts developed by her dead husband, who was a CIA agent. Last but not least is The River, which sees the family and friends of a well-known TV naturalist go to the Amazon to find him after he disappears. Maybe he's with Ashley Judd's kid?

The lone sitcom left is Work It, where two "alpha males" (and what is up with all the manly men at ABC this season?) dress as women to land jobs as pharmaceutical reps. The press release calls it "smart, funny and relevant." What it does not call it is an updated version of Bosom Buddies. Somewhere, Peter Scolari calls his lawyer.

Upfronts: Fox

2011-05-16T13:43:00.002-04:00

And now for Fox:

Returning Shows: there doesn't appear to be any changes for returning Fox shows, and there are no surprises to add from the network's earlier cancellation announcement.

New Shows:

Monday - Originally slated to air sometime this season, Terra Nova will finally bow, leading in House (which is an interesting pairing, to say the least). It's a fairly low-concept show: in 2149, scientists find a way to send humans back 85 million years so they can colonize the planet and prevent the problems that are killing Earth in the show's present. If I had a dime for every show about that...

There was a fair amount of hype over the show last year (what with Steven Spielberg being one of the executive producers and the dinosaurs and whatnot), but the demands of the effects pushed the show back to September. Episodes are apparently running about $4 million a pop, so this could wind up being a very costly cancellation if it doesn't take.

But I imagine the show will do well, at least to start. I know I'll be watching to see how long it takes them to have someone eaten by a dinosaur.

Tuesday - brings us a show that sounds ridiculously derivative, New Girl (that's a working title, as I'm guessing they've run out of ways to name relationship comedies). A woman just off a break-up moves in with three guys, each of whom has some sort of personality quirkiness that will rub off on their new, hopelessly optimistic roomie.

But here's the catch: the main character is played by Zooey Deschanel, who generally does not suck. I have a hard time reconciling how she got drawn into a show that, on its face, doesn't sound that promising. Maybe the writing is terrific. Maybe the other cast members are as fresh and original as the press release says they are. Or maybe she just wants to get paid so she can make more indie films. I'm not that tempted to find out, though I do think tracking down the pilot may be in order just to see how this works.

Wednesday - wait, Simon Cowell has a new show? Why didn't anyone mention this?

OK, if you didn't know that Cowell was bringing The X Factor to the States, you've not been paying attention. Or leaving your house. Cowell is continuing his search for the world's best singing talent, but on this show it can include pre-teens, grandmothers, groups, and so on. Otherwise, there are auditions and call-backs and mentoring and so on. Paula Abdul emerges from the ashes of her own failed reality competition show to reunite with Cowell on the judging panel. Awkward moments ahoy!

Completing the night is the sitcom I Hate My Teenaged Daughter (also a working title, is this a Fox thing?). Two women raising daughters as single parents wind up giving their kids everything they didn't have as teens - money, freedom, etc. - and unwittingly create the mean girls they hated when they were teens.

Jamie Pressly stars as one of the moms, while Kevin Rahm plays one of the ex-husbands, which I think makes him the first person to play a hetero and gay parent at the same time on network TV. Even for that, I'm not interested.

Thursday - here we get the Bones spin-off The Finder, which sprang from a back-door pilot shown earlier this season (which, thanks to the amount of crap on my DVR, I've not seen yet). As you might guess from the title, The Finder is about an Iraqi war vet who can find almost anything. I should call him to find my house keys.

I do like Bones, so I'm willing to this this has promise.

Friday and Saturday - no new shows

Sunday - two new shows for Animation Domination. The first is Allen Gregory, which is about the world's most self-centered seven year old. After years of his father's full devotion, Allen Gregory goes from being homeschooled to attending the local elementary school, and thus has to learn to fit in. There's also his dad's life partner and an adopted sister to contend with.

Interesting vocal cast here - Jonah Hill voices Allen Gregory, while French Stewart voices his dad - and there's certainly more freedom with animation to take episodes in directions regular shows can't or don't go in - but I'm not fully convinced yet. Part of me thinks that Allen Gregory and his dad would be grating after a few weeks. So put this in the maybe column.

The other new show is Napoleon Dynamite, which picks up where the movie left off. The movie's cast is providing voices, which is a very good thing. Jared and Jerusha Hess have creator/executive producer credits, and hopefully they'll be pretty well involved, too. I don't know if Napoleon still has the following he did in 2005, but this may be worth a look.

Not Yet Scheduled - Fox has an interesting selection here with Touch, which stars Kiefer Sutherland as a dad who is trying to connect with his autistic son, whose interest in discarded cell phones leads to the discovery that he is communicating with the outside world - just through numbers. The son apparently sees the connections between random people and how their actions impact each other, and the numbers provide information on what he sees.

There is a potential for this to be a mess - Tim Kring is involved, and with his fingerprints on the overblown Revelations and Heroes you can see why there's room for concern - but it could also be an interesting look at how individuals interact with each other and with society at large. And maybe Sutherland will torture someone for old time's sake.

Upfronts: NBC

2011-05-16T12:09:00.004-04:00

Upfront season is upon us again, as the networks introduce next season's lineup to ad buyers, media, and us, the viewing public. First up, NBC, who really hopes you're in the mood for a song. Or a show you may have seen before if you watch PBS or lived in the UK.

Returning Shows - most notable among the changes to returning shows is that Chuck gets moved to Friday, apparently in an attempt to kill it once and for all. That or have its smallish fanbase seem larger given the lower expectations for Fridays.

Both The Sing-Off and The Voice will return, and both will anchor Mondays, the former in the fall and the latter in the spring.

Everything else appears to be coming back to its current time slot, or will return to fill in during the summer (or later as things get cancelled).

New Shows - as usual, we'll take this by night.

Monday - Both new shows here hope to ride someone else's zeitgeist. The fall brings us The Playboy Club, which is set in the early '60s at Chicago's Playboy Club (for those of you who don't know what that is, here's a primer. It's NBC's attempt to get in on the Mad Men gravy train (ironically, one episode of that show involved scenes at New York's club). Hopefully they remember to focus on characters and story rather than history, otherwise this becomes a series version of NBC's insipid The '60s miniseries.

Notable cast includes Amber Heard and Eddie Cibrian. Not a whole lot of wow factor, though Heard seems like a solid choice to play a Bunny.

In the spring we get Smash, which follows the creation and casting of a Broadway show based on the life of Marilyn Monroe. I know it's not set at a school, but I'm calling this a Glee rip-off based on the likely abundance of show-stopping numbers. Otherwise, why cast American Idol finalist Katherine McPhee?

The cast is interesting - Debra Messing plays a writer and Anjelica Huston a producer - and Stephen Spielberg was somehow involved in coming up with the concept. There better be plenty of jazz hands.

Tuesday - no new shows

Wednesday - NBC has a pair of new comedies to start the night, or I suppose we could go with "new" as both tread some common ground. Up All Night is supposed to be an new take on the work/life/baby balance. Lorne Michaels is one of the creators, and it has good leads with Christina Applegate and Will Arnett (and Maya Rudolph as Applegate's still single boss). So perhaps they can find some new wrinkles to this concept.

This is followed by Free Agents, an workplace/romance comedy based on a UK show. Hank Azaria stars as a divorced PR exec who falls into bed with a colleague who lost a finace. They try to straighten out their relationship while Azaria's friends (one played by Buffy alum Anthony Head) work to get him back on the dating scene. I suppose this is better than the bevy of "create three couples and put them in situations" approach to sitcoms we've seen of late, but how much better is an open question.

Thursday - returns 2/3 of last season's comedy block, and wisely puts them back in a 8-10 framework. 30 Rock doesn't return until the spring, and in its place we get Whitney, which follows a happily unmarried couple that's trying to keep the spark alive while all their friends get hitched. Meh. The Whitney in this case is Whitney Cummings, who will also have a show she co-created on CBS this fall. When was the last time one person got cancelled on two networks in the same season?

The new drama at 10 is Prime Suspect, which may sound familiar to you as it's an American version of the much-lauded British series that starred Helen Mirren. The unenviable task of following in Mirren's shoes goes to Maria Bello. I have no idea why this seems like a good time to do this, other than the thought that if we could bring Parenthood back then anything less old is fair game.

I'm also not sure who the target audience is. People who watched the original may not want to see a remake (or at least I don't), and if you didn't watch the original I'm not sure what specifically would interest you in the remake. Heck, NBC may be better off rerunning the original.

Friday - Combine Buffy, murder police shows, and fairy tales and what do you get? You get Grimm, in which the lead, a homicide detective, learns he is actually a member of a family dedicated to protecting humans from supernatural creatures. I do not look forward to the episode where the lead pistol-whips an uncooperative naiad.

Duh, I should have seen the Buffy connection earlier, as this show is coming from one of that show's writers, David Greenwalt. Still, don't care.

Saturday - no new shows

Sunday - the spring brings us The Firm, which is in fact based on the John Grisham book of the same name. Rather than being a straight retelling, we pick 10 years after Mitch McDeere brought down the Memphis law firm for mobsters where he worked. Apparently things get a little boring after 10 years in the witness protection program, as Mitch and his family leave it to live in the open. And guess what? The mob is still a little ticked at him!

The only interest I have in this show is in learning why Mitch thought this would be a good idea.

Not Yet Scheduled - for sitcoms we have Are You There, Vodka? It's Me, Chelsea, based on Chelsea Handler's book of the same name (but starring Laura Prepon, with Handler playing an older sister), Best Friends Forever, where a newly-divorced woman moves in with her best friend, to the detriment of the friend's live-in boyfriend (WARNING: all of the actors have been in previously-cancelled mid-season romantic sitcoms), and Bent, where a lawyer/divorced mom falls for the shiftless handyman she hired to fix her new downsized house (starring Amanda Peet, who is clearly paying the price for some sort of karmic offense).

There are also three new unscripted shows: Betty White's Off Their Rockers (Punk'd, but with senior citizens pranking youngsters), a Brian Williams news magazine show and Fashion Star, which reads like Project Runway if you allowed any designers - clothes, jewelry, bags, whatever - to compete.

I'm 0 for 6 here. Well done, Peacock.

Bubble Popped

2011-05-13T16:13:00.004-04:00

So we have some early cancellations:

ABC: Brothers & Sisters, Detroit 187, Mr. Sunshine, No Ordinary Family, Off the Map, V

No major surprises here, though I'm hoping we can at least get a V movie to wrap things up. I don't expect one.

Fox: The Chicago Code, Human Target, Lie to Me, Traffic Light

A little surprised that The Chicago Code didn't get another chance, but the ratings pretty much tell the story. A bad year for midwestern cop shows.

NBC: America's Next Great Restaurant, Chase, The Event, Law & Order: Los Angeles, Outsourced, Perfect Couples, School Pride

Good thing the network already announced that Chuck was coming back, otherwise it would have been a long weekend for that show's cadre of fans. I am surprised to not see Parenthood on the list. Perhaps it'll wind up on Thursday at 10, the quirky drama capper to all those quirky sitcoms.

On the Bubble: The CW

2011-05-13T16:07:00.003-04:00

Last but not least, the network formerly known as The WB and UPN:

Saved: Hellcats, One Tree Hill

I'm on the fence with Hellcats, whose performance didn't set any records, but which the network may still see as being their chance to tap into the Glee crowd, just with backflips instead of singing. And One Tree Hill is established enough now that it would get chance to have a set final season.

Gone:: Nikita, Plain Jane, Shedding for the Wedding

Nikita never quite clicked, maybe because it's not obviously targeted for 12 year old girls. I can honestly say I've never heard of Plain Jane (apparently because it aired last summer), while Shedding for the Wedding had some incredibly low ratings, even by The CW standards. All toast.

On the Bubble: CBS

2011-05-11T11:52:00.004-04:00

The Eye has a lot of shows still twisting in the wind, many of them familiar faces. Who makes the cut?

Saved: 48 Hours Mystery, 60 Minutes, Blue Bloods, Criminal Minds, Criminal Minds: Suspect Behavior, CSI, CSI: Miami, CSI: New York, The Good Wife, Hawaii 5-0, The Mentalist, Mike & Molly, NCIS: Los Angeles, Rules of Engagement

I think I'm most likely to miss here with one of the CSI spin-offs. There was talk of New York getting cut, but it's seen a bump thanks to the (Friday adjusted) success of Blue Bloods, so I'm now thinking that Miami is the more likely casualty if one does indeed get cut.

Gone: Bleep My Dad Says, Chaos, The Defenders, I Get That a Lot, Mad Love

Bleep My Dad Says is an interesting case, given how it went from significant buzz at this point last year to getting hustled off the schedule as soon as possible. Apparently you can't write a TV show 140 characters at a time.

I suppose there's a chance that The Defenders comes back, though the drop-off in viewers as the season went on, combined with the lack of performance on Fridays, make it a very slim chance. But that may be all a show set in Vegas needs.

On the Bubble: ABC

2011-05-11T11:35:00.002-04:00

ABC appears to have the most shows not yet renewed, so settle in.

Saved: 20/20, AFV, Body of Proof, Dancing With the Stars, Desperate Housewives, Extreme Makeover: Home Edition, Primetime, Saturday Night College Football, Secret Millionaire, Shark Tank

Lots of reality, not surprisingly, with some of these poised to take over for failed new shows. I don't think Body of Proof is strong enough to anchor a night, but it could work to complete a night (Wednesday or Sunday at 10, perhaps)?

I also half-expect to see special Sunday editions of Saturday Night College Football if the NFL owner's lockout drags into the season.

Gone: Better With You, Brothers & Sisters, Detroit 187, Happy Endings, Jamie Oliver's Food Revolution, Mr. Sunshine, No Ordinary Family, Off the Map, V, Wife Swap

As much as I think these will all go, ABC may surprise by keeping a couple of them. I could see them poaching one of the sitcoms to fill the one empty slot in the Wednesday lineup. Happy Endings seems more likely, as I think it'd be easier to keep a mid-season show (and it seems more in line with the family/relationship comedies than Mr. Sunshine).

The other obvious question is Brothers & Sisters, which I've put on here thanks to the revolving door for cast and producers alike. The current season finale could sub as a series finale, and the ratings jump it received may convince ABC to try to squeeze one more season out of it.

On a personal note, I'll be sad to see Detroit 187, as despite the awful name it wound up being a pretty good show. I'm more ambivalent about the potential loss of V. The season finale shook things up quite a bit, but I think it's too little too late.

On the Bubble: Fox

2011-05-10T15:43:00.004-04:00

And your bubble predictions for Fox:

Saved: America's Most Wanted, The Chicago Code, Cops, Kitchen Nightmares

I can't imagine a world where Fox doesn't show America's Most Wanted and Cops, so I'm saying they're both back. Kitchen Nightmares I could do without - it's a pale imitation of the BBC original - but Fox has hitched its wagon to Gordon Ramsey pretty firmly, and carrying this show will certainly help keep him happy and making Hell's Kitchen (and, I suppose, MasterChef).

The Chicago Code is kind of a wild card for me. It doesn't seem any more likely to make the cut than the other shows on the bubble, but as the newest show of the dramas on the bubble it gets a chance to prove itself where the others have tried and not succeeded.

Gone - Breaking In, Human Target, Lie to Me, Million Dollar Money Drop, Traffic Light

I would not be surprised to see Human Target and/or Lie to Me make the cut, though as I said before I think these shows have had a chance to build an audience but haven't done enough. The other shows seem more solid, though if Fox saw fit to keep Bob's Burgers and Mobbed why not take a chance with Breaking In? Or why not clear the decks of all of them?

Anyway, for having a short bubble list I do think Fox has one of the least predictable ones. They could bring back all of these shows and not surprise me. Well, except for Million Dollar Money Drop.

On the Bubble: NBC

2011-05-10T15:17:00.002-04:00

With upfronts coming next week, here's my guess as to what shows that are on the bubble will get saved and which will get the hook. This is based on this listing at The Futon Critic, with many thanks.

Saved: The Apprentice, Dateline NBC, Harry's Law, Law & Order: Los Angeles, Law & Order: SVU, Minute to Win It, Saturday Night Live

The reality pickups make some sense given the low cost to produce. The scripted show most likely to not actually get picked up is Law & Order: Los Angeles, whose mid-season reboot hasn't exactly led to an influx of new viewers.

Also, if I'm right, Harry's Law will be the only first year show to get renewed. That is not a feather in the network's cap.

Gone: America's Next Great Restaurant, Chase, Chuck, The Event, Outsourced, Parenthood, Perfect Couples, School Pride

The bar for keeping reality shows is lower than scripted shows, but the two reality shows here don't clear it. As far as the scripted stuff goes, I don't expect many of the shows on the list would be a surprise. I do expect the usual gnashing of teeth for Chuck, and it may just stave off cancellation given the lack of anything else to show. I wonder if we'll get a similar reaction for The Event, but as no one seems to know exactly what that show's about I doubt it. I do hope that its demise finally puts an end to the idea that you can put a show on ice for three or four months and have it succeed.

I'm expecting the loss of Outsourced and Perfect Couples to lead to the end of the three hour comedy experiment. I'd go with a lineup of Community, Parks and Rec, 30 Rock and The Office and a drama at 10.

The Last Shall Be Last?

2011-05-10T15:12:00.003-04:00

I was just looking over the schedule for next week's upfronts, and was surprised to see that The CW gets a day to itself. Granted, it's the morning of the last day (Thursday, I suppose to give everyone an extra half day to schmooze), but I find it odd that NBC and Fox have to double up on the first day. Then again, The CW might just pass NBC if they don't have Sunday Night Football to shore up their ratings, so perhaps a day to themselves is justified, even if it's just to announce that they're putting vampires on five nights a week.

Not Shocking

2011-04-28T23:23:00.002-04:00

As much as I was disappointed to see Casey Abrams get the book on American Idol, it wasn't surprising. This is about the time where a talented but not Top 40 enough contestant might bow out (think Jennifer Hudson or Chris Daughtry), and Casey's jazz-inflected stylings fit that bill perfectly. I do look forward to seeing what he comes up with for his first album, which he will hopefully have a fair amount of control over.

As far as what this means for who will win, we're on quite the run of pleasant mediocrities taking the title, so I suppose this paves the way for Scotty, Lauren or Haley, all of whom are likable enough but not that exciting. I am holding out hope for James Durbin, but he may be too close to Daughtry territory to hang on. I have almost no hope for Jacob Lusk, who has reigned himself in too much for my taste. He needs to unleash his inner diva again.

And It Stoned Me

2011-04-10T21:01:00.002-04:00

While we only watched the first season of Top Chef Masters (the second season aired at a bad time for us to commit DVR space), I was somewhat interested in catching the new season until I saw that it was now being hosted by Australian chef Curtis Stone. While not a huge fan of former host Kelly Choi, I think I'd prefer her somewhat robotic demeanor to Stone, who I only know through his TV ads.

He's apparently hosted a show on TLC and has popped up on a variety of reality shows (most notably a season of The Celebrity Apprentice, which gives you an idea of just how much of a "celebrity" chef he is, at least by US terms), so I suppose he's qualified to host a cooking show on basic cable. Probably moreso than competing, given that who the two winners have been. I mean, I don't know how skilled he is in the kitchen, but it's a short list of people who could top Rick Bayless or Marcus Samuelsson.

Anyway, I find Stone to smug by half and will likely sit this season out. I'll also admit to not being thrilled by the contestant lineup, featuring a dozen chefs I don't recognize by name (I never claimed to be that deep into chefs).

The Shondaverse: No One Gets Out Alive

2011-04-10T20:53:00.002-04:00

I've think I've made passing reference to the abnormally high body count for main and supporting characters in Shonda Rhimes' shows, but having just seen the episode of Private Practice where Bizzy's kills herself after her new wife dies from a blood clot in the lung I'm left kind of amazed at how no character in her shows gets to leave standing upright... except for Izzy Stevens and Preston Burke. I assume they made it part of their exit package not to have their characters bumped off.

I was especially irritated with the decision to kill Bizzy off, given that her character seems to be of sterner stuff. I suppose you can argue that she wasn't able to see her way past losing her one true love, but I still don't see Bizzy choosing to OD. I would expect her to live a long and bitter life, making sure to remind Addison at every turn about how she's such a disappointment. That seems more in line with Bizzy as she was presented.

When Did American Idol Become a Sausagefest?

2011-03-30T16:34:00.007-04:00

In case you missed it, Pia Toscano got sent home from American Idol tonight. As surprising as that was, it did further this season's trend of sending women home. The only male finalist to be up for elimination has been Casey Abrahms, who was saved by the judges and hasn't been in trouble since. Other men have been in the bottom three, but all have survived.

This is actually part of a larger trend, which has only seen one woman, Crystal Bowersox, make the finale since Jordin Sparks won the whole thing in season six. So what's the problem with the ladies? I have three theories.

1. Too many teen and tween girls voting. It's an assumption - it's not like we get demographic data about the voters - but given the popularity of the show among younger viewers, it's not an unreasonable assumption. It's also an assumption that they'd vote primarily for guys, but I think that's also a safe assumption (you don't hear any of those Twilight fans talking about a Team Bella, do you?).

2. The women are boring. A value judgement, but maybe a good one? The guys have either interesting styles (Jacob's theatrics, Paul's rasp, etc.) or interesting stories/looks (Casey's beard and attitude, James' disabilities, etc.). The women? All fairly normal. I don't even think we have a mom in the group this year. The women also seem more pigeon-holed stylistically, which also limits their appeal. Pia did go out after doing her first up-tempo number, but she ended it with one of those glory notes she'd been tacking onto songs all season, which was getting old.

3. Gender-inappropriate mentoring? - I'm kind of making this one up as I go along, but all of the mentoring this season has been done by men. Jimmy Iovine, Rodney Jerkins, Don Was, and so on, there's not been a women in the house except for Mary J. Blige's walk-on while Jacob Lusk was in the studio. We did get Gwen Stefani to help the women - with their outfits. It's not like the men have never worked with women, but I would think having some women to help out might help, if even just psychologically.

Now as to why the only women left are Lauren and Haley... I don't think I can answer that.

I Thought it was Fake

2011-03-14T21:43:00.003-04:00

As a watcher of 30 Rock, I always assumed that Liz Lemon's home town of Whitehaven, Pennsylvania was fake, a commentary on white flight or the banality of the suburbs. Well, I was wrong.

Turns out there is an actual town of White Haven, located not that far from Wilkes-Barre. Between the location and the size (fewer than 1200 people, making it unlikely to have a high school that Liz could attend a reunion for), I'm guessing it's a coincidence. But I would really like Tina Fey to address this. Here. In an exclusive. Call me!

Two Thirds the Luck of the Irish

2011-03-14T21:38:00.003-04:00

Versus is celebrating St. Patrick's Day by showing three of Notre Dame's most memorable football games. Two make sense - a 1992 win over Penn State and the 1993 "Game of the Century" win over Florida State. What doesn't make sense is the 2005 game against USC, where the Irish missed a major upset when Reggie Bush pushed Matt Leinart into the end zone for the winning score.

I know the NCAA made USC vacate their win for the whole Reggie Bush pay fiasco, but I don't know if that makes the game something that the Irish could celebrate

Big F!$%ing Deal

2011-02-28T16:09:00.003-05:00

I really don't care that Melissa Leo dropped the f-bomb during last night's Oscars broadcast. It was bleeped in time and provided something of interest during a dull show. And to whether or not it was done intentionally, who cares? It was better than the tedious list of thank yous that dominate the winners' speeches.

As a telecast, last night was a snooze - no real upsets, no interesting speeches, and no dresses that looked like waterfowl. Kirk Douglas was fun to watch, even he went a little long at the end of his shtick, and was a nice counterpoint to the incredibly vapid "remembrance" that Halle Berry gave for Lena Horne. This also may have been the least competently directed shows in memory - how many times did you see people walking around in the back of a shot? - which was funny given the announcement that ABC will be the home of the Oscars through 2020.

I'll pass on commenting on the hosting, other than to say I think the best solution is to have no host at all. The time given over to an opening monologue and stupid bits in the middle could be put to better use.

Three things I could have done without:

1. The historical bits linking yesterday and today. If this ceremony was about making things younger, why keep referencing the past? Especially when it's done in a clunky way that doesn't really link things together. Take Tom Hanks talking about how Gone With the Wind was the first of a handful of films to win three specific artistic awards - only to have the chance of that happening this year dashed by the time he left the stage. Why bother with that factoid at all if there's no way to build up drama?

2. Presenters talking directly to nominees. Thinking here specifically of Jeff Bridges and Sandra Bullock's presentations. It was creepy.

3. Award winners presented without speaking. I don't particularly care if there's a separate ceremony for honorary Oscars and the Thalberg Award, but why then bring the winners out for an ovation? If they're going to be on stage, let them speak. I'd have much rather heard Coppola or Wallach speak than witness Franco and Hathaway's awkward opening.

Anyway, like most Oscar shows, it wasn't perfect. At least there's not so much talk about it being too long (though I'd prefer if it started at 8; I don't know why we need 90 minutes for the fatuous gasbags who work the red carpet).

Horror!

2010-12-10T20:46:00.002-05:00

So I now see that Amelia Shepherd is a regular character on Private Practice. Because what medical practice focused on treating the whole person doesn't need a neurosurgeon? And don't get me started on how Charlotte can apparently be the chief of surgery at St. Ambrose and run her sex practice at the same time. I'm beginning to think that St. Ambrose is kind of a crappy hospital.

Newish on TV: Outsourced, The Event, The Walking Dead

2010-12-10T17:20:00.000-05:00

OK, a little behind on talking about new shows I've been watching, so a quick run-through.

Outsourced is NBC's sitcom set at an Indian call center for an American novelties company. It's not particularly brilliant, but it mines the cultural differences relatively well (compared to the horror show I was expecting). No serious concerns about the acting, though a number of the characters are one-note. I do find the two female Indian characters, Asha (Rebecca Hazlewood) and Madhuri (Anisha Nagarajan), to be the most interesting of the bunch. They probably do the most to demonstrate cultural differences (Asha is planning to have an arranged marriage, Madhuri supports her entire family with her job).

I'm not taken with the show quite yet, but I'm still watching.

The Event is the latest entry in the serial conspiracy drama genre. It apparently involves aliens who have some sort of control over space and time and a guy who's been pulled into the middle of this thing when his girlfriend was kidnapped by people (aliens?) plotting to kill the President by crashing a plane into an event (not THE event) he was attending. The plane disappears into thin air in the first episode's - and the series - biggest moment.

Moreso than other, similar shows, this one isn't asking us to think too hard about the details. Instead, please be distracted by our car chases and gunfire while we move what we're calling a plot along incrementally! It also doesn't help that each episode spends a significant time in flashbacks, often several years before current time.

So yeah, not a great show, but I'm willing to give it some time to develop.

And while it's now completed its first season, I should mention The Walking Dead, AMC's zombie apocalypse drama. I enjoyed it much more than I thought I would, especially as several of the characters annoy me (hello Shane, Lori, and Andrea!) and two that I'm interested in, Merle and Morgan, were absent for much of the season. I'm hoping that gets rectified in the second season, which sadly doesn't start until next October.

Annoying

2010-11-28T23:32:00.003-05:00

I know I'm several weeks behind Grey's Anatomy and Private Practice due to our DVRing habits, but I did want to mention that I find myself unusually irritated by Amelia Shepherd. I don't know if it's the character, the actress, or an overall annoyance with the combined Grey's universe. I'd say it's 60 percent character (she has an unfortunate combination of brattiness and ego), 10 percent actress (Caterina Scorsone, who I think I've only previously seen in the UPN by way of CBC hockey drama Power Play), and 30 percent the show universe (which seems to favor whinier, needier characters over people I'd rather not see get hit by buses).

It may also be that I'm annoyed with Private Practice in general, as it's given up pretty much any pretense at being a medical drama. I'm pretty sure they only see patients who are lost or looking for a bathroom or something. There is part of me that expects that the show won't end until all the main characters have had sex with each other, which we're about one good sweeps episode away from seeing. Get working, writers!

Conan. Very Funny.

2010-11-09T00:08:00.003-05:00

I'll admit to not watching late night talk shows much anymore - I'm old, lame, have to commute, got a kid, etc. - but I did want to see how Conan O'Brien would do on his new show, which debuted last night on TBS. And I have to say I enjoyed it.

There was a good energy to the show, perhaps almost manic at times. Things moved along briskly, most notably (to me at least) the guests. Getting focus in a late night interview is often besides the point, but it seemed like people just got into the chair and Conan whipped them through their stories. Don't know if this was due to having more intro material on the first night, longer commercial breaks (TBS was probably earning a premium) or by having Jack White play (with Conan sitting in) and do a quick spot on the couch.

But I'm not really complaining, as the mood was good and the jokes funny. Having Andy Richter back helps, too, as he adds both in his repartee with Conan and in his own asides, which are easy to miss if you're not listening for him. Conan also noted during his monologue that there's no separation between himself and the audience, which I think helped his energy as he did interact with a couple of audience members, albeit quickly.

All in all, I'm looking forward to watching tomorrow's show. Now I just have to keep myself from falling asleep on the couch.

Aloha

2010-11-03T16:35:00.005-04:00

One less show to watch, for now - I've given up on Hawaii 5-0.

I was fairly accepting of the deficiencies in story for the first couple of episodes, wanting to give the show some time to find its feet. What finally cut it for me was the episode involving the shooting death of a surfing company exec. The shooting took place from an area where there were no roads. How to get there? Cut to a scene of McGarrett and Chin blazing through the jungle on dirt bikes. Then cut back to the office for a couple minutes, then back to the jungle. Why? Just to have the action sequence, it appears.

In the balance this isn't the most egregious sin a show could commit, but it underscored the growing feeling I had that there was nothing compelling to bring me back every week. The over-arching story of police corruption that innvolved McGarrett's dad and his Tool Box of Clues, which seemed poised to give some added weight to the show, had pretty much ground to a halt as well. The last we saw of this story was McGarrett's ne'er-do-well sister putting the evidence on her phone. If she could get her hands on this information, I have a hard time believing that one of the cops involved in the plot hasn't managed to steal the box and throw it in the ocean by now.

I will happily chug along with Detroit 1-8-7, which at least tries to be compelling.

New on TV: Hawaii 5-0 and Detroit 1-8-7

2010-10-13T18:27:00.000-04:00

So these are the two new hour-long shows I've started watching, though neither is exactly new.

Hawaii 5-0 is an update of the original rather than a continuation. The basic premise is the same: Steve McGarrett leads a special unit of the Hawaiian state police, though this time the group's charge is a bit more nebulous, allowing them to venture into cases that touch upon national security and terrorism. I see how this allows the show more freedom with plots, but it also opens the door for this to become a 24-lite, and who wants that?

One notable difference between the original and the remake is that the newer show delves much more deeply into characters and their back-stories. McGarrett is a Naval intelligence office who agreed to head up 5-0 to catch the man who killed his father (and inherited an apparent investigation into police corruption). Danny Williams is a divorced dad who moved to Hawaii to be near his daughter. Chin Ho left the Honolulu PD under suspicion of stealing money from crime scenes, and his cousin, Kono, is a brand new officer (and, in this case, a woman).

I do like that there's more personal involvement with the characters, and that we get to see them grow as a unit. I'm less happy with the way the show handled bringing over some of the conventions of the old series (less so with the explanation of the nickname Dan-o, more so over how the team got the 5-0 name, which is kind of ridiculous). I'm most happy that the original theme survived, even if in cut-down form.

And if I'm going to nitpick, I'd like to complain that (a) there's not enough location shooting with the principal characters; most of what we see of Hawaii is B-roll, and (b) the effects used to simulate driving when McGarrett and Danny talk in the car are awful.

There's nothing special to point out about the acting. Scott Caan stands out as much as anyone does for his portrayal of Danny. I expect Daniel Dae Kim is missing the Lost writers about now, and Grace Park is surprisingly life-like. Alex O'Loughlin is inoffensively generic as McGarrett, running at about 75 percent of Jack Lord.

The new Hawaii 5-0 isn't perfect, but it's enough of a change from the cookie cutter procedurals to make it watchable, and with the location in the title we're less likely to get a spinoff like Hawaii 5-0: Phoenix.

Detroit 1-8-7 is a new show, but I liked it better when it was set in Baltimore and called Homicide: Life on the Street. It's hard not to compare when you have two shows set among the murder police of a decaying American city, and at best you can say that Detroit 1-8-7 doesn't force Jon Seda on an unwitting public.

Michael Imperioli plays Louis Fitch, a New York transplant who is kind of quirky and is having issues breaking in a new partner (hello Frank Pembleton). His partner, Damon Washington, is newly transferred into homicide, and at the end of their first case he's shot when the suspect gets a gun out of a police officer's holster (hello, Junior Bunk). The other pairs include a veteran closing in on retirement (part Bolander, part Giardello as he's an African-American who speaks Italian) and, in what might be a first, a partner of Indian descent, and a young female detective whose a Detroit native (part Lewis, part a much more competent Ballard) who is partnered with a new transfer from narcotics. There's some involvement with their commanding lieutenant and an assistant DA (Giardello and Danvers, respectively).

There's nothing about Detroit 1-8-7(except maybe the music) that's up to Homicide's level, but that's a pretty high bar to clear. It's at least as good as its contemporaries, and scores points for not being set in New York or Los Angeles. It's not pulling in Hawaii 5-0's ratings, but I think Detroit 1-8-7 is the better show. Stupid name notwithstanding.

Dry Hole

2010-09-30T23:42:00.004-04:00

In case you missed it, your first casualty of the new TV season was Lone Star, the one man, two families drama that actually got some good press going into the season (which is why I left it off my dead pool list even though I noted during sweeps that I wasn't interested). Unfortunately, all the good press couldn't give it the edge it needed against Dancing With the Stars, the CBS sitcom block, and the strong debut of The Event.

Speaking of NBC, they may provide my first hit of the year, given how Chase is squandering whatever lead-in it gets from The Event. Keep your fingers crossed!

New (To Me) on TV: Master Chef

2010-09-30T23:27:00.004-04:00

The latest Fox-based Gordon Ramsey project, I'm catching up on it via the DVR. It's more or less Top Chef for amateur cooks, though somewhat in reverse. The main challenge occurs first (typically in teams, though not always), and the losers then have to compete against each other to see who goes home (a "Pressure Cooker" challenge). The main competition has mostly been cooking for groups (Marines, truckers, and in the next episode a wedding), while the elimination events have required contestants to pick out ingredients from a finished dish or name ingredients in their natural state using all the senses except taste.

It's an OK derivation of the cooking competition, helped by Ramsey taking it down several notches. His co-judges, chef Graham Elliot and restraunteur/vintner Joe Bastianich (frequent partner of Mario Batali's places and son of PBS fave Lidia) add a kind of good cop/bad cop element, as Elliot is more likely to champion contestants while Bastianich is more cutting (and, occasionally, pervy, at least in vibe). It is still a Fox production, which means lots of useless voice overs, banal contestant interviews, and the like.

It's not the best show out there, and it's not even the best cooking show out there. But I do like that there's now an outlet for amateur chefs, even if it's one that can tend towards insufferable. It's still better than The Next Food Network Star, though that's not saying much.

New on TV: Blue Bloods

2010-09-28T23:34:00.002-04:00

OK, I didn't watch the whole pilot episode, so take this for what it's worth. For what little I saw, this appears to be a servicable cop/family drama. I only saw scenes with Tom Selleck and Danny Walbergh, and while I liked them both there was too much stereotypical hot headed street cop in Wahlberg's character for my taste (would it surprise you that one of the scenes I saw involved Wahlberg's character getting information from a kidnapping suspect by repeatedly pushing the suspect's head into toilet water?).

The show did well, winning its time slot, and given the low to moderate expectations for Friday shows I expect it'll stick around. That's more than one can say for Outlaw, the NBC show about a Supreme Court justice turned lawyer for the little guy. It tanked, to the point where it couldn't best The Jay Leno Show's numbers from this time last season. That should be grounds for automatic cancellation.

New on TV: Hawaii 5-0 and Undercovers

2010-09-24T00:18:00.003-04:00

It's premature to judge a series based on its pilot. As it's the episode made specifically to sell the series, you can have a ton of exposition that sets up the episodes to follow, or a lot of flash to get viewers hooked. This week, I've seen one pilot for each of these.

Hawaii 5-0 is the expositional one, as the hour delved into the creation of the 5-0 team and set up the back stories for each of the characters while trying to solve the murder of Navy officer Steve McGarrett's father. I didn't expect quite so much background from a series revival, but I think it was done because(a) current viewers under 40 have likely never seen an episode of the original, and (b) to differentiate the new version from the old for those of us who have seen it.

Getting past all of the set-up, the pilot did have a fair amount of action and more violence than expected, which I suppose gives the show a push towards the spectacle area. This, as well as the broad charge the governor of Hawaii (played by Jean Smart) gives McGarrett, makes me fear that this will be less a cop show and more a tropical riff on 24. Even so, I'm still going to give it a chance, and based on the ratings (the pilot won its time slot, and will likely be the most-watched new show of the first week), I'm not alone. Maybe we're all just happy they didn't mess with the theme song all that much.

Undercovers falls more squarely in the latter category. A married pair of retired spies is goaded back into service by a CIA handler (Gerald McRainey) to find a former colleague who has gone missing. In the course of the hour, the newly reinstated spies travel to three countries, con their way into a bank to see ATM camera footage, crash a wedding to steal information off of a cell phone, skydive, get involved in a rooftop fight and handle crises related to a wedding reception (the pair entered catering after leaving the Company). It's slickly done, has attractive leads with good chemistry, and promises a dashing mix of spy work and domestic semi-tranquility.

And yet I do not plan to watch it again. I just never quite engaged with the show. It was too light to take seriously, and just a bit too serious to completely lose any expectation of reality. When someone who devotedly watched Lost through all of the time travel, glowing island hearts and polar bears starts to think that a show is implausible, you may have a problem.

I'll also admit to feeling like I'm going to get burned again. The pilot to Studio 60 on the Sunset Strip was also energetic, featured attractive leads with good chemistry, and moved at a pace that made an hour seem like it was five minutes. And then the whole thing caved in on itself and got cancelled. One bitten twice shy, I suppose. I'll happily wait for whatever JJ Abrahms has cooked up for Michael Emerson and Terry O'Quinn.

Cop No Killer

2010-09-05T23:39:00.003-04:00

So we finally watched the Grey's Anatomy finale a couple of weeks ago, and for all of the upheaval (for those who don't watch, a gunman was loose in the hospital and shot a number of people, killing many, including two of the new supporting characters) there was one scene that really irritated me.

One of the main characters was trying to sneak out and get blood for her boyfriend when she encountered the shooter. He was planning on killing her (she unplugged his wife from life support), but the gunshot we hear wasn't from his gun, but from a SWAT team member. The shooter takes the bullet to the left shoulder. After which the shooter gets up continues to wander the hospital, shooting at least one more person before taking his own life - seconds before a phalanx of SWAT cops enter the ward where he's holed up (in the room where his wife died, which seems like the first place you'd station someone once you learn the identity of the shooter).

While I'm not an expert on SWAT procedure, it seems kind of odd to me that the cop that shot the gunman didn't advance, either to help protect the doctor or to check the status of the gunman. At the least, he'd radio in a position so his colleagues could move in. But neither seemed to happen.

This just seems careless, either for the writer who stuck it in here to add a little tension or for the director/producer for perhaps not ordering scenes in a way that would make sense. It's kind of a thankless task to expect logical thought from this show - seeing as logical thought would have prevented something like 95% of the romantic entanglements from ever happening - but this once, it wouldn't have hurt.

Bring Out Your Dead for 2010

2010-09-02T11:24:00.003-04:00

I've once again set out to prove what little I know by entering the Ted Marshall Open, the Interweb's greatest TV dead pool. Ten shows, 20 points per show that gets canceled with bonus points based on how you rank your choices. My picks for the year:

1 - Smallville - widely announced as being in its final season, so easy points. I could have had even more easy points if I'd remembered that As the World Turns was packing it in this season. In my defense, this is the first year that non-prime time programming is eligible, and I thought that whatever long-running soap was ending had already done so.

Still, left points on the table, which is galling.

2 - Outlaw - I don't think it gets any worse than Friday at 10 on NBC for a time slot. Throw in a show with an odd premise (roguish Supreme Court justice steps down to take cases for ordinary folk) and it seems like a goner. Makes me wonder just who Jimmy Smits pissed off.

3 - Hellcats - a pre-law student needs money for school, so she parlays her gymnastics experience to get a scholarship as a cheerleader. It looks like it's trying to meld Glee with the Bring it On franchise, but as it's on the CW it will fail at both. It's also in the post-America's Next Top Model slot, which you think would help but never does.

4 - Raising Hope - Most of what I've read about this show is not positive.

5 - Defenders - I know two wrongs don't make a right, but with my luck Belushi and O'Connell will combine to win a Peabody.

6 - Chase - this story of a US Marshal and the criminals she tracks down just feels generic. It's also about 10 years too late to benefit from The Fugitive.

7 - Better With You - speaking of generic, here's the latest attempt at a multi-generational family romantic sitcom. I swear there's like a dozen scripts in a cave somewhere and the networks just change the names around every time they try this. My only fear with this show is that, nestled in ABC's Wednesday comedy block, it will be inoffensive enough to survive.

8 - Bob's Burgers - I'm hoping that this will be the season's Goode Family, existing only to provide faintly humorous content in a space that needs temporary filling. I can't see it cracking Fox's existing Sunday of animation.

9 - Running Wilde - this show scares the hell out of me, as it seems so ridiculous on its face that it should be a lock for cancellation. But you throw in Will Arnett and you think anything is possible.

10 - Shedding for the Wedding - some random NBC mid-season reality show that I assume is about brides trying to lose weight to get into their wedding dress. I suppose I'm way out of the target demographic for this, so I may be misjudging how it'll do. Or it'll be so bad that it won't air at all, either way.

Of course, there are some shows that made the top ten shows picked by all contestants that I didn't choose. They are:

Outsourced - the potential for this to fail is pretty high, and if it veers to far into lame ethnic stereotyping it's not going to last. But NBC was pretty tolerant with its sitcoms last year (thank you for renewing Community, BTW), so I left this off. It's the second most popular consensus pick, which usually means cancellation but not always (both Gary Unmarried and The Ghost Whisperer got a second season after landing in this spot; maybe you just need to be a CBS show to survive?).

Detroit 1-8-7 - thought of it, had some mixed reviews, but then I thought it might be a nice dose of action against The Good Wife and Parenthood. So I left it off, even if I do think it's the dumbest name for a new show this season. It's the consensus third-place show.

My Generation - I really should have put this in, as this is the sort of show I hate, with its fake nostalgia and forced surprise that the future you dream of as a teen rarely, if ever, comes to pass. I'm kind of pissed at myself now for not picking it. It's the fourth place pick, which just confirms that I should have trusted my instinct.

The Event - the latest attempt at forging drama out of government conspiracy. I'm not sure about it, but I'm hoping the current political climate makes it more appealing. Maybe Glenn Beck or one of his crowd will start referencing it like it's a documentary. That might help.

The Good Guys - there could be worse things than an old cop-new cop show. Like Bradley Whitford's sunglasses and mustache. Not crazy about the Friday time slot, but given the competition it could win regularly.

No Ordinary Family - I can see why this is on here, as it's really high concept and follows the collapse of Heroes a little too closely. Still, I think making this about a family rather than strangers is a nice direction, and I can't complain if I get to see Julie Benz on my TV every week. But I can see where this could go wrong quickly.

So there it is. Look for my complaining throughout the season.

Summer Season Selection

2010-07-23T14:19:00.003-04:00

Quick hits on what I've been watching this summer:

The wife has gotten us into Wipeout, ABC's MXC ripoff. It's an hour of people falling into mud, getting coated with paint, and getting mocked by John Anderson and John Henson. The mocking isn't that funny, but watching people get decked by rotating padded arms is worth a guffaw.

We're apparently too lazy to then change the channel, as we're also watching three shows that come on after Wipeout. One is the Canadian cop drama Rookie Blue, which is more or less like every other TV show about rookie cops, except that the lead female character is apparently a former model turned cop (or so I assume, based on her appearance, we've not really watched the show closely enough to know if that's actually her backstory).

Then there's Downfall, a game show where contestants answer trivia questions to win cash and prizes. The twist is that as time goes on, the loot moves down a conveyor belt and, eventually, off the side of a building (the show takes place on its roof). The contestant can even get dropped off if all of the prizes go over. Theoretically, host Chris Jericho can also get dropped off, I assume if someone wins the $1 million top prize. As the contestants appear to be from the same excitable but somewhat dim contestant pool that most game shows use, Jericho is safe. Anyway, not a great show, either, but at least you get to see crap fall off a building.

Finally, there's Boston Med, the docu-series following doctors, nurses and patients in three Boston hospitals. I've only watched this in passing, and to my eye it seems like they spend a lot of time on the nurses, which should be to no one's surprise.

I was watching Through the Wormhole, the Science Channel's series about big universal questions hosted by Morgan Freeman. As much as I love Freeman, and as interesting as the topics are (episodes have covered time travel, whether there is a God, and what existed before the Big Bang), I never quite clicked with the show, and have given up.

We're also recording The Choir, BBC America's reality show about a choir director who puts together a singing group out of high school students with little to no musical background, which he then takes to an international competition in China. I'm sure its presence on the schedule is due in large part to the success of Glee, though outside of the superficial similarities they're very different.

And of course I've got the new seasons of Eureka and Mad Men to watch, so I'll be lucky to just get caught up before the new fall season starts.

Close the Branch

2010-07-04T20:46:00.000-04:00

I was going to go into this whole thing about how The Office can't go on without Michael Scott, but then realized it's a widely-held enough proposition that it doesn't exactly need my analysis to prop it up. That being said, I do think there are three ways one could keep the show going without Michael Scott to kick around.

1. Bring in David Brent. As unlikely to happen as Michael Scott staying, but it's the best shot the show has to keep going on and going on well.

2. Retool the show around younger staffers. You know, like the last season of Scrubs.

3. Nudity. Moreso Pam than, say, Kevin.

There is talk that the show will carry on, and that the ensenble cast is strong enough to keep the show going. That's probably true. Maybe they can go the Murphy Brown route and have a different guest star as manager every episode. Anyway, it certainly can go on (what else does NBC have to air?), it just shouldn't go on.

Upfronts: The Recap

2010-05-24T20:02:00.000-04:00

While I'm tempted to list the winners and losers of upfronts, I'm having a hard time decided who the losers really are thanks to the relatively mediocre line-ups we've been handed. It may be enough to say that networks lost by not trying to win.

That's with the exception of CBS, whose schedule shake up puts them in a position where they could win every night (well, maybe not Saturday, but no one really cares about Saturday). They won't, at least on a regular basis, but they could. That's more than any other network can say.

As far as individual shows go, there is no show that makes me think that I really want to see what it's about. The closest I get is interest in how CBS revives Hawaii 5-0. There is some potential out there - Outsourced could be the last piece NBC needs for Thursday nights, and I'll admit some interest in No Ordinary Family - but there's not much else out there that really grabs me.

The only other thing of note that I have is that there's obvious knock-off shows this year. There isn't the usual rush by all networks to find the next Lost or Grey's, and we don't have multiple networks mining the same specific topic (like the year there were three separate alien invasion shows). That would normally be a good thing, but this year, I think I'd have at least found more humor in the attempt.

Upfronts: The CW

2010-05-24T11:50:00.001-04:00

For a network focused on pulling in the youngest viewers, there are a surprising number of aging shows on the CW lineup for next season. Only two new shows for next season, helped by the network sticking to its plan to program weeknights only.

What's gone - Melrose Place would be the most notable cut, given how the network pushed for the show to match the same relative success as 90210. Casting Ashlee Simpson may not have been such a great idea, in retrosepct. The Beautiful Life, the network's latest attempt to translate the success of America's Next Top Model into episodic TV, also got the hook. Among the others, I only stop to note that I never knew there was a show called Blonde Charity Mafia. The name alone cried for cancellation.

Day by Day -

Monday: 90210 moves over to partner with Gossip Girl, which seems like a good idea. Why have one hour of backbiting rich kids when you can have two?

Tuesday: One Tree Hill moves in with adoption drama Life Unexpected. Which is fine, I guess.

Wednesday: America's Next Top Model continues, and will lead in to Hellcats, which follows a pre-law student at a Memphis university who,after losing financial aid, parlays her youth gymnastics experience into a spot on the school's cheerleading team, leading the usual backstabbing and Bring it On-type shenanigans. I think.

Thursday: The Vampire Diaries leads in to Nikita, a show about a woman who was recruited to become a spy and assassin as a teen, and who had now turned against those that trained her, an outfit known as Division. Meanwhile, they keep turning out teenaged spies, one of whom is beginning to see why Nikita decided to turn. This should sound familiar, it being the basis, more or less, for two feature films and a previous TV series.

Friday: Brings Smallville and Supernatural together, in a sensible pairing, even if Smallville seems like it's been around since 1994. This is supposedly the show's last season, which seems at least one season too late. I can't say I'm thrilled about the network playing the usual game of sticking its sci-fi/fantasy type series on Friday nights, but if the network really does skew younger it may not be a bad move, as most of the fans should be too young to go out to bars.

I can't say this is the worst lineup the CW could have come up with, though they may be trading stability for some of their younger viewers. That also may not be the worst thing if they can bring in a few more viewers in their 20s. Still, I don't see them threatening NBC any time soon.

Upfronts: CBS

2010-05-20T22:55:00.000-04:00

You're the most-watched network on TV. What do you do for the upcoming season? Retool and look to maintain your status in the new decade.

What's gone - A lot, but nothing huge. The most notable cancellations mark the dismantling of CBS's Friday nights, which they've owned the last couple of seasons. Both Ghost Whisperer and Numb3rs are gone, as are sitcoms The New Adventures of Old Christine and Gary Unmarried, among others. The most notable drama cancellation outside of Friday was Cold Case, though that was fairly well expected.

Day by Day

Monday: The Big Bang Theory moves out, and Rules of Engagement moves in. Replacing Accidentally on Purpose is Mike and Molly, the latest creation from Chuck Lorre. It focuses on a couple that meets at an Overeaters Anonymous meeting and are now trying to build a relationship while shedding pounds. If nothing else it's refreshing that we'll have some fat people on TV, even if they're only Hollywood fat.

The day ends with the revival of Hawaii 5-0, about which I'm of two minds. I love the original (I could watch '70s cop shows all day), but am concerned with the new version, which sounds like they've moved 24 to the islands. That and they've made Kono a woman, though I'm OK with that given the casting of Grace Park in the role. Speaking of casting, Daniel Dae Kim gets to stay in Hawaii, moving from Lost to play Chin Ho Kelly. I also approve of that, but for very different reasons.

Tuesday: Stays the same with NCIS, NCIS: Los Angeles and The Good Wife. No need to mess with success.

Wednesday: The night kicks off with Survivor, which moves from Thursday in the network's biggest change for an existing show. It will pair with Criminal Minds and a new show, The Defenders, which is sadly not a revival of the great 1960s courtroom drama that starred E. G. Marshall and Robert Reed. Instead, it stars Jim Belushi and Jerry O'Connell as Las Vegas defense attorneys. Honestly, your eyes kind of glazed over right after "O'Connell," didn't they?

Thursday: The Big Bang Theory lands here to kick off the night, which is now tailored to take on NBC's comedy bloc and ABC's dramas. It's paired with $#*! My Dad Says, which I am fairly certain is the first TV show ever based on a Twitter feed. In it, William Shatner plays the dad whose inappropriate comments become Internet fodder for his son Henry. They also target the other son, played by Will Sasso, and his wife, played by Nicole Sullivan. I don't know about this one - the Twitter thing seems like a gimmick to dress up a family sitcom - and there's always the fear that Shatner will be, well, himself. That could be a great thing, except when it's a horrible thing.

The night is rounded out by CSI, the original, and The Mentalist.

Friday: Medium moves up an hour to kick things off, and is then followed by CSI: New York, which makes me think that it'll disappear at some point so they can trot out NCIS: Random Coastal City. The night closes with the new drama Blue Bloods, which tells the story of the Reagan family, who have served the NYPD for generations, from the patriarch (and former chief) to the current chief (Tom Selleck) and his sons (Donnie Wahlberg and Will Estes). Bridget Moynihan plays the only Reagan woman, who as a girl apparently can't be a cop, so she's an attorney for the DA's office (and a single mom, hello art portraying life). There's likely some promise here, as the cast is good and Friday's not a bad night for a show that might be a little by the numbers.

Saturday: Two hours of Crimetime Saturday followed by 48 Hours Mystery. I suppose we should be thankful that they're running new programming at all.

Sunday: Mostly unchanged, as 60 Minutes, The Amazing Race and Undercover Boss all return to regular times, joined at 10 by CSI: Miami. Sunday at 10 seems later for a police procedural; it certainly didn't do Cold Case any favors.

So there you have it. Not sure if all the movement will bear fruit, but it's good to see CBS isn't being complacent. Just temporarily insane when it green lighted The Defenders.

Upfronts: ABC

2010-05-19T14:04:00.000-04:00

So what's in store for the Alphabet next season?

What's gone - Well, Lost, of course, though that's the only show ending of its own accord. Notable cuts that I don't think were already known include Scrubs (which never should have come back), Better Off Ted, and, most annoying for me, Flash Forward. I liked that show quite a bit, and never felt like it quite got the right treatment, from its placement on Thursdays with Grey's Anatomy and Private Practice to its lengthy hiatus for the middle of the season.

Day by Day -

Monday: The winning formula of Dancing With the Stars and Castle returns. I also had Castle on my dead pool list, so things go from bad to worse.

Tuesday: Starts off with No Ordinary Family, which is about a family that survives an airplane crash in the Amazon and discovers that they've developed super powers. I know there has to be Lost/Heroes crossover fiction online, but I didn't think you could get a TV show based on it. It does start Michael Chiklis and Julie Benz, so perhaps it won't be a complete bust.

This is followed by an hour of Dancing With the Stars results show (snore) and a new cop drama, Detroit 1-8-7, which with the numbering sounds soooo 1995. I would like to think of this as a Great Lakes version of Homicide, but I'm reserving judgment.

Wednesday: The successful comedy block survives and is supplemented with Better Together, which revolves around three couples - one long-dating but not married, one getting married after just weeks together, and one the parents of the women in the other couples. I can't say I'm impressed, but I suppose it's just different enough from The Middle and Modern Family to have a shot.

The night ends with The Whole Truth, a legal drama that's supposed to be inventive because it shows how cases develop from both sides. I suppose that is a little different, but I don't know how that makes this any more compelling than any of the other legal dramas we've been subjected to over the years. Rob Morrow and Joely Richardson star.

Thursday: Grey's and Private Practice return, and are led in by My Generation, which returns to a group of people who were the subject of a 2000 documentary their senior year of high school to see how things have panned out. I can't say I'm interested, but it's probably better suited for the night than Flash Forward was.

Friday: Starts with Secret Millionaire, which is Undercover Boss but with rich people moving to the ghetto to find the "unsung heroes" and give out some money to ease their consciences. This is followed by Body of Proof, which has Dana Delaney playing a surgeon who, after an accident that ends her surgical career, becomes a medical examiner. She, of course, uses her drive to discover not only what killed people but who. She also has to work on getting back into the good graces of her family, which she mostly ignored while building her surgical career. This might not turn out so bad, especially if it's played more for a family-centered audience than some sort of Quincy rehash.

The night ends with 20/20, which I don't think ABC is aware that it can cancel.

Saturday: College football in the fall, followed by repeats or movies or porn or something in the spring.

Sunday: Unchanged.

There are ton of mid-season shows in the offing, most notably Off the Map, a medical drama from Shonda Rhimes that puts doctors with baggage in an jungle clinic, and Mr. Sunshine, which stars Matthew Perry as the assistant manager of a sports arena who is re-evaluating his life now that he's turned 40. Off the Map sounds like a solid bet to replace My Generation and give us an entire night of soapy doctoring, while Mr. Sunshine co-stars Allison Janney, which is always a good thing. V is also returning at some point, and I'll just have to be happy about that.

Not sure if all of this is enough to stop ABC's casual slide, but I don't quite see another blockbuster in this group.

Upfronts: Fox

2010-05-18T20:45:00.003-04:00

Fox is premiering more shows than I expected, but as they're doing their usual split season schedule I suppose it means more new TV for us. Whether that's a good thing remains to be seen.

What's gone - The big news is that 24 is done, though there'd been talk about that going into the season. I'm sure the Tea Party folks will find a way to blame this on Obama, too. Also out are Til Death, Past Life, Brothers, Sons of Tucson, Dollhouse, Out Little Genius (which I'd not heard of until seeing it listed as a cancellation), Sit Down Shut Up and The Wanda Sykes Show.

Also gone is Simon Cowell, whose long-expected departure was finally confirmed. No word on who will replace him, though I'd vote for Toby Young from Top Chef. He doesn't know music, but he as the acerbic wit and British accent required for the job.

Day by Day -

Monday: House shares the night with two shows. The fall will bring us Lonestar, which is sadly not about the character from Spaceballs. Instead, it's a Dallas meets Big Love soap about a Texas oil tycoon who has two families - and two identities - in separate parts of the state. Can he bleed both dry before being caught? Will I even pretend to care?

The spring will bring Ride-Along, where we take a passenger seat view of crime fighting in Chicago. The overblown description of the show makes it sound like a pulp novel come to life, though I think they thought it would evoke shows like The Wire and EZ Streets. I'd be marginally interested if the press release synopsis didn't try so hard to make it sound gritty.

Tuesday: Glee starts the night in the fall, followed by two new sitcoms. Raising Hope sees a young man at the center of a dysfunctional family cope with his infant daughter, who he gets to care for when he discovers a past fling had the baby while in prison. That half hour of cheeriness is followed by Running Wilde, which is apparently what you'd get if you crossed Ed with Arrested Development. Will Arnett stars as the spoiled heir to an oil fortune (what's with all the oil money?) who is trying to get the one thing he could never buy - the love of Emmy, the daughter of the Wilde family maid, played by Keri Russell. The set-up seems ridiculous, but that wasn't a problem for Arrested Development, so why would it be here?

For the spring, Glee and Raising Hope moves to Wednesday to make room for American Idol, and we get another new sitcom, Mixed Signals, a male-centered relationship show about which I can only say it features Roy from The Office.

Wednesday: Lie to Me returns and is paired with Hell's Kitchen. I have no idea why, but I find this combination amusing. In the spring, we get Raising Hope, a 30 minute AI results show (at least until Raising Hope is put on permanent hiatus) and Glee.

Thursday: Bones and Fringe remain on Thursday for the entire season, showing that Fox can resist the impulse to mess with something that works.

Friday: Human Target got renewed and lands here, I assume to draw in all those young males who stay home to watch TV to start the weekend. This also costs me a hit on the Ted Marshall TV Dead Pool, which is not going to go well for me this year.

For the fall, it shares the night with The Good Guys (assuming it survives its summer debut). It features Bradley Whitford and Colin Hanks as cops, one "old school" and one "by the books." I'll let you decide who plays which stereotype. Once this show is over or canceled or whatever, it gets replaced with Kitchen Nightmares, which continues its sad approximation of the superior British version.

Saturday: Cops and America's Most Wanted, which we can pretty much pencil in here for eternity.

Sunday: The animation block of The Simpsons, Family Guy, The Cleveland Show and American Dad continues, and once football is over they'll be joined by Bob's Burgers, a show about a crappy burger joint and the man who runs it (along with his family). The press release goes into some detail into the neighborhood surrounding Bob's, which makes me think they realize the main premise about the annoying guy and his requisite quirky family - is a little thin. Good thing Fox canceled King of the Hill so they could show us this.

Not scheduled but mentioned as a mid-season replacement is Terra Nova, a family drama that's part Lost in Space and part Land of the Lost. Initially set in the mid-22nd century, the show follows the Shannon family as they are sent back to prehistoric times to join a settlement which aims to prevent some of the missteps that have irreversibly damaged the planet in their present. Compounding things is some sort of dark family secret that puts the Shannons at risk of getting sent back, as well as a potential conspiracy within the settlement.

There are some big names involved with the show - Spielberg most notably, but also veteran TV guys Brannon Braga and David Fury. This could be the most interesting show of the year for Fox, assuming it doesn't morph into Avatar: The Series.

Upfronts; NBC

2010-05-18T14:09:00.000-04:00

Not surprisingly, there's a number of new shows on tap for NBC next season. That's what happens when your plan to fill five hours a week with a half-baked attempt at a prime time talk/variety show achieves its destiny by tanking. Still, it's not as bad as they year ABC brought on something like 25 new shows. So what's on tap?

What's gone - the two most notable cancellations are Law and Order and Heroes, neither of which was a surprise given the amount of chatter about cancellation beforehand. Mercy and Trauma also got the official axe, ending months of being on TV's version of a permanent vegetative state.

Night by night - here's how NBC's schedule looks as of now:

Monday - Chuck returns, thrilling its dozens of loyal fans. (That's a joke, save your hate mail). It will be paired with two new shows. One is the conspiracy thriller The Event, which sees an "Everyman" uncover what's described as "the biggest cover-up in US history" while investigating the disappearance of his fiance. The cast has some notable names (Blair Underwood, Laura Innez, Zeljko Ivanek), but from a first reading it comes off as Vanished 2.0, which is a problem given how few of us were interested in the original.

This is followed by Chase, a Jerry Bruckheimer-produced hour about a team of US Marshals who try to catch America's most dangerous criminals. Nothing really jumps out at me from the description or the cast, and if not for Bruckheimer's name I'd think this generic sounding show would be toast by Christmas.

Tuesday - Two hours of The Biggest Loser followed by Parenthood, which against all odds seems to be working.

Wednesday - This is likely going to be NBC's most talked-about night of programming going into the season. It starts with Undercovers, the post-Lost project of JJ Abrams. It follows a married couple - who met as spies and retired when they fell in love - who get back into the espionage game when a friend of theirs disappears while investigating a Russian arms dealer. As with Chase, I don't know if this would really interest me without Abrams' involvement. I am more likely to check this out than Chase based on Abrams alone, but I do fear it's going to go the Alias route.

This is followed by Law and Order: SVU and Law and Order: Los Angeles. I can't say I care about either, and while the franchise will likely benefit from the west coast reboot, I don't know that we need yet another show involving LA-based cops and lawyers.

Thursday - Almost unchanged, as the quartet of sitcoms in residence this season will return, just with a slight change of times (30 Rock and Parks and Recreation are swapping time slots). With Parks and Rec slated to return in the spring, the fall will bring us Outsourced, where an employee of a midwestern novelties company is sent to India to oversee its new call center. Wacky culture clashes ensue, which could be an amusing twist on a popular business phenomenon or a half-hour of poorly done ethnic jokes ("Did you ever notice that Bengalis drive like this, while Kashmiris drive like this...). Still, I'm hopeful.

We then get an hour-long comedy to end the night, Love Bites, or more accurately, Love: New American Style. Becki Newton (Ugly Betty) and Jordana Spiro (My Boys) play friends who are still single, and its around them that each week's trio of romantic plot lines will turn. The show promises an edgy and irreverent spin to things, though I don't suppose it'd promise to be sappy, would it?

Friday - Brings back Dateline NBC and the celebrity family tree-tracing Who Do You Think You Are?, and adds to it Outlaw, which features Jimmy Smits as a Supreme Court justice who quits the bench so he can defend the little guy. There's a suggesting that this won't be as hokey as it sounds - Smits' character is supposed to be a bit of a rogue, and the idea that he'll use his inside knowledge of the justice system may bring us some juicy moments - but this does not sound promising. This is apparently the show that NBC bought from Conan O'Brien, I'm assuming because they felt bad about what they did to him.

There is also the reality show School Pride, where a team goes all Extreme Makeover: Home Edition on a run down school, with the idea that a better facility will translate into a better student body. It's not the worst idea, either for TV or education.

Saturday - repeats

Sunday - Football for the fall, and the combination of Dateline, Minute to Win It, and Celebrity Apprentice in the spring. In other words, NBC will own the night for half the season and take a knee for the other half.

The Replacements - there are a number of shows waiting in the wings for the inevitable failures. For dramas, we have The Cape, where a cop framed for murder by his crooked department goes into hiding and fights the corrupt system in the guise of his son's favorite comic book hero, The Cape. This is sadly the better of the relief dramas, as Harry's Law looks to combine Six Degrees and Eisenhower and Lutz by creating a strip mall law firm out of people who just kind of run into each other.

The sitcoms are even less interesting, as you have rehashes of Friends (Friends with Benefits), How I Met Your Mother/Rules of Engagement/Any Show Featuring a Group of Married People (Perfect Couples), and Curb Your Enthusiasm/It's Garry Shandling's Show (The Paul Reiser Show). I really, really hope Outsourced doesn't suck. And as bad as these sound, they're no worse than a lateral move from The Jay Leno Show.

Sentenced to Death

2010-05-16T09:34:00.000-04:00

So you've likely heard the big news leading up to this week's upfront presentations by the major networks - after 20 seasons, NBC is finally giving the axe to Law and Order: Original Recipe. There's been some talk that NBC would let the show carry on to give Dick Wolf the honor of creating the longest-running dramatic series in prime time history (a mark it will now share with Gunsmoke, though the western aired more total episodes), but given NBC's sorry state, it's a smart move to clear out a series that's clearly past its prime (though for me, the show never quite got over the loss of Jerry Orbach, whose Lenny Briscoe was the quintessential New York detective).

And it's not like Wolf and company are going to be crying poor mouth. Law and Order: SVU is expected to carry on, and NBC's likely to announce tomorrow that they're picking up a Los Angeles-based version of the original show. So while the show that started the procedural craze (for better or worse) may be gone, it's offspring will continue to chug along.

More on the upfronts as they happen. That's pretty much the whole reason I started this blog in the first place.

Water Cooler Talking Points - Lost

2010-02-03T00:11:00.002-05:00

(As this is pretty much the only show I watch in something approximating real time, I figured it was time to bring back the Water Cooler Talking Points, five items that will give you a rhetorical foothold in an office conversation about the show.)

During the show tonight, the unLocke remarked to Ben that the last thing that went through actual Locke's mind was that he didn't understand what was going on. With that fitting metaphor for the Lost viewing audience out of the way, here's the skinny on what went down.

1. The bomb worked. Last season ended with Juliet detonating the h-bomb, a scene repeated to start this season. The explosion fades into Jack on the Oceanic flight, and while he looks a little confused at first he snaps back into passenger mode after some turbulence doesn't result in the plane going down (we also get a graphic depicting the island - including the DHARMA huts - completely underwater, apparently for some time). Over the course of the first hour we see Rose and Bernard, Sawyer, Kate, Charlie, Hurley, Sun, Jin, Boone and Locke. And Desmond, who wasn't originally on the flight. There are a few other differences - Charlie tries to kill himself in the lavatory, and Hurley now considers himself lucky as he's still won the lottery and successfully bought his chicken franchise. At the end of the hour, the plane lands in LA without incident.

2. The bomb worked? The second scene of the episode is the explosion, which now fades into Kate coming to in a tree... within sight of the post-failsafe Swan crater. Most everyone is accounted for, lastly Juliet, who is buried under a bunch of metal in the middle of the crater. Sawyer gets to her, but she dies before she can tell him something important. Sawyer recruits Miles to help bury her, and uses his talking to the dead mojo to find out she was going to tell him the bomb worked. Which, after a fashion, it did, as this group is back in the present that has the undead Locke and company over by the statue. Speaking of Locke...

3. Locke=smoke monster? After talking about Jacob's death, the unLocke sends Ben out to get Richard. Some of the other Agira passengers (who are apparently Jacob's bodyguards - and well done there) enter the statue and shoot at unLocke. Followed shortly by an appearance by the smoke monster, who kills all of them (including a guy who got in some sort of protective circle of ash or sand; the monster figured out a way to knock him out of the circle without entering it). Locke later apologizes to Ben for having to see him like that, suggesting that the smoke monster is what is also possessing the unLocke.

4.Going to the temple and we're gonna get cured. Back at the Swan hole, Hurley is with Sayid, who is bleeding badly. While he's alone with Sayid, Jacob appears to Hurley and says that he needs get Jin to take him to the hole in the wall of the temple. He does (along with most of the others), and once they enter they get jumped for their trouble. They're led to a temple, where the powers that be decide to shoot them - until Hurley says that Jacob sent them and that they need to save Sayid. A message inside a huge ankh suggests the same thing, and they take Sayid to a spring. One which no longer runs clear. Sayid is held in the spring - more correctly under the water of the spring - and he dies.

5 Meanwhile, back in Los Angeles. Kate manages to knock out her escort in the only deserted bathroom in LAX, and escapes with some help from Sawyer and from the escort's gun, which she uses to hijack a taxi and its passenger, the very pregnant Claire. Jack, meanwhile, has learned that his dad's coffin has gone missing, and the airline has no idea where it is. At this point he meets Locke, who had his case of knives go missing. A brief chat leads Jack to offer a free consult to Locke, with the goal of proving that his irreperable spinal injury can in fact be fixed.

6. There's gonna be a shoot out. Back at the temple, Hurley talks to the powers that be (a guy who speaks Japanese and his hippie sidekick) about Jacob, and mentions that his visit was portmortem. This freaks the powers out something fierce, and they begin to barricade the temple and spread ash/sand around, all aimed at keeping "them" out. They set off a rocket, apparently to warn fellow templars about the danger. The signal surprises Richard, as does the unLocke, who has come outside and greets Richard by (a) saying he's happy to see Richard out of chains, and (b) beating the tar out of him. The unLocke expresses his disappointment at the crowd and then picks Richard up and starts walking (we assume to the temple). The last scene is back at the temple, where the hippie seeks a private audience with Jack. Jack declines, and the hippe starts to make a deal out of it until Hurley interrupts. It seems that Sayid is not quite dead yet. He sits up and wonders aloud what happened. As do all of us watching.

The Beginning of the End

2010-02-02T20:16:00.000-05:00

Unless you've been living in a hole (or don't watch ABC), you know that tonight kicks off the final season of Lost. There's a level of fan excitement about this that's unusual, I think. Most fans would prefer that their favorite shows go on forever.

The difference with Lost, I think, lies in the questions. There's a desire to learn the reason behind every little secret, and the only way that will come close to happening is to have the show end. We should be happy that they're doing this in a thoughtful way and not running the risk of another Alias, where it seemed like things were slapped together solely to get the show to a conclusion.

Even so, I think there may be a little too much expected from tonight's episodes. My simple warning is that the folks behind the show have spent five years piling on questions while only providing a handful of answers. They have the entire season to even accounts, and it's safe to say that they'll use every single second to do so in a way that's organic. Not that the books will balance by the end; the folks behind the show have been very clear that there will be some questions left unanswered. Your call as to whether its out of deference to the story or because some of the questions are just too hard to answer in a way that's consistent with the rest of the show.

Not that there aren't other attractions to this season. We're going to get to see some of our favorite characters from the past (I'm hoping for some significant screen time for Mr. Eko), and there's been talk about a new narrative structure for this season, which given the way time is used on this show may mean anything.

In the end, I guess I'd say try not to get irritated if they don't throw out a bunch of answers tonight. Instead, savor the anticipation of each new episode while you can.

The Late Shift Redux

2010-01-12T00:26:00.000-05:00

You've likely heard by now that Jay Leno's nightly 10 pm show on NBC is toast, and that after the Olympics the network is moving him to 11:35, where he'll do a half-hour show, with Conan and Jimmy Fallon each moving a half-hour later (no word on what happens to Carson Daly, who can't really move a half-hour later as it would put him into time held by the affiliates). The move has raised two major questions.

1. Will Conan stay or will he go? I'll admit to having no idea how Conan's contract is worded, but most stories on this note that he'll have to approve the move, and that rather than doing so he could walk away and start up on another network (Fox gets mentioned here most often, followed by ABC).

There are arguements both for and against Conan leaving. On the pro-leaving side, there's the idea that this suggested move is an indication that NBC still favors Jay, so sticking around makes no sense. There's also the lure of creating a new franchise and helping another network develop a late night presence. And, of course, there's the benefit of getting away from NBC, a network apparently incapable of engineering a smooth late night hosting transition. The move could also allow Conan to return to New York, which seems more like his sort of town.

On the other hand, Conan is the host of the Tonight Show, the most venerated property in late night. It's not something one gives up blithley. Also, there's a good chance that this move will only last this season, as if the new late night Leno show fails to deliver (which is almost certainly the case), it would go away and allow Conan to return to his rightful place at 11:35. There will be damage to repair, but if Conan could build a following out of his meager Late Night debut in 1993, he can do the same here.

I'm guessing that Conan will walk if NBC commits to this plan. It's clear that he's going to be second fiddle to Leno until Leno decides to drive off into the sunset.

Then there's the other question:

2. What is NBC going to show at 10 o'clock for the rest of the season? It's not easy to fill five hours of programming a week, but NBC may be less screwed here than they seem, as:

Friday Night Lights will be back, and can either take up an hour at 10 or allow another show to move.
Law & Order will also be back, and while it's currently scheduled it's also got some history as a hole-plugger. Ditto for Dateline, which you have to figure will get at least one 10 pm slot.
There are a variety of USA network shows that could be run, including Law & Order: Criminal Intent, Burn Notice, Psych and White Collar.
They could order more episdoes of Trauma, which they cancelled but then brought back for a limited number of new episodes.
They could also monkey around with their unscripted shows, as they have a new season of The Apprentice and Jerry Seinfeld's The Marriage Ref coming this spring and could, theoretically, hustle America's Got Talent into an early premier (though that would be reaching). Heck, why not a special week-long return of Deal or No Deal?

Most, if not all of these ideas would fill time rather than build an audience. Based on the way the Jay Leno Show's ratings fell over the course of the season, that's probably enough. Personally, I'd like to see them give some of the USA shows a tryout, but I expect we'll get retreads.

While there's still a great deal of uncertainty in this situation, there is one thing that is absolutely certain: this is a good year to be pitching a new show. NBC's going to need several come September.

Back From Hiatus

2009-12-09T13:56:00.000-05:00

With the new TV season heading towards the halfway mark, it seemed like an appropriate time to write my first entry on the new season. Why wade in when everything is new and confusing?

It turns out that we've picked up very few new shows, which isn't particularly surprising given the number of shows we're already struggling to watch in something resembling a timely fashion. Of all the new shows, we're watching Glee (based on the pilot preview in the spring, smart move there), FlashForward, V (technically we're not watching it yet, but we're taping episodes), and Community (which the wife has bailed on but I still watch).

I'm not addicted to any of them, but I do like each of them in their own way. I'm a little irritated that both Glee and FlashForward are going away until the spring, but that does give us some catch up time with the DVR.

We never sampled the ABC's new lineup of Wednesday sitcoms, probably to our detriment given how well they've been recieved (excepting Hank, of course). We've also never ventured into Jay Leno's new show, but we didn't watch his old one, either.

I am finding that my interest in three returning shows has waned considerably. I'm at the point where I'm not even recording Heroes, and while I plan to catch up through on demand or online viewing, I could see it not happening. I really don't like any of the directions the show is taking this season. I'm feeling more obligated than interested in Desperate Housewives and America's Next Top Model, but still watch both. Model in particular is a sad case, in that it's gotten very tired but is unlikely to get a makeover of its own (or canceled, even). I miss the days where the models drank (though it's easy enough to relive them given the reruns that are cropping up on various channels).

The only other thing to note is that I did manage to watch the most recent season of Mad Men in roughly the same period in which it aired. I have to say it was pretty depressing until the last episode. Hearing Lane Pryce wish Saint John Powell a Happy Christmas after getting fired was a welcome laugh after a season of watching the Draper marriage crumble.

So that's where things more or less stand now. More later, hopefully before May.

New on TV: Three for the Nerds

2009-08-10T21:48:00.002-04:00

There's a trio of new shows I've been watching this summer, and while they have little in common, all appeal to the inner (or outer) nerd, one each on public, network and cable TV.

Taking them in that order, we'll start with PBS' Time Team America, a kind of History Detectives spin-off where a team of archaeologists visit sites and give the researchers regularly at the site three days of extra help, often using tools not readily available to the regular team.

The typical story arc of an episode is as follows:

Day 1: arrive at site, dig some trenches, use the geophysical instruments to survey.
Day 2: use the survey results to dig more trenches. Find random bits of pottery no bigger than your thumbnail. Survey some more, as a decent chunk of yesterday's data is inconclusive.
Day 3: Dig a bit more, and hopefully find something other than pottery. Maybe a post hole.

As this suggests, the biggest problem with the show is the lack of actual finds. While that's probably true of how archaeology works, it does not make for particularly riveting television. The host, who is also the team's artist (do archaeology teams regularly employ artists?), tries to pull things together and add background by interviewing various people with a connection to the site. He's also not the most dynamic person; at times it's like the show is being hosted by a somewhat annoying TA.

I'm also not a fan of the team's logo - which appears in the credits and on their vehicles - or the use of Coldplay's "Speed of Sound" as theme music. That'd have been a great choice if the show debuted in 2005.

Moving to network, we have Defying Gravity, a multinationally-produced series that ABC picked up for a summer run. Set in the 2050s (with flashbacks from approximately 5 years before the show's present), we follow the eight person crew of the Antares as they set out on a six-year mission to visit seven planets. The only problem is that there's something calling the shots on the mission that is not part of the International Space Organization. To this point it's only referred to as Beta, and it's monkeyed with the make-up of the crew and has taken one other member back to an ill-fated mission to Mars.

Add into the 2001: A Space Oddysey mix some notable romatic entanglements, including a married couple split up by Beta's shenanigans and a flight engineer (played by Ron Livingston) who had a one-night stand with another crew member (before she became an astronaut) but who is having regular booty calls with a different crew member. The show was apparently pitched as Grey's Anatomy in space, but I don't think we're quite at the point where the show is Grey's Astronomy. It's still too much involved with the oddities, from an Indian crew member who went on an unscheduled EVA with his statue of Ganesha after getting bumped to the aforementioned female member of the one night stand hearing baby cries (care to guess how the one night stand ended?). Odder still, none of the other crew seem suspicious that she keeps on asking them if they've heard something when no one else has.

It's not a great show, but it's good enough for the summer.

Finally, we have SyFy's Warehouse 13, which follows two Secret Service agents as they go about the country to claim objects of unusual power, which then gets stored in the title location, which is somewhere in South Dakota. The agents have a Scully and Mulder sort of relationship, only not as entertaining. They also seem a little slow, as in at least a couple of cases I managed to sort out what they needed to do before they did. Considering I only watched three or four episodes before removing it from my recording list, that's not so good.

I did like Saul Rubinek as the warehouse administrator and CCH Pounder as the program's shadowy leader, Mrs. Frederick (she should be on every episode). There's also a bit of a steampunky vibe to the show, from computers using manual typewriter keyboards to personal communicators in tin cases called Farnsworths, but there weren't enough of those elements to keep me watching.

Oh, and in a related noted, the rebranding of the Sci-Fi Channel to SyFy doesn't do anything for me. I suppose it loosens things up so they can show crap like the ECW and Ghost Hunters, but I fear that this is the start of a slide that sees the network go from something that covers a niche pretty well to one that, in an attempt to find a broader audience, loses identity.

New on TV: The Great American Road Trip

2009-07-17T13:44:00.002-04:00

At the start of this NBC summer reality show, the host makes an important point when he tells the competing families that this is not a race. And given the nature of the show - seven families going from Chicago to LA in RVs while competing in challenges along the way - it was hard not to think (with reference to a similar CBS show) that is is also not amazing.

That being said, the show isn't awful in any obvious way. The host, Reno Collier (a comedian best known as Larry the Cable Guy's opening act), is game if not particularly dynamic. The families, as you'd expect, come from the various elements of our great melting pot/salad bowl. Just with more "energy." And in the case of the family from Texas, a set of gigantic fake knockers.

But I digress.

The point of the show is that the families drive their RVs to a location with some historic impact (such as Lincoln's home in Springfield, Illinois) and compete in a task. The winner gets a prize, while the bottom three families participate in another challenge, with the loser there going home. In the first episode, the yuppies from Westport, Connecticut, who saw their education as their greatest asset, lost in large part because they forgot that the shortest distance between to points is a straight line. I'm sure that'll keep them up nights in their McMansion.

And, of course, there's drama along the way, but as it's a family show the drama is more light comedy than something from Chekov. The Alabama housewife and Yonkers dad have a desperate moment while trying to come to grips with the uses for "youse" and "y'all." The Yonkers mom accuses the downstate Illinois family of cheating. The Long Island daughter throws a tantrum over gummy worms. Woo.

So while it's not particularly worth seeking out, it's not the worst a network could do for a summer series (ABC's The Scholar, for example). Just don't expect anything surprising.

2009-10 Season; Friday

2009-06-09T02:22:00.003-04:00

There are a couple of notable changes on this second-least watched night of TV.

ABC - They probably have the biggest one, as Ugly Betty moves over from Thursday to anchor a night stuck between Supernanny and 20/20. There's two schools of thought on the move. The first is that Betty is being banished to Friday due to ratings that have been sagging over time and are now more appropriate to Friday nights. The other, as espoused by ABC Entertainment president Steve McPherson, is that they can use Thursday and the Grey's Anatomy/Private Practice pairing to help Flash Forward debut strong and build an audience.

I tend to fall in the former camp. Betty has seen its ratings diminish, and a declining show is least likely to survive on ultra-competitive Thursday nights. If it manages to bring its current fan base to Friday, the show would be a qualified hit. I don't know if Betty will boost the evening as a whole - I don't expect the intersection of Betty and 20/20 viewerships to be that great - but it has to be an improvement over Wife Swap, doesn't it?

CBS - Will continue to dominate Fridays thanks to The Ghost Whisperer and Numbers, which are now flanking Medium, picked up from NBC's scrap pile. Medium is kind of in a similar position to Ugly Betty in regards to bringing fans over (with the added difficulty of a new network to boot), but where it's going to a well-established night of programming it'll have more of a cushion, I'd think. It should also be less risky than bringing in a new show.

Fox - Opens the night with Brothers, a sitcom about a former NFL player who moves home to help his brother, whose restaurant is struggling, but then may wind up home for good if his mom has her way. What makes this interesting is that the show starts actual former NFL player Michael Strahan, who has plenty of charisma but hasn't acted much outside of Subway commercials. The cast includes Darryl "Chill" Mitchell, CCH Pounder and Carl Weathers, which should help to even things out if Strahan is a little uneven.

Brothers is paired with Til Death, which was off the air for most of this past season. It'll return in the summer on Sundays before moving to Fridays in the fall.

Perhaps the biggest surprise from Fox was the return of Dollhouse, Joss Whedon's drama about sexy secret agents who have their memories erased after each job. There wasn't much hope for the show when it premiered, but apparently Fox still feels bad about axing Firefly and is making amends here. If nothing else, it's the perfect capper to a strange night of TV.

NBC - If you were wondering if anyone actually tries to win the 49 and over demographic, this night may be your proof. It opens with Law & Order, now in its 20th season of ripping stories from the headlines. It's followed by Southland, the LA cop drama that was a surprise pick-up. It ends with Leno. If any night is AARP-approved, it's this one.

The CW - Limps into Friday with Smallville - it's still on! - and reruns of America's Next Top Model. For this they cancelled Everybody Hates Chris. It's official: The CW is the suckiest bunch of sucks to ever suck.

2009-10 Season: Thursday

2009-05-28T02:13:00.005-04:00

Easily the night with the best programming across the board.

ABC - They've decided to break up their female-friendly night of programming by moving Ugly Betty and replacing it with Flash Forward. This high-concept drama takes place in the aftermath of every person in the world blacking out for two minutes and 17 seconds, during which time they get a glimpse of their future.

Does this sound like something that would go with relationship dramas? Not particularly, which makes me worry for this intriguing show. Shorts ads for it did run during Lost this past season, and it seems like those two shows would air together. And perhaps they will - assuming Flash Forward survives.

CBS - Returns with Survivor and CSI, and moves The Mentalist over to create a very strong night, likely their strongest of the week.

Fox - Pairs Bones with Fringe, which doesn't seem like an obvious paring but doesn't sound disastrous. There's also an interesting comparison to ABC, given that these shows have female leads but don't center around their loves lives. It'll be interesting to see if Bones - which is popular but not exactly a ratings-grabber - can boost Fringe, which fared OK in its inaugural season.

The CW - Opens the evening with The Vampire Diaries, which seeks to make hay off the Twilight craze, which seems like smart move but I don't know if the die-hards are going to cotton to a rip-off. It's paired with Supernatural, which makes sense. This could wind up being a decent night for the former Frog.

2009-10 Season: Wednesday

2009-05-27T01:50:00.004-04:00

Remember when I said Tuesday was the night you could skip out and not miss anything on TV? Well, Wednesday isn't much better.

ABC - Throws an entire night of new shows at us, five of their total of eight new shows for the season. Four are sitcoms:

Hank, starring Kelsey Grammer as an ex-tycoon looking to make his way back to the top;
The Middle, a Roseann ripoff starring Patricia Heaton;
The Modern Family, a documentary-style show about the different styles of families out there and how they operate and interact, starring Ed O'Neill;
and Cougar Town, starring Courtney Cox as a newly-divorced mom getting back into dating.

ABC apparently showed the entire pilot of The Modern Family during its upfront, and at least one critic (Aaron Barnhart of TV Barn and the Kansas City Star) reported that it was pretty well-recieved. That's a good thing, as based on ABC's press releases they all sound like they were generated by the Sitcom9000.

The network ends the night with Eastwick, a drama based on the movie The Witches of Eastwick. Sadly, this is not the only show on Wednesday based on a 20+ year old movie.

Really, a pretty thin night for ABC, but it's probably enough to keep them in third place until they cancel some stuff and bring back Lost.

CBS - Will battle for first place for the night, starting with The New Adventures of Old Christine and Gary Unmarried, moving to Criminal Minds at 9 and finishing with CSI: New York. Solid night all the way around.

Fox - Opens with results shows (So You Think You Can Dance or American Idol) followed by one of two new shows. The first is Glee, the high-school dramedy that aired its pilot earlier this month to good reviews. The oddity is the other show, Human Target, which stars Mark Valley as a man whose job is to get close to potential targets of violence so he can become the target in order to save lives. I don't quite understand how this fits in with a night otherwise dedicated to singing and dancing.

NBC - Starts the night with the other show based on an ancient movie, Parenthood. This is the second go-round in trying to make this into a TV series, and I don't know why it will do any better now. It will move aside in the spring for Mercy, a medical show that's Grey's Anatomy from a nurse's perspective. Had NBC been thinking they'd have combined this with Trauma so they only had one Grey's ripoff on the schedule. That or they'd have scheduled them for the same night and time so that one runs into the other. Viewers may not even notice that they are different shows.

Law & Order: Criminal Intent follows at 9 and Leno wraps things at 10.

The CW - Gives us the next cycle of America's Next Top Model, and follows the unscripted show about model with a scripted one, The Beautiful Life. I wouldn't expect much from it, except that the cast has something for everyone - Elle Macpherson, The OC's Mischa Barton and High School Musical's Corbin Bleu are all in the ensemble. So this may actually work, or at least work as well as anything on The CW does.

2009-10 Season: Tuesday

2009-05-26T02:04:00.003-04:00

After looking at the tentative schedule, if you were looking for a night to do errands or otherwise not be in front of your TV, this might be the night.

ABC - Wraps the results show for Dancing With the Stars around two new shows. The early one, Shark Tank, is an Americanized version of BBC America's Dragon's Den, as entrepraneurs present their ideas to a panel of five self-made millionaires in the hopes that they'll provide seed capital. Sounds find in concept, and hopefully the producers here will remember how NBC failed to turn Last Restaurant Standing into a success with Chopping Block.

On the other end is The Forgotten, which sees a group of amateur sleuths work to put names to unidentified murder victims, with the hope that an ID will help lead to an arrest. Reiko Ayelsworth, best known for playing Michelle Dessler on 24, is part of the cast. This may be enough of a twist on the police procedural to work, and having Jerry Bruckheimer involved should help, too.

In the spring, the first two hours will change to a show to be named later (I'm hoping it's the V remake, which sounds atrocious on principle) and a sitcom block of Scrubs and Better Off Ted. Both are somewhat surprising additions to the schedule. Scrubs got a proper send-off, and will now apparently toil on without Zach Braff. The surprise for me with Better Off Ted returning is that ABC managed to keep the right midseason sitcom, as they could have brought back In the Motherhood.

To my eyes, ABC has the best line-up for the night, which is depressing as I really don't feel compelled to watch any of these shows.

CBS - Looks to replicate the success of spinning off CSI into different locations by giving us NCIS: Los Angeles in the 9 pm slot, airing after the original NCIS. I don't know if that's such a great thing, though I suppose it's a way to build an audience with current NCIS viewers who may potentially follow the show to another night later in the season. The new show stars Chris O'Donnell and LL Cool J, though once I hear the name "Chris O'Donnell" I start to look for the remote. I'd be surprised if this brings in enough viewers to make the cancellation of The Unit look like a smart move, though I may be underestimating the loyalty of the average NCIS viewer.

The 10 pm spot is filled by The Good Wife, the latest show to cast Juliana Marguiles as a lawyer. In this show, though, her character returns to practice more than decade after leaving to be a full-time mom, forced to pick things up again after a public sex and corruption scandal lands her husband in jail. The cast looks solid, as it includes Chris Noth, Josh Charles and Christine Baranski. If it's done well, this would be the best pick for the 10 pm slot for the night.

Fox - Will bank on reality for the night, with So You Think You Can Dance? in the fall and American Idol in the spring. I can't imagine they'll go a full two hours for Dance each week, especially with an hour-long results show the next night. Then again, Fox does like to milk hours with reality performance programming, so I'm sure they'll find a way to fill the time.

In the spring, AI will share the night with Past Life, about a pair of "detectives" who determine if your current problems are being caused by who you were in a past life. Um, no.

NBC - Dedicates pretty much their entire non-Leno programming in the evening to The Biggest Loser. In the spring, they'll cut the show to 90 minutes and add 100 Questions, the sitcom about the woman who has a wacky romantic anecdone for each of the 100 questions on a dating service survey. I guess it fits with the expected Loser demographic, but I can't help but have visions of quick-cancelled shows like The Ex-List and Emily's Reasons Why Not floating in my head. They'd have been better off snagging Samantha Who? off of ABC's discard pile.

The night ends with Leno at 10. Get used to that.

The CW - Brings back 90210 and adds to it a new version of Melrose Place. Laura Leighton and Thomas Calabro return from the original, and Ashlee Simpson appears as one of the young, new tenants. If only the network did three hours of programming a night, we'd be guaranteed a revival of Models, Inc. next season. Oh, to dream...

2009-10 Season: Monday

2009-05-25T02:37:00.003-04:00

Monday offers up our first taste of split-season goodness, as three of the five networks have separate schedules for fall 2009 and spring 2010.

ABC - Will stick to the reality that's been successful on Monday, with a new installment of Dancing With the Stars in 2009 and The Bachelor in 2010. Backstopping both at 10 pm is Castle, the Bones meets Murder, She Wrote drama that one assumes will follow in the footsteps of mid-season premiers like Eli Stone and October Road and not make it past next season.

CBS - Keeps How I Met Your Mother, Two and a Half Men and The Big Bang Theory and puts Accidentally on Purpose in the 8:30 slot. The show stars Jenna Elfman as a woman who gets pregnant after a one-night stand and decides to keep both the baby and the father, a younger guy whose immaturity makes Elfman's character think she has two children to raise. There are various friends and family members who offer her help and advice, as well as an ex-boyfriend (played by Grant Show) to keep things interesting. Sounds OK (though I assume it depends on how much you like Jenna Elfman), and it should last the season at least protected by the other sitcoms.

CSI: Miami rounds out the evening at 10.

Fox - Splits the season, with House in the 8 pm hour, with the 9 pm hour split between Lie to Me in the fall and 24 in the spring. Seems like a solid night for Fox, assuming they can get Lie to Me to build a bit.

NBC - The Peacock opens the season with Heroes at 8 and first-responder drama Trauma at 9. I don't quite think these shows go together all that well, but if Heroes couldn't mesh with the now-departed Medium I suppose it may not make that much difference.

In 2010, we start Mondays with Chuck, a surprise renewal given that the show wasn't mentioned during NBC's "infront" presentation earlier in the month. It pairs with Day One, the show about life after a massive infrastructure failure. I don't know if these shows go together all that well either. With both Heroes and Chuck firmly on the fence as far as ratings go, there's a real chance that all four could get axed at the end of the season if things don't go well.

And then there's the grand Jay Leno experiment, which sees him on at 10 pm every weeknight. I don't know if this is much of a risk, as Leno has a built-in fan base and (I assume) the show has production costs similar to reality programming, making it easier to turn a profit. It may also bring back fans who would watch The Tonight Show if it were on earlier. Probably not the most coveted viewers, but any viewers are welcome in this economy. Still, I'd be very surprised if it won the time slot on Mondays.

The CW - Gives us Gossip Girl and One Tree Hill. The former should keep doing well with its expected target audience, while One Tree Hill seems a little vulnerable with the loss of a couple of its stars. Still, this is probably their strongest night.

2009-10 Season: Sunday

2009-05-23T01:30:00.003-04:00

OK, I missed the upfront presentations this week (as the four of you who still read this know, the wife and I had a baby last week, and as expected all of our schedules are out of whack). Instead, I'm going to look night by night at next season's schedule and mock the networks that way. All of this is based on the schedule grid posted over at The Futon Critic. We start with Sunday.

ABC - stands pat with a lineup of America's Funniest Home Videos, Extreme Makeover: Home Edition, Desperate Housewives and Brothers & Sisters.

CBS - Returns 60 Minutes, The Amazing Race and Cold Case. They add in Three Rivers, a medical drama focused on an organ transplant team. There's a fair amount of Grey's Anatomy in this one, from the young female resident trying to live up to a legendary parent to the womanizing surgeon. It's going to air opposite Desperate Housewives, which seems like a bad idea.

NBC - has football for the first half of the season, and for the second half goes reality with Dateline NBC, yet another edition of The Apprentice, and something called The Marriage Ref, which sees celebs provide advice and guidance on marriage for non-famous couples. Because if there's any group of people known for rock-solid marriages, it's celebrities. Really, I have no idea why anyone would tune in to NBC once Sunday Night Football wraps for the year. And on that note, I would like to request a new version of the theme song. I'm getting a little sick of Faith Hill.

Fox - Finally gives us The Cleveland Show, the long-awaited spin-off of The Family Guy that features Cleveland Brown moving back to his hometown in Virginia to reuinite with his high school sweetheart. It can't be worse than American Dad, can it?

In 2010 Fox will add the live-action Sons of Tucson, the story of three boys who hire some guy they met at a sporting goods store to pose as their dad because their actual dad has gone to prison. I find this oddly intriguing, even though it doesn't really entice me to watch.

The CW- gave Sunday nights back to their affiliates, which is probably for the best as they've never been able to program the night correctly. Though I wouldn't have objected to them keeping the night in order to save Everybody Hates Chris. But more on that later.

American Idol - Four to Go

2009-05-05T12:37:00.003-04:00

Last year, I handicapped American Idol when it got down to the final four, so I figure I should do so again this season. However, thanks to the magic of the DVR, I'm six weeks behind. So take these with an even larger grain of salt than usual (remember, I had David Archuleta at 1-4, and look how that turned out).

Kris Allen - I don't have much of a read on him, as he didn't get a lot of focus during the early part of the season. He's done pretty well in the first couple of episodes (and clearly does well going forward), but to me he's still a bit of a non-entity, at least compared to the other three. I suppose he'd be the "cute" one who makes the top five but never wins. I don't expect he'll be the guy to break the streak. But I may be underestimating him.

Odds of winning: 15-1

Danny Gokey - Unlike Kris, Danny did get a lot of attention in the early going, between auditioning with his best friend (who did not make the semifinals) and his tragic backstory (his wife died due to complications from heart surgery). But he sings well enought that he'd probably have made it this far regardless. Paula predicted he'd make the finals, and I can't say that I disagree.

Odds of winning: 6-1

Allison Iraheta - Allison was clearly the best of this season's subpar group of women. That she's made it this far isn't particularly surprising, as (from what I can tell) she's been very consistent and performs well in her rocker niche. Like Syesha Mercado last season, she's well-positioned from a demographic standpoint, as she's not only the lone remaining woman, she's also the only remaining teen and the only non-white competitor still in the field. While that didn't work out so well for Syesha, it may help that Allison appears to actually have a personality.

Odds of winning: 7-1

Adam Lambert - He's the other person Paula put into the final in her early season prognosticating, and despite a scare last week he seems like he'll make it. And while I don't dislike Adam per se, I can't say he's a fave. I'm not a fan of his emoish look, and in close ups I could swear we're looking at someone closer to 37 than 27.

As for his ability, he clearly has the greatest command of his voice. It's just that he likes to take it to odd, screechy places that, while technically impressive, don't do anything for me. But it does get people talking, as noted by his performance of Johnny Cash's "Ring of Fire," done in a style very similar to that used by Dilana Robichaux on Rockstar: Supernova (which Randy Jackson attributed to Jeff Buckley for some reason).

That being said, it seems like Adam tones it down enough in later weeks to get unceasing praise from judges and mentors alike (or at least that's what I've read), so he seems to have the inside track.

Odds of winning: 5-2

Upfronts 2009 - NBC

2009-05-04T13:02:00.004-04:00

It's that time of year again, when the network bring in the advertisers and try to con them into buying air time during the coming year's programming. NBC kicked things off today with an announcement about the shows that will make up its 2009-10 season, but not the tentative schedule (that's coming later this month, which is when most of the other networks are scheduled to make their announcements).

Anyway, here's what the Peacock has on tap.

Old Shows - NBC announced most of their pick-ups earlier in the year, but we did learn that both Heroes and Medium will be back, while Chuck and My Name is Earl are getting the boot. It would not have surprised me if things went the other way around, though, as none of these shows set the world on fire this season.

I'm also interested to see that Law & Order: SVU is back, but there's been nothing said yet about the original. I assume it'll be back, though I could see it being held to plug a hole somewhere.

Knight Rider, Kath & Kim and Life are all also missing from next season's offerings for the time being, though out of the three I figure only Life might find its way back on the schedule, though I doubt it given that they're bringing Southland back.

New Shows - Most notable here is Jay Leno's new show that'll air each weeknight at 10 pm. I can't say I'm particularly interested (I can't recall the last time I watched a full episode of the Tonight Show), but I figure it will do reasonably well, or at least be cost-effective. I still think this is also motivated by NBC's inability to find solid dramas. They're happy to limp along with the L&O franchise and partner with DirecTV to keep Friday Night Lights afloat, but the vast majority of NBC's hour-long shows haven't been the most inspired offerings.

Which leads us to Parenthood, a second attempt at bringing the 1989 movie to the small screen. This one may go better than the first attempt, as the cast includes Maura Tierney, Peter Krause, Craig T. Nelson and Bonnie Bedelia. Ron Howard and Brian Grazer also appear to be involved (or have at least allowed their names to be used in conjunction), so their input may also help. Still, it's a show based on a 20 year old movie. I expect next season we'll get a bold, contemporary re-imagining of Mrs. Miniver.

Still, this looks better than the other three dramas:

Trauma is the latest attempt to center a drama around paramedics, which hasn't been successful since Randolph Mantooth and Kevin Tighe played EMTs on Emergency! - in the 1970s.
Mercy is Grey's Anatomy if the female doctors were nurses. There's even a new doctor for the lead nurse to get entangled with, as if we weren't already sick of the same thing going on at Seattle Grace Hospital.
Day One follows a group of people who all live in the same southern California apartment building when a "global catastrophe" plays havoc with the infrastructure that keeps us alive. I'm assuming the episode where one of the building-mates gets eaten by the others will kick off fall sweeps.

NBC also announced two new comedies. One, Community, is about the wacky goings on at a community college. I'm leery of college-based shows, as they tend not to do well, but this may do OK buried among the other returning comedies. Even if the cast includes Chevy Chase. The other sitcom 100 Questions, is a romantic comedy where the female lead recounts humorous anecdotes that related to one of the titular questions, which make up a survey offered by a dating site the lead is joining. Ugh.

There are also three unscripted shows in the mix, which I won't bother to describe, though one features self-help guru Anthony Robbins. He's either five years too late to the party or will single-handedly revive the reality genre (and I can tell you which way it's going to go on my series of eight one-hour cassette tapes, on sale for a bargain price of $149.95).

Prognosis - somewhat unclear without seeing how the shows are going to be scheduled, but there's not much here to catch the eye.

They're Listening - Sort Of

2009-01-15T11:50:00.003-05:00

While I've not seen any of the new season of American Idol, I am happy to report that Fox did implement two of my suggestions, at least partially. There will be more Hollywood this time around (but no reduction in auditions that I've heard of, though I understand the freak show aspect will be toned down), and they did add a judge, which isn't quite the shake-up I'd hoped for but it's something.

No check yet from Fox for the consulting, though. They must have sent it to my old address.

Worst Coverage Ever?

2008-10-17T13:25:00.002-04:00

As much as I've maligned NBC for their Olympic coverage, I think we may have a new low-point for national sports coverage with TBS and their baseball playoff broadcasts.

My reasoning for this is threefold:

1. Announcers who make shit up. I'm looking mostly at Chip Caray here, as he's tried to foist upon the public the idea that the Red Sox's Dustin Pedroia is nicknamed the Little Pony and that Tampa Bay pitcher James Shields is known as Big Game James. I've not heard talk of the Little Pony at all, and it seems like Shields' nickname isn't familiar to Rays fans, either (based on comments over at Joe Posnanski's blog at least).

(BTW, you should read Posnanski's blog.)

Both nicknames could be clubhouse deals, or players having a bit of fun with the media, but I tend to think it's related to TBS not knowing much about baseball, outside of the Braves.

2. Announcers who don't know much about baseball. Back to Caray, who apparently thought that intentionally walking Jason Bay in last night's game was unconventional. The walk loaded the bases, creating a force out at any base, and gave the Rays a lefty batter to face a left pitcher. That's pretty much what you're supposed to do.

I'm assuming Caray's view came from Drew's stats against the pitcher, but even so you'd still walk Bay in this situation. Unless Drew was 97 for 100 with 89 HRs against the guy.

Seeing how this shaping up, maybe TBS just needs to get rid of Caray?

3. Frank TV. Enough has been said about the relentless promotion of this festering pile of television, but it's enough on its own to pray for the league to reconsider its contract. There has to be some sort of clause that lets MLB void the contract for crimes against humanity.

Bring Out Your Dead

2008-10-07T16:01:00.000-04:00

Do Not Disturb has rung in the new TV season by becoming its first casualty. For those of you who missed it (or as I like to call them, everyone), it was a sitcom set in a hotel that starred Jerry O'Connell. I don't think I need to go into much more detail to get at why it was canceled, do I?

But this does bring up the subject of this year's Ted Marshall Open, the TV dead pool that used to be named for some Z-grade hack actress whose name I apparently can't mention in this context unless I want to get sued. Do Not Disturb was on my list, so I've got 9 shows to go. My entry:

ER - The venerable medical drama gets its send-off, finally. I'm only tuning in if they figure out a way to bring back Mark Green.

Valentine - This CW series crosses Cupid and Melrose Place by putting mythological beings into the real world (well, Los Angeles), where they live in the same building and do whatever it is that Earth-bound gods do.

This sounded pretty craptacular when I first heard about it, and given how it (and all of the CW's new Sunday lineup) tanked upon premiering last night, I'm looking forward to getting reruns of America's Next Top Model back by Thanksgiving.

Do Not Disturb - see above

Harper's Island - I took a chance on this CBS mid-season show about a destination wedding that happens on an island that may or may not still be the hunting ground of a serial killer. I try not to choose mid-season shows in case they never get aired, but this sounded just dopey enough to give a try. Unfortunately for me, the one review I've read of its teaser suggests it's going to be very good.

Crusoe - I've never liked it when NBC has adapted history or literary works for miniseries, so you can imagine my level of dread for turning one into a series. And while it came too late to factor into my decision, I'm heartened by this piece of research noting that Friday night shows have the worst renewal rate of any night. NBC is just 1 for 14 since 1999, so even better for me.

The Ex-List - As much as I enjoyed Elizabeth Reaser's run as Rebecca/Ava on Grey's Anatomy, I'm a little dismayed that she parlayed it into My Name is Earl done over as a romantic dramedy. In this care, Reaser's character goes to a medium and is told that the love of her life is someone she already rejected. So she now has to go through her exes to find out which reject she needs to take back. As quirky as that might sound, I'm not sure that the average person watching CBS on Friday nights is going to take to this.

Lipstick Jungle - For those who want the Sex and the City vibe without, you know, the sex.

Life on Mars - Now here I may have pressed a bit. I went with this show based on a gut feeling that ABC won't be able to adapt the show for American audiences. That and I didn't care for the one promo I saw this summer. Pretty flimsy, really. I am holding out hope that the crowd won't stick around for it, but there's not much competition on Thursday nights. Unless Eleventh Hour turns out to be a bigger hit than I expected (and really, that show would probably be a better choice here).

The Philanthropist - another mid-season, but it's hard to think that a show about a renegade billionaire fighting for social justice will stick. I suppose it has a shot airing against yet another series of The Bachelor, but I'm betting that people will opt to either watch CSI: Miami or go to bed.

According to Jim - adapting a principle from standard dead pools, once you put a show on the list, keep it there until it dies. I wouldn't do this with any show, but at this point the demise of Jim is getting to be a little personal. Probably too much so.

It turns out that six of these shows are among the top ten chose by pool entrants (Mars, Disturb, Ex List, Valentine, Crusoe, ER). So what four did I pass on that others took?

Gary Unmarried - How I passed on a show with Jay Mohr and Paula Marshall is beyond me. These should be free points. But it's in a good time slot (only Bones offers significant competition) and is protected (so to speak) by veteran shows The New Adventures of Old Christine and Criminal Minds. And if last week's numbers are to be believed, the show built on Christine's lead. So maybe I dodged a bullet here?

Knight Rider - thought it may pull in enough nostalgia/kitsch viewers to linger. From what I've read it's not very good, but we'll see if NBC has enough faith in it to keep it going or move it when something else tanks.

Kath and Kim - I was pretty conflicted about this one, as it looks positively awful from the 300 hours of promotion it got during the Olympics. But I feared that this would be one of those cases where I don't get the humor of the show while some broad segment of the population that I'm not in does get it. So I gave it a pass.

The Mentalist - this latest attempt to foist Simon Baker on the viewing public is yet another show where the protagonist has unique problem-solving abilities that may or may not excuse some set of character flaws. It's as if Jonathan Edward starred on House but with less abrasiveness and drug abuse (the show is on CBS, after all). I'd given this consideration, and then panicked a bit when the show premiered strongly, thinking I'd chosen it. But I didn't, and thus avoided the first show to get renewed this season. Good for me.

So Maybe I'll Watch the Emmys Now?

2008-09-23T11:32:00.006-04:00

So, as usual, I didn't bother with the Emmys, and of course they had to go crazy this year and appear to use merit when giving out the awards. So much for my rant about the Emmy love affair with Boston Legal. I could start a rant about their love for 30 Rock, except that it's fave of mine, too.

OK, I did see a few minutes of the awards during a break in football, and caught the tail end of Josh Groban's theme song medley (which I'll have to YouTube), Laura Linney's speech after she won for John Adams (liked the snarky plug for community organizers at the end), and the Laugh-In bit (which was Rob Lowe sings with Sleeping Beauty levels of awful). I can't say I'm sorry to have not watched the show in its entirety.

An open letter

2008-07-28T13:45:00.001-04:00

To: Dick Ebersol, Chairman NBC Universal Sports & Olympics
Re: The upcoming Olympics

Dear Mr. Ebersol,

I am writing with an idea that, I think, will greatly enhance the NBC prime time presentation of the upcoming Olympic Games from Beijing.

There are a number of things that have become standard in NBC's presentation that I've gotten used to. Eight minute segments of a single event strewn over three hours to keep me watching? Check. More personal interest stories than the average issue of People? Check.

But the one thing I have never gotten used to is Jimmy Roberts and his nightly "essays." Simple fact: Jimmy Roberts is not Jim McKay. Never was, and never will be. His voice is too high and nasally, and his presentation can generally be described as unctuous.

I was thinking that, in this year that we lost Jim McKay, it may be better suited to give someone else a turn at making these reports on the background stories of the Games: Morgan Freeman.

Have you seen the ads he's voicing for Visa? They cover some relatively well-known Olympic territory - Kerry Strug's one-legged vault and Derek Redmond's dad-assisted 400 meter run - but are given new life by Freeman's majestic delivery. And have you seen March of the Penguins? The man can deliver the goods, and should get to do so from Beijing. Heck, even let Roberts keep writing the segments, if that'll help.

I know time is short, but if you can swing this I think it'd be well-received by all parties. Well, maybe not from Roberts.

Anyway, hope things go well for you, and thanks for the expanded coverage on the cable networks. It's invaluable for people like me who like to actually watch an entire event from start to finish.

Best,

Mark

The Emmys are actually good for something

2008-07-22T16:24:00.004-04:00

So the Emmy finalists were announced last week, and for all that I don't care about them I was taken with the haul of nominations for Mad Men, the AMC show about 1960s ad execs. So when the network ran a marathon over the weekend, I figured I'd sample.

I didn't watch more than an episode, sad to say, but I liked what I saw. Off to find the DVDs!

Ending on a High Note

2008-05-23T09:13:00.004-04:00

It says something about this season of American Idol that the most genuine and surprising moment was its most important one. I won't get into the meaning of David Cook's upset of presumptive Idol David Archuleta, but rather how this made the rest of the season look by comparison.

For all the talk of this being the most talented group of finalists ever (which, of course, is said every year), it was certainly the least interesting group of finalists ever. I never felt like there was a specific performance that stood out. While people on the show still talk about Fantasia's rendition of "Summertime" or, on the flip side, Sanjaya's attempt at "You Really Got Me," there's nothing in this season that we'll talk about in the same way.

I think too that having a group that was so professional didn't help, either. The emergence of new talent is one of the few genuinely interesting aspects of the show, especially when it takes a bit of a sideways turn (Soul Patrol!). This season, contestants were fully formed, and rarely grew (or shrank) before us.

And with the ratings taking a dip from past seasons, it's an open question whether viewers were disinterested in this group or in the show as a whole. Either way, it's probably time for a change. Which leads us to:

MAKING IT BETTER: American Idol

Herewith are five suggestions for pumping some life into the franchise:

1. Fewer wacky auditions, more Hollywood - I've never enjoyed the Bataan death march of wacky auditions. There's a thick dark line between the truly entertaining awfulness and the poor saps the show sets up for a fall, and the more Fox jumps over it the more obvious it is that they're milking things.

I'd take a couple hours of audition coverage and move it to Hollywood. There's more drama there, and there'd be a greater opportunity to even out coverage time among contestants.

2. Shake up the judging panel - the predictability of this group was more evident than ever this season. From Randy's continued focus on pitch problems to Simon's negativity to Paula taking up residence on Neptune, the judges added even less to the show this season than usual.

Rather than give them some input on voting, a la Dancing With the Stars, I'd suggest rotating judges out for certain weeks, or even rotating Randy or Paula out for a full season (or more). One of the few fresh things about America's Next Top Model's judges has been the transition from Janice Dickinson to Twiggy to Paulina Porizkova, each of whom has brought something different to panel. My suggestion: replace Paula with Toni Braxton, who is somewhat less crazy than Paula and could use the work.

3. Introduce a number to vote against a contestant - set up a toll number where viewers would call and select from a menu the contestant they want to vote against. These votes would be subtracted from each contestant's vote total. Donate money from these calls to Idol Gives Back to give the negative a positive spin.

4. Restrict the use of instruments - rather than have half of the contestants rooted behind an instrument, give them four chances to play along over the course of the finals. And to make things more interesting, they can only use the same instrument in three of the four performances.

5. Take a season off - it may be time to give America a breather and let the talent pool refresh a bit. So rather than get all new contestants next season, go back and open things up to any contestant who made it to Hollywood but was not a finalist. Bring back Frenchie Davis, the Brittenum twins, and that kid this year who always wore a tie. Fans always have a couple of favorites who didn't make the finals, so this may reinvigorate the fan base a bit.

Upfronts - Fox

2008-05-17T17:21:00.004-04:00

Fox introduced five new shows, two of which will likely be the most talked-about going into the season, given who's involved.

What's gone? - no real surprises, as most of last season's new shows were cut.

What's back? - Kitchen Nightmares and Terminator: The Sarah Connor Chronicles are back. Marginal surprises both, as the former wasn't as good as the BBC original, and the latter didn't quite have the ratings Fox was hoping for.

All the older shows are back, with Bones and House moving in 2009 when American Idol comes back. Kudos (for now) to Fox for cutting the Idol results show to a half-hour, but I fear it'll bloat back to an hour given the "to be announced" slot that's currently after it.

24 will also be back in the fall with a two hour prequel of season 7, whetting our appetites for another crazy day with Jack Bauer.

What's new - Five shows, two with notable creators. Dollhouse comes to use from Joss Whedon of Buffy fame. It focuses on people who are being used by a shadowy organization for a variety of missions, after which the agents have their minds wiped clean and reprogrammed for their new mission. Buffy alum Eliza Dushku stars. As it's the lead show from 24, expect a quick hook if it can't deliver ratings.

The other notable show is Fringe, J.J. Abrams' latest show to involve an airplane flight turned sinister. In this case, the flight arrives at its destination (Boston, woo!), but all the passengers and crew have died in grisly fashion (first mystery - how did the plane land?). This sets of an investigation that's more than it seems, etc. Joshua Jackson (known to most as Pacey from Dawson's Creek is the most notable cast member, playing the son of a mentally unstable genius who becomes part of the investigation.

From what I've read the pilot for the show cost $10 million, so it better be pretty damn good. It should help that Fringe will follow House and Idol during the year.

Fox's latest sitcom to avoid seems to be Do Not Disturb, a hotel-based show starring Jerry O'Connell. Between the DOA Welcome to the Captain and O'Connell's flop turn on Carpoolers, this sounds probelmatic from the go. It'll follow Til Death on Wednesdays, though both follow Bones, which makes this an odd night (and one that will likely disappoint if the shows do all get transplanted to Friday in 2009, though I expect this one to be gone by then).

Secret Millionaire will follow Hell's Kitchen on Thursdays in 2009. It will take rich people and move them into less affluent areas, where they'll try to live on minimum wage and become involved in their communities. At the end, they'll decide what people or groups are worthy of getting some of their fortune. It's like an ambush version of Oprah's Big Give, but with it being on Fox I somehow expect that it will explot the poor more than help them.

Sunday's animation block brings two new shows - Sit Down, Shut Up is about the staff at a high school whose personal lives come before the kids. It's from the Arrested Development folks, so this may be pretty interesting. The other offering is The Cleveland Show, which puts Cleveland from Family Guy moves from Quahog to Stoolbend, Virginia to reunite with an unrequited love. It can't be worse than American Dad, even with the likely hillbilly jokes.

Prognosis? - Fox will do fine with its existing shows, and I figure at least one of the new high-profile dramas will do well, though both may stick if fans of other Whedon/Abrams shows come along. I'm less high on any of the comedies, though the animated shows should both last for the season at least. I'm a little irritated that Bones may get shunted to Friday, though I expect something will get canceled to open up a spot somewhere else.

Upfronts - CBS

2008-05-14T13:18:00.004-04:00

Hard to believe, but the Eye will premiere more shows next season than ABC. Of course, it's only by one, and CBS isn't clogging its schedule with dancing.

What's gone? - Buy your peanut futures now, as Jericho is once again canceled. I do not expect another miracle save. Shark takes the ultimate sophomore slump, while first-year shows Cane and Moonlight either were strike casualties or weren't that good, depending on how you want to spin it.

What's back? - No major surprises here, though the mid-season return of Rules of Engagement puts the last nail in the coffin for my dead pool entry. Some of the dramas look like they've moved, but I can't say I watch much CBS to know for sure. Nothing looks egregious, though I'm not sure that The New Adventures of Old Christine is strong enough to lead off on Wednesdays.

What's new? - Three hours and two half-hours. The hours:

The Mentalist is about a celebrity psychic turned detective who uses his powers of observation to ferret out killers. Like Ghost Whisperer, but with smaller boobs. It's on between NCIS and Without a Trace, which I suppose makes sense given the crime-solving aspects of all three shows.

Eleventh Hour follows a governmental special advisor who investigates "scientific crises and oddities." So it's The X-Files without Scully. But it's on after CSI, so it should get some viewers.

The Ex-List is about a woman who decides that her future love interest is actually a guy from her past, so she goes through the titular list to find him. It stars Elizabeth Reaser, better known as Rebecca/Ava from Grey's Anatomy. It's on after Ghost Whisperer, setting up a femme-friendly Friday that Numbers doesn't seem to fit into. Unless Rob Morrow is the CBS analogue of Patrick Dempsey.

The half-hours:

Worst Week is about a guy who causes problems every time he's around his girlfriend's parents, who don't care for him (for obvious reasons). Nothing special here, though if Kurtwood Smith can bring Red Foreman to the present day, I'm in for at least a couple of episodes. It's the last show in the Monday comedy block, and should already be picking out gifts for Two and a Half Men's lead-in.

Project Gary features a couple who, now divorced after 15 years of marriage, must work around each other as they raise their kids and get back into the dating game. DEAD POOL ALERT: the show stars Jay Mohr and Paula Marshall, which means it may just get canceled during the first commercial break of the first episode.

Oh, there's also the new mid-season drama Harper's Island, where a destination wedding turns into a murder investigation. Who has a destination wedding on an island that had a serial killer run amok, even if it was seven years ago?

Prognosis - Meh. CBS is as CBS does. I don't expect anything to really take off or tank, though I don't have a lot of faith in any of the new shows.

Upfronts: The CW

2008-05-13T23:18:00.003-04:00

A few changes to report on at the WBUPN, most of which will not concern you unless you are under 25, deeply into fashion, or a media business nerd.

What's out? - Girlfriends is the oldest show to get the hook, while Beauty and the Geek gets the hook at least one season too late. Aliens in America is also toast, a bit of a strike casualty I think. Then there are all the generically-named shows like CW Now and Online Nation that no one could tell apart.

What's back? - Among last year's new shows, Gossip Girl and Reaper managed to stick, with the latter coming back in midseason. Gossip Girl will team with One Tree Hill on Monday, Smallville and Supernatural will hold down Thursday, while Everybody Hates Chris and The Game are banished to Friday.

What's new? - Tuesday brings one of the more talked about shows with 90210, a return to the teens of West Beverly Hills High, hopefully with actors whose ages are closer to 20 than 30. Jennie Garth will have a recurring role, the only link to the original. It's paired with Surviving the Filthy Rich, the story of an Ivy-educated journalist who gets fired and becomes the tutor/nanny for a rich family's girls. It's based on some chick lit book I've never heard of, which isn't a shock as I'm not exactly in the genre's target demo.

Wednesday will pair America's Next Top Model with Stylista, another Tyra Banks reality show which lands on the other side of the camera as it seeks to find an up and coming editor for Elle.

Sunday's lineup will no longer be reruns (Friday gets an encore of ANTM, though), but instead will feature shows from Media Rights Capital, an independent producer of movies, TV and new media content. The announcement pushed the idea that this allows the CW to focus on weeknights, with an emphasis on Friday as an important night for "retailers and marketers with a weekend product push." Friday night seems a little late to push things for the weekend, but I'll allow them their spin. I'm sure the CW's inability to program Sunday in the past has nothing to do with this.

Prognosis? - Great, if you're a 14 year old girl. 90210 may intially bring in some parents who remember the original, but I'm not sure there'll be enough nostalgia to keep them around. Thursday and Friday seem like the nights with the most potential for a diverse audience, but I don't think they can compete on either night (though Friday is pretty much a wash for everyone). I don't expect this lineup will see the CW break out of netlet status, but it's going to really work for the CW's core viewers.

Upfronts - ABC

2008-05-13T11:17:00.002-04:00

Remember when ABC took the pasta approach to programming and threw a dozen or so series against the wall to see which one or two would stick? Well, those days are over, at least for now (or they've transplanted that approach to summer, given the 392 reality shows they appear to be launching). Only four new shows have been announced for next season, so if you liked something ABC had on this year, you'll probably get to see it next year.

What's gone - Unless, of course, you liked any of the following: Men in Trees, Women's Murder Club, Big Shots, Carpoolers, Cavemen, Notes from the Underbelly, Cashmere Mafia, Miss/Guided, October Road or Oprah's Big Give. Not much to miss there, but I thought that Miss/Guided was worth a renewal, at least moreso than According to Jim, which continues to taint my dead pool.

What's back? - Of the established shows returning, Eli Stone is the only real surprise, surviving its mid-season launch to get picked up for next year. Also coming back - though not to its original network - is Scrubs, which will make its ABC debut at mid-season.

And as much as I didn't like to see Jim return, I'm downright puzzled about The Bachelor coming back. It should have been put to pasture a long time ago.

What's new? - Not much, as ABC only announced two new shows for the fall and two for mid-season. For the fall, we'll get Opportunity Knocks a reality/game show where the show surprises a family at home and then quizzes people on how well they know each other. Meh. The other fall show is the US version of Life on Mars, a British drama where a current-day cop is transported back to the 1970s. I'd always meant to watch this when it was on BBC America, and will probably give its American cousin a go.

For mid-season, there's The Goode Family, a Mike Judge-animated show about a family that tries to, well, do good (by recycling and the like), with humorous unintended consequences. We'll see. The other show is an untitled "beauty pageant unlike any you've ever seen," from the genius pairing of Ashton Kutcher and Tyra Banks. How this escaped the CW I'll never know.

Prognosis? - Good. ABC didn't mess with Sunday or Thursday at all (other than putting Life on Mars on after Grey's Anatomy, which can't hurt), and Monday and Tuesday still have Dancing With the Stars to bring in viewers. Wednesday is the biggest test, as ABC will get to see if Pushing Daisies, Private Practice and Dirty Sexy Money can build on their strike-shortened seasons.

Upfront 2008 - NBC

2008-05-12T16:14:00.005-04:00

Combine a sputtering economy and a writer's strike which limited the number of pilots, and you have what's shaping up as a lame upfront season. NBC didn't help matters by ditching the traditional upfront presentation, going instead with smaller presentations in April they called "infronts" and by having something today called the NBC Universal Experience. I'm assuming cotton candy and pony rides are involved.

In any case, if this is any indication, NBC may have been smart to lay low. The basics:

Who's gone? - Las Vegas leads a slew of new shows (like Bionic Woman and Journeyman) and game show/reality offerings (like 1 v. 100 and The Singing Bee) into the abyss. It'll also become more clear tomorrow if Scrubs is done or finally moving to ABC.

What's back? - Everything you'd expect, plus Lipstick Jungle. ER is back for what is being called its final season. Finally.

Oh, and The Apprentice is back, too. No word on it being its last season, unfortunately.

What's new - Nothing that looks likely to get the Peacock out of fourth place. For scripted shows there's the trio of Merlin, Kings and Crusoe, all of which seem like they were stolen from Sci-Fi. None sound particularly compelling, though Merlin may pick up some cult TV fans with the casting of Colin Morgan (from Dr. Who) and Anthony Head of Buffy fame.

The most notable hour-long show is probably My Own Worst Enemy, which stars Christian Slater as a man whose two personalities - one a dull suburbanite, the other some sort of genius secret agent who can kill with his teeth - begin to cross over into each other. I'm thinking there'll be less interest in the concept than in Slater's involvement.

The other two hour-long shows are The Listener about a paramedic who can read thoughts (pass - I'll wait for Matt Parkman to get back to work on Heroes) and The Philanthropist, which is about a billionaire who uses his money and connections to directly help people. This show originally involved Tom Fontana and Barry Levinson of Homicide fame, but both have left the show due to the network moving the focus of the show away from social issues to more escapist plots. At what point do these two just stop trying to work with NBC?

For sitcoms, there are two options: an as-yet untitled spin-off of The Office and the US version of an Australian show called Kath & Kim. The former doesn't seem to actually involve any characters from The Office; it's more of a spin-off for Greg Daniels. The latter stars Molly Shannon and Selma Blair as a mother-daugter pair who are now living together after the daughter gets divorced. Snore!

There's lots of reality junk, too, from a show that seems like it's been ripped off from BBC America's Last Restaurant Standing to a show that seems to follow the day to day exploits of Howie Mandel. That has to be a joke, right?

I will say I have some interest in Who Do You Think You Are?, which will take a new celebrity each week and look at their family tree for interesting stories. It may only appeal to geneaology nerds like me, but I'll take it over Ryan Seacrest's new show looking for momma's boys.

Prognosis? - It's hard to make this call without seeing the other networks, but I have a feeling there won't be night that NBC won't be getting its ass handed to it. Monday and Thursday look like the nights where things will go least poorly, though the post-football Fantacrap Sunday (Merlin, Medium, Kings) may be different enough to pull in some viewers.

Three Guys a Girl and a Singing Place

2008-05-02T09:44:00.004-04:00

We're down to the final four contestants on American Idol (you can thank me later for not writing about contestants five through 24):

David Archuleta has been the once and future Idol pretty much from the start. He's not been in the bottom group at all, and will likely not face elimination until the finals. He's a 16 year old who likes to sing inspirational songs, so he gets love from pre-teens and grannies alike. Or at least those who aren't sick of his weekly dose of hope, love and dreams. That and his sometimes irritating naivety may be the only thing that can do him in.

Odds of winning: 1 to 4

Jason Castro is living proof that you can wear dreads and live in Texas without someone named Joe Jack trying to beat you to death with a tire iron (although he's from what looks to be a Dallas exurb, which may not have as many good ole boys as it once did). I'm not a fan of the dreads, but they do draw attention away from his nose, which is a point for those who say that things grow bigger in Texas.

Castro is a bit of a hipster doofus, appealing to the Jack Johnson crowd with his penchant for performing only with his acoustic guitar (or, once, a ukelele). His performances are often compared to late-night dorm sing-alongs or other settings which suggest a certain herbal mood enhancement. He winds up in the bottom group on occasion, thanks to a limited vocal range and the occasional odd song selection (his choice of "Memories" during Andrew Lloyd Webber week stands out). I can't see him making it past next week, and am a little surprised he outlasted a couple of the more recently-dispatched women.

Odds of winning: 25 to 1

David Cook is this year's rocker, though he's only about 70 percent as rock (or as pretentious) as Chris Daughtry. He's also taking the Blake Lewis/Chris Sligh approach by rearranging songs to fit his style, though not hitting the Lionel Ritchie-as-Coldplay depths thanks to mostly using existing arrangements (such as Chris Cornell's version of "Billie Jean"). And, like Daughtry, he's the finalist who could put out an album next week if he had to.

Unlike Daughtry, Cook will make the finals. And even though he'll probably lose, I think he'd be happy with continuing the Daughtry comparison through his debut album, at least.

Odds of winning: 8 to 1

Syesha Mercado is the last female contestant standing, which is pretty impressive for someone who has no discernible personality. She's pleasant enough, and fits the traditional diva role well enough, but otherwise she's a bit of a cipher. We know she acts a bit, and can mimic a crying baby pretty well, but beyond that it's like a shadowy government agency has deleted her past.

Mercado is also the last African-American contestant standing, so if you put much stock into gender or ethnic voting blocs you can make the argument that she'll be in the finals. I don't think that'll happen, but you never know. Not that making the finals would help her, as Archuleta is a better diva than she is.

Odds of winning: 11 to 1

Two Apologies

2008-04-05T21:58:00.002-04:00

1. To the three people who probably check this site on any basis, as I've been very neglectful towards posting anything. I'll work to rectify this, though it may be tough given that we're in kind of a dead zone with shows beginning to trickle back on with new episodes.

2. To Chris Parnell, for not being particularly favorable towards your work based on Saturday Night Live, which was based less on what you actually did and more on my general lack of interest in the show. Your work on 30 Rock and Miss Guided changes things quite a bit.

(On a related note, I did manage to catch two episodes of the latter show last week, and I thought it was pretty good. Certainly better than most of the sitcoms ABC threw at us this season, and more worthy of a shot at a full season in 2008-09, too. Then again, I also have kind of a thing for Judy Greer, so take that bias for what it's worth.)

Not a Sympathy Strike

2008-01-29T17:27:00.000-05:00

How to explain my absence here? Simple: laziness. I've been watching TV, but just not writing about it. It's been pretty boring, truth be told, as our DVR backlog delayed any meaningful entry into the new season until recently.

About the only thing of note is that I've become a very late convert to The Amazing Race. Caught an episode over the holidays and watched from there on out.

For scripted stuff I have nothing to add other than excitement over the return of Lost this week. Well, I will add some disappointment with the current seasons of House and Grey's Anatomy. I'm more irritated at the latter, as I figure House has one story line per year that irritates me, and this year it's the hunt to replace the Cottages (tm Television Without Pity).

I do find myself watching more news of late, especially election coverage. I want to hit Wolf Blitzer every time he refers to the CNN panel of talking heads as the greatest political team on television. That or cry on the off chance that he is, indeed, correct.

New on TV Kitchen Nightmares

2007-10-07T14:13:00.001-04:00

The success of Hell's Kitchen on Fox led to this American version of Ramsay's Kitchen Nightmares, which has been running on BBC America. I was concerned about Fox doing the US version, given that it's a show that perhaps doesn't need a dose of that Fox attitude.

Based on the first episode, my concerns were only partially allayed.

On the positive side, the show mostly follows the original's blueprint. Ramsay shows up, tries some of the food, watches the workings of the restaurant for a day, and then makes changes. But the way this plays out is wrong. More time was spent showing the staff arguing or the hotheaded restaurant manager looking to fight bill collectors than on talking about turning the restaurant around.

When that does start, the show then gets too Extreme Makeover by springing for new kitchen appliances. The original never did that, and my take is that it allows the manager to get away with the poor decisions he'd previously made regarding the kitchen. I suppose it should be comfort enough that he finally learned that he was the restaurant's biggest problem.

The way the show was put together reminded me of Nanny 911 more than the original of this show. I think it's the production and the voice-overs. Or perhaps it's all the yelling.

Oh, one change that I did not like is that they don't go back to the restaurant to see if the changes had stuck and how the restaurant was now faring. Could be that they taped too recently to do this effectively, but that's an interesting part of the original that they should have kept.

It's not a bad adaptation, but I wish it was more like the original.

New on TV: Merv Griffin's Crosswords

2007-09-26T16:30:00.000-04:00

I caught this pretty much by accident last week (it's on during the dinner hour on the MyTV affiliate in New Hampshire), and it was interesting, if not particularly compelling.

A group of five contestants try to solve a crossword puzzle, with two contestants playing for money and three others acting as spoilers. If the spoiler gets a word correct, they can choose to replace one of the money contestants, who then moves to the spoiler's podium. So if you like marginal word games and lots of walking, this show is for you!

At the end, the player with the most money gets to play the bonus game, which is 90 seconds to complete the puzzle. It's enough time, though the rigamarole that the contestant has to go through for each word - say the clue number, host repeats, screen zooms in on word, host reads hint, player gives and spells answer, host verifies - there's a lot of time lost in process.

The big prize was a trip to Mexico, which harkens back to the great syndicated game shows of the 1980s. If only AMC were still around to give away Eagle station wagons to five-time champions.

So no, it's not a great show. It's better than the likes of Starface, though.

The South Shan't Rise Again

2007-09-26T16:27:00.001-04:00

We have our first casualty of the new TV season, as Fox yanked Nashville after just two airings. Given its similarity in set-up to the youth-oriented Laguna Beach, I'm not sure why Fox put this show on Friday nights, when most of the young people are out doing stuff.

This is one of the shows I skipped over in the LaPlaca in favor of shows like Cane and Rules of Engagement, both of which did well in their season premiers this week. I am not going to do well this year.

New Season, New Losers?

2007-09-17T09:15:00.001-04:00

As a new season gets into gear tonight, let's take a look at the shows whose demise I've predicted in the LaPlaca Open, ranked in order of bonus points I'll get if the show gets the axe:

10: Carpoolers - I've read nothing positive about this show, and the promos on ABC have not been helping. It also features Jerry O'Connell, who I don't exactly think of when it comes to comedy.

The one saving grace this show may have is that it's not up against any blockbusters. And if Cavemen manages to draw people in, it may survive as the bridge into Dancing With the Stars.

But I don't think so.

9: Moonlight - It's bascially Angel for the moms of that show's fans. That or this show about a LA vampire turned detective is just an amazing coincidence.

Fridays are pretty quiet to begin with, so I'm not sure how this will fare against the praised but lightly sampled Friday Night Lights or ABC's new female-centered line up of Women's Murder Club and Men in Trees.

8: New Amsterdam - more immortal crime fighters, but this time a NYC cop whose been living for hundreds of years. Fox pushed this back to mid-season, which suggests a lack of confidence and, hopefully, a mid-season burn off.

7: Lipstick Jungle - another mid-season pick, not sure why I went with it other than it seems awful late in the game to try to rip off Sex and the City. For now it looks like it's going to take the Sunday at 10 spot for NBC, which seems an odd replacement for Sunday Night Football.

6: Cavemen - I thought there was a rush to judgement on this show based on its genesis from Geico ads, but when the negative press continued based on early show reviews, I figured I'd jump in. Novelty may keep this afloat for a while, and I hope we don't have a repeat of Til Death where enough people watch to keep the show going until it finds itself.

5: Rules of Engagement - kind of desperation pick, really. I'm hoping it gets lost between Heroes and 24. I should have gone back and taken a shot at Notes From the Underbelly.

4: Scrubs - I didn't read that this was an official last season, so I got uck here. Just didn't rank it highly enough.

3: According to Jim - yes, I went back to the well. It can't live forever. Can it?

2: Cane - kind of counter-intuitive, given the growth in Hispanic programming, but reviews are pretty marginal, and I'm counting on the desire not to watch crap transcending ethnicity. It has to, otherwise we'd still be stuck with Freddie.

1: Chuck - a total guess here, based on what reviews I could find. Could work with Heroes, perhaps by cutting that show's bombast with some humor.

Popular picks I didn't make:

Viva Laughlin - really should have gone with it. The bizarre factor will only keep it on the air for so long.

K-Ville - I have hopes for this show, given that it's not set on either coast and has a cast whose diversity isn't the obvious by-product of a marketing team. I do worry that Fox will make it more about swamp boat chases and New Orleans atmosphere than anything else.

Samantha Who - passed because it had a couple of decent early reviews and it has a nice time slot - at least for the fall. It may fade when it starts sharing Monday with Wife Swap rather than Dancing With the Stars.

Life - a cop unjustly sent to prison uses his experience when he rejoins the force after being released. It does have a very tought time slot, as Wednesday at 10 already has CSI: New York and the new Dirty Sexy Money.

Nashville - given its tankalicious debut last week, a clear miss for me.

What I Watched On My Summer Vacation

2007-09-05T13:13:00.001-04:00

With the new season around the corner, figured it was high time to, you know, post something.

My plans for the summer, TV-wise, was to catch up with the backlog of recorded programs. That hasn't gone quite as planned, as we're only now up to the final finale for The Apprentice and are a good three or four episodes remaining on our other regular shows (most recent shocking plot twist: Mrs. McCluskey has her hubby stashed in her basement freezer on Desperate Housewives).

What's been slowing us down is our real-time (or close to real-time) summer viewing. Lots of food-related programming here - Hell's Kitchen, Top Chef, Ramsay's Kitchen Nightmares and Dinner: Impossible. The wife also worked through all 700 hours of So You Think You Can Dance, most of which I was spared by the new placement of the computer relative to the TV.

Nerd programming also slowed us down, as we got through Simon Schama's The Power of Art while we have several History Detectives waiting for eventual viewing. I have solo nerd duty for Eureka, which I think I've enjoyed more this season than last.

We've had to pass on most other summer offerings, including a short-lived attempt to record Damages for future viewing. Sorry, Glenn.

This summer has proved to me, more than any other, that there is no more off-season for TV. I may never catch up.

Curses! Foiled Again!

2007-07-26T16:45:00.000-04:00

It's old news by now, but given the ratings for the show I'm sure many didn't notice that According to Jim got picked up by ABC for next season. This was kind of a surprise, especially as there was some thought that Courtney Thorne-Smith was leaving the show.

I stop to mention this here because, for the second time in my life, According to Jim has been a stumbling block for me in the LaPlaca TV dead pool. It's not that big of a deal this time around - ABC's renewal of both Men in Trees and Notes From the Underbelly did me in well beforehand - but it was a rather nasty parting shot from the Alphabet Network nonetheless.

It must be something about family-oriented sitcoms. The very first year of the pool my lone miss was Yes, Dear, while the following year I took Reba and my first pass at Jim. I won't get into the year where I bet heavily on longer-running shows (Drew Carey, Becker, and Friends) and took it on the chin.

In any case, I can guarantee that of the 10 shows I submit this year, According to Jim will not be among them. I clearly am not the man to bring Belushi down.

More fun: the show or the sniping?

2007-06-16T16:33:00.000-04:00

You would have expected a TV blog to comment on the end of The Sopranos in a more timely fashion than I am, but my late entry into the topic is explained by a simple fact.

I've never watched a full episode of the show.

Two pretty simple reasons for this: one, I'm too cheap to get HBO, and two, I've not watched half of the DVDs I have now to take on a new show. That being said, I know tangentially about the show, but wasn't really in the same mode as many people when the last episode cut to black. And I'm really not in the same mode as those who have vented their spleen at the lack of "payoff" in the show's open-ended ending.

But I have enjoyed the griping, such as this discussion at TV Barn. And I've gotten to enjoy it for free, saving the untold hundreds of dollars I'd have spent on HBO over the run of the show. So I should at least thank David Chase for that.

I can't really say if I'd have been mad at this ending were I a fan, but I will say that I was disappointed with the Homicide movie that was made to wrap up that series. Perhaps there are some stories that aren't meant to end cleanly.

It worked?

2007-06-08T10:34:00.000-04:00

Fan protests rarely bring back a show once cancelled, and the various histrionics used in the attempt are, at best, fun to watch. You'd think after the annual rite, fans of cancelled shows would get the hint and, rather than create Internet petitions, sit quietly and wait for the DVDs.

Don't expect that to happen any time soon, now that fans of Jericho have apparently convinced CBS to bring the show back on a limited basis next season.

I'll admit to being one of those people who got away from the show after its mid-season vacation, always planning to catch up with episodes on Comcast On Demand but never quite doing so. I don't feel like I've missed much, but with this announcement and a summer with mostly reruns, I figure I'll get back on board. The only question is will I fall back off between September and whenever the show actually returns?

Water Cooler Talking Points: Lost

2007-05-24T09:36:00.000-04:00

1. BOOM! - the surprise plan against the Others only partially works, as Jin misses his target. Sayid, Bernard, and Jin are captured, and the Other in charge threatens to kill Jin unless someone fills the Others in. Bernard cracks, and tells them that Juliet and Carl had tipped them off, and that the main group is headed towards the radio tower. They radio to Ben, who upon learning all of this decides to cut off the castaways before they can reach the radio tower and send their distress signal. He takes Alex along, planning to cast her away with the others for her role in sending Carl as a warning.

2. Down the hatch - Charlie is getting slapped around and interrogated by the women in the Looking Glass, as they try to figure out what he's doing. He pretty much tells them, and as they argue in private Desmond come up through the moon pool, chased away from the canoe by Mikhail, who is shooting at him. Mikhail, for his part, is there to check on the situation, and is ordered by Ben to kill everyone. He only gets partway through when Desmond comes out of hiding and shoots a spear into his chest.

3. Meet you at the tower - Ben does cut the group off, and tries to convince Jack that he has to confiscate the satellite phone because everyone will die if Jack allows the rescue to happen. Jack says no, and Ben orders the deaths of Jin, Sayid, and Bernard. We hear three shots on the walkie. Jack beats the crap out of Ben, and goes back to the group.

4. Now I want a Sunkist - before Bonnie (one of the Looking Glass ladies) dies, she tells Charlie that the code to disable the jammer is set to the tune of "Good Vibrations" by the Beach Boys. Good thing he's a musician. He punches in the code while Desmond gathers diving equipment. Charlie is successful, and immediately a transmission comes in - from Penny! She learns that Desmond is there, even though Charlie doesn't know where they are. He does learn that the boat that Naomi came in on wasn't sent by Penny. That's about all they have time for, as Mikhail (who escaped through the moon pool) shows up at the porthole with a grenade. He blows the porthole open, and water rushes in. Charlie seals himself in the room, saving Desmond but killing himself - but not before he writes a warning on his hand that the boat isn't Penny's.

5. Back to the beach - Upon the failure of the beach surprise, Kate wants to go back to save their friends. She asks Sawyer to join her, but he passes and tells her not to go. Surprisingly, not soon after he tells Jack he's going back. Kate is annoyed, and then moreso when Juliet joins him. She says she can get guns from a cache on the way. She kisses Jack before leaving; Jack will shortly afterwards say that he didn't let Kate join them because he loves her. Nice mixed signals! Anyway, Hurley tries to join Sawyer and Juliet, but is rebuffed due to his size. Not to be dismissed, Hurley actually saves everyone by using the Dharma van he found to storm the beach and run over the Others. Good thing, too, as Juliet was lying about the guns.

6. We're saved? - Once Charlie shuts down the jammer, Naomi gets a signal on the phone. She dials, but doesn't get to do much else before she dies - from a knife thrown into her back by Locke! (Earlier, while in the pit, he finds a gun with which he's going to kill himself, given his wound and the returned paralysis in his legs. Before he can do that, he sees Walt(!), who tells John that he can't kill himself, as he has work to do.) Locke tells Jack pretty much the same thing that Ben said, but Jack isn't buying it. Someone finally picks up, confirms that they can lock in on the phone's signal, and rescue them all. Well, except for Locke, who slinks off into the woods, and Rousseau, who had said earlier that she wasn't leaving.

7. Flash-what? - throughout the episode we get flashbacks of Jack, who is bearded and rapidly falling apart. His descent begins (appropriately) when he's flying into LA on an Oceanic flight, and when given a newspaper instead of another drink, he learns that someone has died. He takes the news badly, and plans to jump from a bridge - but he winds up saving a woman and her son from a burning car wreck (which he kind of caused). We watch Jack get worse up to his going to the funeral for our unnamed corpse, and it turns out Jack was the only mourner. After several aborted calls during the flashes he finally talks to the person he wants, and sets up a meeting at the airport. Turns out he was calling Kate - and that the flashbacks are actually flash-forwards! Jack tells Kate that he's been using the free flights Oceanic gave the survivors, going to Asia or Australia every weekend in the hopes that the plane will crash and he'll get back to the island. He's now firmly on board with the idea that they weren't meant to leave when they did. She's less impressed, and tells Jack to move on. She then says she has to get back, as someone is expecting her. Not sure who that is, or who the dead person is (though Jack was surprised that Kate didn't go to the funeral, so it's clearly an island person).

I have to imagine that this is going to be a very different show when it comes back in January.

Finally, the Finale

2007-05-23T16:29:00.000-04:00

A rather brisk American Idol final will give way, predictably, to a bloated results show tonight, but unlike the last couple of seasons, I don't think there's much predictability to who will win. I agree with Simon's end of show analysis that Jordan had the better night, but Blake had the best individual performance with his reprisal of "You Give Love a Bad Name." I won't go into the "official" song, a piece of light pop turd called "This is My Now" that sounds like something Dianne Warren would dislodge when she flosses. It's a perfect compliment to the other crappy "official" song.

That being said, I think Jordin is going to win. I'd not be particularly surprised if Blake won, but I don't see it happening. Jordin sings well enough to win the singing competition, and is personable enough to withstand the personality contest aspect of the show.

New on TV: National Bingo Night

2007-05-22T12:35:00.000-04:00

I was prepared to hate National Bingo Night. And, in reality, it gave me plenty of reasons to hate it:

* The insufferable Aussie host, Ed Sanders. He CAN'T. STOP. YELLING.

* Awful editing, most notably in the whiplash-inducing jump cuts that seemed to crop up every 8 seconds or so.

* The continuation of the "stupid and hyperactive" school of contestants.

* The lack of forethought in trying to build suspense, such as when the host would talk about possible bingoes when, based on the numbers pulled, no one could be even one number away from a bingo.

* NBN "Commissioner" Sunil Narkar. At worst, he's a stereotype. At best, he's the commissioner but is also forced to be a referee and roam the crowd ruling on bingoes. Fay Vincent didn't even get treated this badly!

But it also gave me some reasons to like it:

* It's at least not the same glacial pace as NBC's game shows. This not only helps the hour move along, but it also helps the contestants seem less Ritalin-deprived than their NBC counterparts. At least on National Bingo Night, the screaming fits the overall tone of the show.

* The games were fairly interesting, though too convoluted. I'm thinking here of the game where the contestant had to guess if the ball coming down the chute had a red or black star on it. That was fine, but correct guesses correlated to some sort of wedding set up that the prop department spent at least five bucks to put together.

* NBN "Commissioner" Sunil Narkar, whose call of "no bingo" may be the closest we have to a catch phrase from the 2006-07 TV season. Which is sad.

Really, this seems like something Network 23 would have put on the air on an episode of Max Headroom. Actually, considering that that show was on ABC, they may have gotten the idea for the show from an unused script. It's a loud, obnoxious mess whose only reason for watching - to try to win prizes - is obviated by the ability to get winning numbers off of ABC's website after the show airs. Don't bother.

Upfronts: Fox

2007-05-21T12:14:00.001-04:00

First, apologies for the delay on this. As hard as it is sometimes to follow Fox's scheduling, personal lethargy is mostly to blame.

What's gone? - no surprises here, really. If it was on hiatus, it's gone. We'll get some burn off this summer from Standoff, but that's about it.

What's back? - most everything returns in its normal place, although Fox is going to try to shift Bones to Friday again. It'll be on Wednesdays in the fall, but is scheduled to move to Fridays once American Idol returns. I'm thinking we'll see this move go the same way as last year's.

What's new for the fall? - we'll take this day by day.

On Monday we get K-Ville, a gritty cop drama set in post-Katrina New Orleans. Anthony Anderson stars, and apparently his character may be a little too pathological for some viewers. It'll be paired with Prison Break.

Tuesdays will lead off with New Amsterdam, which is about a New York City cop who is immortal. I don't know what they'll do with that hook outside of a lot of pantaloon-fueled flashbacks. It'll lead in to House.

Wednesday features the only sitcoms for the week, with newcomer Back to You getting paired with Til Death. Kelsey Grammer stars as a TV anchor whose fall from national prominence sees him return to his old station and his old partner - who is also his ex-wife (Patricia Heaton). Fred Williard is in the cast, too. Given the ages of the players, I have to think that Fox is looking to follow the CBS route and open its tent to all viewers... at least on Wednesdays.

Thursday is all unscripted, with Are You Smarter Than a Fifth Grader? leading into Kitchen Nightmares, based on the Gordon Ramsay show seen here on BBC America. I'm a fan of the original, and will be interested to see how it translates. Given the common problems of some of the restuarants on the original, I'm not sure they can provide enough variety over the course of a standard US television season. On the other hand, there are plenty of crappy restaurants out there, so we'll see.

Friday is also all unscripted, with the American Idol spin-off The Search for the Next Great American band leading into Nashville. The former show needs no explanation, given the expository title and its genesis from Idol. The latter show takes a Laguna Beach-style examination of young people trying to make it in Music City, USA. I can't say I'm interested in either of these, and I'm not sure how many people in its target audience are going to be home on Friday night to watch.

Saturday and Sunday are unchanged.

What's new for spring 2008? - a couple more new shows here.

On Wednesday, when the Idol results show gets mercifully cut down to a half-hour, we get The Return of Jezebel James as its lead-in. From the folks who brought us Gilmore Girls, it features Parker Posey and Lauren Ambrose as formerly estranged sisters brought back together when the older (Posey) asks the younger (Ambrose) to carry her baby. Good leads, and will likely be funnier than Notes from the Underbelly, though that is a very low bar.

On Thursdays we replace Kitchen Nightmares with Canterbury's Law, which is about a crusading defense attorney who will bend the rules to protect the wrongly accused. Pretty ho-hum, but it stars Julianna Marguiles and is from the folks behind Rescue Me and director Mike Figgis. So there's hope.

Once football is done, all of the comedies on Sunday move up an hour and the day ends with The Sarah Connor Chronicles, based on the Terminator movies. This is more of what I'd expect from Fox, though I'm dubious about the appeal given that it's been four years since the last (underwhelming) installment in the movie franchise. I may very well be underestimating things, though.

Oh, New Amsterdam is also scheduled to move to Fridays once American Idol comes back. This seems more likely to me than Bones being its schedule-mate.

Upfronts: The CW

2007-05-17T17:03:00.000-04:00

Both The CW and Fox went today. I'm going to start with the netlet, as Fox's split schedule will take just a little bit more brain power to process than I have right now.

What's gone? - We knew that 7th Heaven and Gilmore Girls were gone. The axe finally fell on Veronica Mars, to the chagrin of fanboys everywhere. Reba also got the heave-ho; no last second renewal this year. All of Us also got cut, which was also expected.

What's back? - While it's not on the fall schedule, One Tree Hill will return at mid-season, and with a twist. The show will jump ahead to post-college life for the kids, which is a good way to get the characters to catch up in age with the actors. No twists or time changes for the other shows.

What's new? - Replacing All of Us on Monday is Aliens in America, where a kid trying to fit in at school is given that much more to deal with when his family takes in an exchange student from Pakistan. I have no read on this show, but I like the concept. It'll hopefully make a nice pairing with lead in Everybody Hates Chris, though being in the Monday at 8 slot cues them up to get beat by CBS's sitcoms, Deal or No Deal, and Dancing With the Stars. Thanks for nothing!

Following Beauty and the Geek on Tuesday is Reaper, which follows a teen whose parents sold his soul to the Devil, and now the kid has to do leg work for Old Scratch. This figures to be lighter in tone, given the past credits of the production team and the involvement of Kevin Smith. I do hope there's an episode where the kid gets to deliver his parents, though. That'd only be fair.

Trying to mine ratings where Veronica Mars couldn't is Gossip Girl, which will follow America's Next Top Model on Wednesday. This is apparently based on a series of books where rich Manhattan teens have their secrets outed on-line by a blogger named, you guessed it, Gossip Girl. I really have no interest in this show, but it seems perfectly matched with The CW's top-rated show.

On Sunday, things start with a couple of unscripted shows, CW Now, which is like a younger Access Hollywood, and Online Nation, which gives network time to crap you find on YouTube. They seem oddly paired with Life is Wild, a remake of a British series where a veterenarian moves his family to a South African game preserve. Depending on the tone of the show, this may be better served after a couple of sitcoms (or as the lead-in to a more mature show).

Like pretty much every other presentation so far, nothing here really excites me, but there's also nothing approaching Happy Hour territory, either.

Water Cooler Talking Points: Lost

2007-05-17T08:22:00.000-04:00

1. Here's the plan - with the Others' invasion coming the night after next, Jack takes a group of people to see how they're going to fight back. Turns out it involves the liberal use of dynamite, brought by Rousseau from the Black Rock. Juliet will mark tents as planned, but they'll be loaded with TNT rather than potential kidnap victims.

2. Can you see what I see? - While on the show and tell trip with Jack, Desmond has more flashes. Charlie sees this and asks for details, but Desmond denies the visions. He later relents, and tells Charlie he saw Claire and Aaron getting on a helicopter to go home. Only problem is, for this to happen Charlie does have to die - he'll swim into some location, flip a switch, and drown.

3. Hey, there's just the place for that! - As an alternate rescue plan, Sayid suggests cutting off Rousseau's broadcast so he can use its frequency to call the ship that Naomi flew off from. Juliet says that won't help, as the Others have been jamming her signal from the Looking Glass - an underwater station that is flooded but can be shut off if someone swims in to shut the station down. Guess who volunteers? Before going out to the station, Charlie compiles a list of the five greatest moments in his life (the subject of this week's flashbacks): hearing Driveshaft on the radio for the first time, learning to swim, getting a family ring from his brother, saving a mugging victim and being called a hero, and meeting Claire. He writes this on a list, which he gives Desmond to bring back to Claire.

4. Change of plans - at the start of the episode we see a guy get in an outrigger and start paddling. Turns out it's Carl, who snuck back to the other island to be near Ben's daughter. When Ben returns from meeting Jacob, he says that Jacob has told him to move the attack up to that night. Ben's daughter tells Carl, and says that Carl has to warn the Lostaways, as they saved his life. Carl does this; with the new schedule, Jack and Rousseau realize they can't get the tents wired in time. Sayid suggest shooting the dynamite to set it off, and he finds shooters in Bernard and Jin. Sayid opts to stay as well, which cheeses Jack off until Sayid tells him to act like a leader and lead the group to the radio tower, where they'll wait for rescue.

5. More change of plans - Desmond and Charlie follow the cable that Hurley found out to the Looking Glass (why they just don't cut the cable I don't know). Desmond offers to take Charlie's place, thinking that perhaps that's what's supposed to happen. Charlie seems to accept this, at least until he brains Desmond with an oar. Charlie slips the list into Desmond's pocket and dives in. He barely reaches the moon pool entrance to the station, which is clearly not flooded. He gasps for air and rejoices in being alive - until two women with guns come out and draw a bead on him. So much for switch-flipping.

Most Surprising Ever?

2007-05-16T23:42:00.000-04:00

I'll admit to being quite surprised at the Blake-Jordin final that was revealed on American Idol tonight. Melinda was barely in jeopardy all season, and as touted was the most consistent of all the performers. And even though that consistency was excellent, perhaps it got a little boring?

I do think this is the most surprising elimination ever, though I'd be interested in hearing what others think. The only one that comes to mind that's close is Tamyra Grey finishing behind Nikki McKibbin in the first season. Anyway, thoughts?

Upfronts: CBS

2007-05-16T23:40:00.000-04:00

For a leading network, there was, as expected, not that much turnover in shows, as they Eye will debut five shows in the fall. They were the first to drop a bomb as to what wasn't coming back, so to speak.

What's gone? - starting here to note the cancellation of Jericho, which started strong but suffered in the ratings after its mid-season vacation. Whoever thought that was a good idea, especiall for serial dramas, is hopefully no longer employed in television. It's too bad the show had to suffer for the decisions of programmers; it wasn't the best show on TV, but it was a nice change from the usual CBS fare.

Also getting the heave-ho, in less surprising fashion, were The Class, Close to Home.

What's back - Rules of Engagement got picked up, and will take the 9:30 slot on Monday. Without a Trace returns to Thursday at 10, and gives its old Sunday at 10 timeslot to Shark. Both are reasonable moves, I think. Moreso than keeping Engagement.

What's New - The new comedy on Monday is The Big Bang Theory, which features two geniuses who have a hottie move in next door. Comedy ensues. I'd feel less charitable about this if it weren't airing between How I Met Your Mother and Two and a Half Men. It's also from Chuck Lorre, the producer of the latter show.

Cane features Jimmy Smits as the leader of a Miami family who is trying to protect its rum and sugar interests from family and business intrigues. It's got a pretty good cast, adding Hector Elizondo and Rita Moreno among others. Aaron Barnhart wasn't sure how this will succeed in the slot that saw Smith die an early death, but I think this show is sufficiently different that it won't go down like every heist-related program that's aired in the past year or so.

Jericho's replacement on Wednesdays is Kid Nation, where a group of minors is brought into a ghost town and given 40 days to turn it into a running community, with government, services, the works. I suppose it's more family-friendly than post-nuke Kansas, but I have no idea how this is going to work with the rest of CBS's night. Maybe it'll counter-program the dramas on other networks. Still, odd.

Replacing Close to Home on Fridays is Moonlight, which follows the adventures of a vampire-turned-detective. No word yet if they're using Angel spec scripts or just re-shooting episodes wholesale. It figures to pair well with Ghost Whisperer, though I wonder if it will be too "edgy" for the average CBS viewer and not enough so for former Angel viewers.

I'm pretty interested in how Sunday will turn out, as the venerable 60 Minutes will lead into Viva Laughlin, the US version of the British show Viva Blackpool. It's the story of a guy trying to open a casino in the face of family drama, a murder investigation, and musical numbers. Hugh Jackman has a recurring role, which seems like overkill. He needs this work? This might be a little too loopy to lead into Cold Case, but it'd be a nice change from the usual stuff that is on early Sunday nights.

The most notable mid-season replacement is Swingtown, a drama about wife-swappers in '70s era suburban Chicago. The only notable name among the cast is Grant Show. I'm not sure where this would go in the line-up, though I assume it'll either take Cane's place if that falters, or at 10 on Friday if Moonlight tanks and they move Numb3rs to 9. I can't see this show airing in any other time slot, given the subject matter.

CBS Entertainment President Nina Tassler noted that the network wanted the new shows this year to be "daring and different," and with more variety (a good thing given their reliance on procedurals). I think they've succeeded in the variety aspect, and the shows are at least different from the expected CBS standpoint. I'm not sure if they're daring, though. I will say that I'm moderately interested in Cane and Viva Laughlin, which is more interest than I've had in the new stuff that NBC and ABC is rolling out.

It Was a Hot One, Apparently

2007-05-16T06:47:00.000-04:00

Three singers, three songs each on American Idol last night. The first round of songs saw a judge pick a song for a singer (Simon chose "Wishing on a Star" for Jordin, Paula tapped "Roxanne" for Blake, an Randy selected "I Believe in Me and You" for Melinda). The second round had the producers pick the songs, while the last round was the singer's choice. Both Jordin and Melinda went with songs they'd done before, while Blake didn't. Don't think that will matter, but it was interesting.

No real complaints, all the performances were as expected from these three. I'm not sure they were always as hot as Randy said they were (hyperbole from Randy? Never!), but no one performed poorly.

I still think we're setting up for Melinda and Jordin in the finals, but Blake and Melinda wouldn't surprise me. If Melinda somehow doesn't make it I'd be very surprised; that could be the most unexpected result in Idol history.